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Mary Linda

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Mary Linda

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1girl, solo, startouch elf, figure, PVC figure, scale figure, high quality figure photography, full body, from below, dynamic pose, standing on one leg, contrapposto, twisting torso, arm raised, long straight wispy white hair, hair rolled up at the back, traditional ornate hairpin, face-framing hair strands, long straight sidelocks, magenta eyes, black sclera, eyelashes, long white eyelashes, small indigo nub horns, elven ears, pointy ears, indigo skin, translucent skin, nebula skin, medium breasts, slim waist, long legs, cosmic dark fantasy gown, sleeveless gown, deep space navy, starlight silver, starry print, metallic accents, silver trim, flowing skirt, ornate crystal display base, clear base, studio lighting, rim light, glossy highlights, smooth shading, detailed sculpting, masterpiece, best quality, stunningly feminine face The camera looks up from slightly below eye level, a full-body figure-photography shot with the figure filling the vertical frame; she is a sculpted PVC display piece standing on the crisp faceted planes of an ornate crystal base, not a woman in a room. She is caught mid-spiral: her weight rides on her straight left leg, the right leg swept back and bent at the knee so the calf lifts clear of the skirt, the hip pushed out on the supporting side, her torso twisted a quarter turn away while her chin comes back over her shoulder. Her left arm is flung up and out, fingers open, and her right hand rests lightly on her own hip, fingertips pressed into the gown at the waist seam. Her head tilts; her chin lifts; her huge glossy magenta eyes with their dark grey-to-black sclera and fine white catchlight details look off past the upper left of the frame, lids lowered a fraction under the long white lashes, and one brow is faintly raised — a cool, confident half-lidded look at something just out of shot. Her hair is glossy sculpted white, long, straight and wispy: a rolled and pinned updo at the back of the crown, held by an ornate traditional hairpin whose silver filigree head sits above her left ear, while the long straight face-framing strands on both sides fall past her jaw and float slightly from the turn of her head. Two small indigo nub horns curve up at her hairline, and her long pointed elven ears stand clear of the hair. Her indigo skin is smooth with a translucent, nebula-like depth — fine lighter and darker mottling drifting through the shoulders, forearms and collarbones like cloud in deep space, the surface finished in a soft satin sheen. The gown is deep space navy shading almost to black in the folds, cut sleeveless and close through the waist before the skirt opens and flares to one side; fine silver starlight patterns freckle the bodice, a metallic silver band cinches under her bust, and thin metallic piping runs the seams. The skirt is a thin molded shell, and where its hem lifts away from the crystal it casts a soft-edged shadow on the facets below instead of draping — it holds its flare as sculpted resin holds a pose. Her slim waist and slim long legs read cleanly through the silhouette, the medium chest shaped by the close bodice. The lighting is a studio setup: a broad key from the upper right lays a clean highlight down the right side of her face, the upraised arm and the swell of the skirt; a cooler rim from behind the left shoulder picks the hairpin and the white hair into bright edges; a soft fill keeps the shadow side readable. The backdrop is a seamless dark gradient sweep, deep blue-grey at the top to near black at the base, the display base the only hard-edged object in it, and a faint soft reflection pools where the crystal meets the ground. Palette locked to deep space navy, starlight silver, white and indigo, nothing else admitted. Ethereal and effortlessly elegant.
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1female, solo, startouch elf, long straight wispy white hair tolled up at the back, secured with a traditional ornate hairpin, long straight strands framing the face, magenta eyes, black sclera, medium chest. Wearing a sleek cosmic dark fantasy gown, deep space navy and starlight silver color palette, starry patterns, metallic accents, elegant and ethereal. PVC figure art style, high quality figure photography, dynamic pose, smooth shading, vibrant highlights, detailed sculpting, standing on an ornate crystal display base, studio lighting, masterpiece, small indigo nub horns, black scelera, big glossy magenta eyes with a dark grey to black scelera and white details, white long eyelashes, indigo skin, nebula-likebtransulect skin, elven ears, best quality, medium chest, slim long legs, slim waist, stunningly feminine face
Modo
pro
Tamanho
1104 x 1824
Método de Amostragem
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Assistente de Prompt

Modelo & LoRA usado

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.78k

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AI artwork
ml
1girl, solo, startouch elf, figure, PVC figure, scale figure, high quality figure photography, full body, from below, dynamic pose, standing on one leg, contrapposto, twisting torso, arm raised, long straight wispy white hair, hair rolled up at the back, traditional ornate hairpin, face-framing hair strands, long straight sidelocks, magenta eyes, black sclera, eyelashes, long white eyelashes, small indigo nub horns, elven ears, pointy ears, indigo skin, translucent skin, nebula skin, medium breasts, slim waist, long legs, cosmic dark fantasy gown, sleeveless gown, deep space navy, starlight silver, starry print, metallic accents, silver trim, flowing skirt, ornate crystal display base, clear base, studio lighting, rim light, glossy highlights, smooth shading, detailed sculpting, masterpiece, best quality, stunningly feminine face The camera looks up from slightly below eye level, a full-body figure-photography shot with the figure filling the vertical frame; she is a sculpted PVC display piece standing on the crisp faceted planes of an ornate crystal base, not a woman in a room. She is caught mid-spiral: her weight rides on her straight left leg, the right leg swept back and bent at the knee so the calf lifts clear of the skirt, the hip pushed out on the supporting side, her torso twisted a quarter turn away while her chin comes back over her shoulder. Her left arm is flung up and out, fingers open, and her right hand rests lightly on her own hip, fingertips pressed into the gown at the waist seam. Her head tilts; her chin lifts; her huge glossy magenta eyes with their dark grey-to-black sclera and fine white catchlight details look off past the upper left of the frame, lids lowered a fraction under the long white lashes, and one brow is faintly raised — a cool, confident half-lidded look at something just out of shot. Her hair is glossy sculpted white, long, straight and wispy: a rolled and pinned updo at the back of the crown, held by an ornate traditional hairpin whose silver filigree head sits above her left ear, while the long straight face-framing strands on both sides fall past her jaw and float slightly from the turn of her head. Two small indigo nub horns curve up at her hairline, and her long pointed elven ears stand clear of the hair. Her indigo skin is smooth with a translucent, nebula-like depth — fine lighter and darker mottling drifting through the shoulders, forearms and collarbones like cloud in deep space, the surface finished in a soft satin sheen. The gown is deep space navy shading almost to black in the folds, cut sleeveless and close through the waist before the skirt opens and flares to one side; fine silver starlight patterns freckle the bodice, a metallic silver band cinches under her bust, and thin metallic piping runs the seams. The skirt is a thin molded shell, and where its hem lifts away from the crystal it casts a soft-edged shadow on the facets below instead of draping — it holds its flare as sculpted resin holds a pose. Her slim waist and slim long legs read cleanly through the silhouette, the medium chest shaped by the close bodice. The lighting is a studio setup: a broad key from the upper right lays a clean highlight down the right side of her face, the upraised arm and the swell of the skirt; a cooler rim from behind the left shoulder picks the hairpin and the white hair into bright edges; a soft fill keeps the shadow side readable. The backdrop is a seamless dark gradient sweep, deep blue-grey at the top to near black at the base, the display base the only hard-edged object in it, and a faint soft reflection pools where the crystal meets the ground. Palette locked to deep space navy, starlight silver, white and indigo, nothing else admitted. Ethereal and effortlessly elegant.
Mary Linda
AI artwork
ml
1girl, solo, startouch elf, figure, PVC figure, scale figure, high quality figure photography, full body, from below, dynamic pose, standing on one leg, contrapposto, twisting torso, arm raised, long straight wispy white hair, hair rolled up at the back, traditional ornate hairpin, face-framing hair strands, long straight sidelocks, magenta eyes, black sclera, eyelashes, long white eyelashes, small indigo nub horns, elven ears, pointy ears, indigo skin, translucent skin, nebula skin, medium breasts, slim waist, long legs, cosmic dark fantasy gown, sleeveless gown, deep space navy, starlight silver, starry print, metallic accents, silver trim, flowing skirt, ornate crystal display base, clear base, studio lighting, rim light, glossy highlights, smooth shading, detailed sculpting, masterpiece, best quality, stunningly feminine face The camera looks up from slightly below eye level, a full-body figure-photography shot with the figure filling the vertical frame; she is a sculpted PVC display piece standing on the crisp faceted planes of an ornate crystal base, not a woman in a room. She is caught mid-spiral: her weight rides on her straight left leg, the right leg swept back and bent at the knee so the calf lifts clear of the skirt, the hip pushed out on the supporting side, her torso twisted a quarter turn away while her chin comes back over her shoulder. Her left arm is flung up and out, fingers open, and her right hand rests lightly on her own hip, fingertips pressed into the gown at the waist seam. Her head tilts; her chin lifts; her huge glossy magenta eyes with their dark grey-to-black sclera and fine white catchlight details look off past the upper left of the frame, lids lowered a fraction under the long white lashes, and one brow is faintly raised — a cool, confident half-lidded look at something just out of shot. Her hair is glossy sculpted white, long, straight and wispy: a rolled and pinned updo at the back of the crown, held by an ornate traditional hairpin whose silver filigree head sits above her left ear, while the long straight face-framing strands on both sides fall past her jaw and float slightly from the turn of her head. Two small indigo nub horns curve up at her hairline, and her long pointed elven ears stand clear of the hair. Her indigo skin is smooth with a translucent, nebula-like depth — fine lighter and darker mottling drifting through the shoulders, forearms and collarbones like cloud in deep space, the surface finished in a soft satin sheen. The gown is deep space navy shading almost to black in the folds, cut sleeveless and close through the waist before the skirt opens and flares to one side; fine silver starlight patterns freckle the bodice, a metallic silver band cinches under her bust, and thin metallic piping runs the seams. The skirt is a thin molded shell, and where its hem lifts away from the crystal it casts a soft-edged shadow on the facets below instead of draping — it holds its flare as sculpted resin holds a pose. Her slim waist and slim long legs read cleanly through the silhouette, the medium chest shaped by the close bodice. The lighting is a studio setup: a broad key from the upper right lays a clean highlight down the right side of her face, the upraised arm and the swell of the skirt; a cooler rim from behind the left shoulder picks the hairpin and the white hair into bright edges; a soft fill keeps the shadow side readable. The backdrop is a seamless dark gradient sweep, deep blue-grey at the top to near black at the base, the display base the only hard-edged object in it, and a faint soft reflection pools where the crystal meets the ground. Palette locked to deep space navy, starlight silver, white and indigo, nothing else admitted. Ethereal and effortlessly elegant.
Mary Linda
AI artwork
em
1girl, solo, startouch elf, long straight wispy white hair, white hair with pale lilac tips, half updo, section looped upward at the back, dark geometric diamond-shaped hairpins, hair flowing down the back, magenta eyes, white details in iris, black sclera, white eyelashes, indigo skin, translucent nebula-like skin, white freckles, stunningly feminine face, medium chest, slim legs, oversized black cloak, golden embroidery on cloak, looking at viewer, standing, intricate crystal display base, full body, from below, slight low angle, PVC figure, figure photography, studio lighting, smooth shading, sharp details, masterpiece, gemstone base, dark background, rim light The camera sits low, near the foot of the display base, tilted slightly up so the figure reads as a collectible photographed from just beneath its plinth: a single girl stands full-length in the frame, centered, her body turned a quarter away from the lens while her head turns back so her magenta eyes with black sclera and white-flecked irises look straight into the viewer. Her weight rests on her right leg with the hip pushed out, left knee bent and the left toe set forward on the crystal, arms hanging inside the pooled sleeves of the oversized black cloak, its heavy hem breaking around her calves and its golden embroidery catching the key light in thin, sharp lines across the shoulders and down the front edges. The cloak's collar stands high at the nape; below it the half-updo gathers, one section of white hair looped upward and pinned at the back with dark geometric diamond-shaped hairpins that sit flat against the crown, while the rest of the long straight wispy white hair spills down her back past the cloak's shoulders and ends in pale lilac tips that fade into shadow behind the hem. Her face is a three-quarter turn back over her shoulder, chin lowered, white eyelashes half-lowered then lifted, lips together and faintly parted on a breath; her gaze locks on the lens and holds, conveying a cool, posed self-possession rather than a smile. Translucent nebula-like skin in deep indigo glows faintly where the key light skims her cheek, throat, the backs of her hands and the front of her left thigh below the cloak's sweep, white freckles scattered like dust across the bridge of her nose, her shoulders and the exposed shin, densest where the light hits and thinning to nothing in shadow. The base is an intricate cluster of faceted crystal prisms and cut spars rising in uneven steps from a low plinth, its edges refracting a faint magenta and lilac cast upward onto the undersides of her cloak and her bare ankles; her feet press flat on two polished facets, and the crystal directly beneath her bends her reflection into a distorted, softer, darker image that stops at her knees. A softbox high and to the left is the key, a weaker cool fill low right keeps the cloak's black from crushing, and a thin rim light traces the looped hair and the cloak's shoulder line; beyond the pool of studio light the seamless backdrop falls to near-black, and the cast shadow of the base spreads to the right across the sweep. Palette confines itself to indigo, magenta, pale lilac, black and gold against the dark ground, nothing else admitted. Smooth matte PVC shading with crisp specular highlights on the crystal and a faint seam line at the shoulder joint, hair strands modeled as fine separate wisps, meticulous high-quality figure photography. Quietly regal, jewel-like.
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