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AI artwork featuring #The Student Council Also Has a Hole in It! and #Komaro Michinoku
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Komaro Michinoku, The Student Council Also Has a Hole in It!

#The Student Council Also Has a Hole in It!#Komaro Michinoku
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character: michinoku_komaro 1girl, solo, michinoku komaro, pink hair, long hair, hair between eyes, crossed bangs, hair intakes, blue eyes, wa-maid, japanese-style maid outfit, kimono-style maid dress, wide sleeves, obi sash tied in front, apron, japanese pattern fabric, large breasts, cleavage, on futon, lying on stomach, propped up on elbows, from above, looking up at viewer, looking over shoulder, head tilt, one knee bent, bare feet, tabi socks, light smile, half-closed eyes, blush, tatami floor, futon, quilt, pillow, Shot from directly above, the camera hovering over the futon so the mattress fills the frame edge to edge and the girl lies on it diagonally, her body from the knees up in view. She is on her stomach, propped on both forearms, elbows sunk into the quilt so the fabric dimples under each of them, the pillow shoved aside to the upper left. Her chest presses down against the mattress and spills into the loose V of the kimono-style bodice, the wide lapels pushed open by the weight, the obi sash tied at the front pulled taut across her waist. The wa-maid dress is a pale rose kimono cut with a deep collar, wide sleeves that bunch and fold at her wrists, a small white apron tied over the front, sakura blossoms and gold cloud lines printed across the fabric. Her long pink hair falls forward over both shoulders and hangs down toward the quilt, the crossed bangs parted by the angle, a few strands stuck flat to her cheek. Her chin rests low, her blue eyes lift toward the lens from under her brows, one side of her mouth tucked in a faint, sly smile, the other knee drawn up and slightly out so the skirt rides above it. Her right hand is flat on the quilt near her shoulder, fingers spread, the left hand half-curled at the hem of the sleeve. Above the futon the ceiling light comes from the upper right, warm and low, so her shadow falls to the lower left and the fabric creases under her elbows cast short soft shadows; the room beyond fades into a dim tatami floor and a shoji screen, and the futon itself is the only bright surface, its quilt pale blue with tiny plum blossoms. Palette held to dusty rose, cream, pale blue and warm shadow, nothing loud. Quiet, softly inviting.
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Entrada de Instrução Original
michinoku komaro,和風メイド、巨乳、布団の上
Modo
pro
Tag de Qualidade
correct anatomy,clear line, highquality, best quality, Masterpeace,anatomically correct, realistic proportions ( (Anime illustration)) ((Incarnate detail)) ((Masterpiece)) ((Highest quality)),, ﹝Instruções﹞
Tamanho
1104 x 1824
Método de Amostragem
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit,spoken heart
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Avatar image of まりも
character: michinoku_komaro 1girl, solo, pink hair, long hair, hair between eyes, crossed bangs, hair intakes, blue eyes, japanese-style maid outfit, wa-maid, kimono-style maid dress, wide sleeves, obi sash, apron, frilled maid headdress, large breasts, cleavage, on futon, futon, lying on side, propped on elbow, head tilt, looking at viewer, half-closed eyes, light smile, blush, bare feet, from above, foreshortening, close-up, warm lamplight, night, intimate, Seen from above, in a steep close-up that takes in the futon, the woman and a narrow margin of tatami, she lies on her side on a folded futon: pink hair, long and loose, spilling across the white sheet with strands between her eyes and a pair of cut bangs crossing her forehead; blue eyes lift to the lens, lids half lowered, one brow slightly raised, lips shut in a faint lopsided smile, a warm blush across the cheeks. Her left elbow is planted in the mattress padding, her cheek resting against her knuckles so the sleeve of her kimono-style maid dress bunches at the wrist; her right hand lies flat on the quilt before her chest, fingers curled into the cloth. The dress is a Japanese maid's: a deep indigo kimono bodice with wide hanging sleeves and a broad patterned obi tied at her waist, a white frilled apron laid over it, a small frilled headdress set back in her hair; the collar falls open in a shallow V, and the cut of the bodice and obi cinching under the bust make her large breasts press full and heavy against the fabric, the apron bib riding high and skewed to one side. Bare feet curl out from under the hem at the bottom of the frame, one sole angled up at the camera. Around her the futon is lived-in: the quilt rumpled and pulled back, the pillow dented under her shoulder, the sheet creased in long diagonal folds that run toward the lower corner. The room beyond the mattress is dark and shallow — a glimpse of tatami mat edging, a paper-screen panel off to the left, nothing more. A single warm lamp sits low and out of frame to the right; it rakes across her cheek, the shoulder of the dress and the crest of the quilt, leaving her far side and the room behind her in deep shadow, and her cast shadow pools close under the obi. Palette kept to indigo, off-white linen and the pink of her hair and flushed cheeks, with the lamplight's amber as the only warmth. Quiet, close and lazy.
まりも

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