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AI artwork featuring #The Idolmaster, #The Idolmaster Cinderella Girls, #The Idolmaster Shiny Colors, #Akira Sunazuka and #Riamu Yumemi
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Akira Sunazuka, Riamu Yumemi

Arte de IA de kykykykykykykyky no PixAI. Tags: The Idolmaster, The Idolmaster Cinderella Girls. Criado com Tsubaki.3.

#The Idolmaster#The Idolmaster Cinderella Girls#The Idolmaster Shiny Colors#Akira Sunazuka#Riamu Yumemi
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character: mitsumine_yuika, mayuzumi_fuyuko, yumemi_riamu 3girls, yumemi_riamu, mayuzumi_fuyuko, mitsumine_yuika, full body, cowboy shot, from below, dutch angle, walking, walking towards viewer, mid-step, talking, smiling, open mouth, mask, face mask, black mask, mask pulled aside, mask below chin, single bare ear, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, ahoge, pink eyes, fang, backpack, smartphone, holding smartphone, badges, accessories, ornaments, latest fashion, cute design, mismatched brands, sneakers, white gothic lolita, frilled skirt, black hair, long hair, blunt bangs, brown eyes, twintails, parted bangs, blue eyes, akihabara, city street, realistic background, street scenery, shop signs, power lines, life-size proportions, badge, highres, absurdres, smile, real background, anime characters on photo-real street The camera sits low and tilted: the three girls walk toward the viewer along an Akihabara side street, seen from below waist height, so the street's perspective runs up and away behind them and the shop fronts lean over the top of the frame. Yumemi Riamu is nearest and slightly left of centre, caught mid-step with her right heel just landing and her left foot pushing off behind; her pink-and-blue two-tone short hair swings with the stride, the ahoge bobbing, one small fang catching the light as she grins. Her face mask is hooked off one ear and pulled down under her chin, so the whole of her open-mouthed smile is exposed; the mask's edge presses a faint line into her cheek. Both hands are up on the strap of her backpack — the right hand also curling a smartphone against the strap, screen lit — and her badges and ornaments cluster on the backpack's front pocket and along the jacket's lapel, tiny hard discs and enamel charms of a cute, cluttered design. Her jacket, her pleated skirt, her chunky sneakers and her socks each read as different brands — a print top under a varsity-style jacket, a ribbon-tied skirt, mint green running shoes with visible maker lettering, striped socks — colours deliberately mismatched within one silhouette. Mayuzumi Fuyuko walks at Riamu's left shoulder, half a pace back, her black hair long and blunt-banged, brown eyes turned toward Riamu as she speaks; her black face mask sits properly over her nose and mouth, muffling her speech and flattening the words, but the corners of her eyes crease in a smile and her chin lifts with it. She wears white gothic lolita — a high-collared white blouse with long sleeves and frilled cuffs, a layered white skirt with black lace edging, a black ribbon at the throat and a bow at the back — and her white lace-up boots step in time. Her right hand is raised, fingers spread, gesturing as she talks. Mitsumune Yuika walks on Riamu's right, her black hair in two long twintails that lift and lag a beat behind each stride, blue eyes angled toward Riamu, smiling as she leans in to hear over the masked voice; her right hand grips the strap of her own bag at her shoulder, her left hand loose and swinging. She wears a cropped jacket over a shirt and pleated skirt, glasses pushed up into her bangs. The background is rendered photographic: real Akihabara — a narrow street of stacked shop façades, vertical signage with dense Japanese lettering curving and foreshortening up the wall, air-conditioner units, exposed conduit, a tangle of overhead power lines crossing the pale sky, a bicycle parked against a shutter, a vending machine's glow at the kerb. The three girls cut out against it in clean animation-style linework and cel-shaded colour. Afternoon light comes from up and to the left, warm and low, striking the left side of every face and the tops of the signage; the right sides of the bodies fall into cool shadow, and their three shadows stretch to the right across the asphalt, overlapping where they walk close. Palette: warm amber pavement and white sky, and against it Riamu's pink-mint-lilac clash, Fuyuko's stark white and black, Yuika's muted navy and camel. Cheerful, lived-in, effortlessly stylish street mood.
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Entrada de Instrução Original
夢見りあむ　マスク　アクセサリー　装飾品　最新ファッション　可愛いデザイン　リュック　スマホ　イラスト調のりあむとリアルな背景　秋葉原　街並み　バッジ　靴、服などそれぞれブランドが違う　マスクをよけて笑顔を見せる 黛冬優子+白ゴスロリ+黒マスク　三峰結華　3girls　一緒に街を散策 笑顔　実在性　等身大　話をしながら歩く　笑顔
Modo
pro
Tag de Qualidade
﹝Instruções﹞
Tamanho
768 x 1280
Método de Amostragem
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, looking at viewer
Assistente de Prompt

Modelo & LoRA usado

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.61k

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AI artwork
k
character: mitsumine_yuika, mayuzumi_fuyuko, yumemi_riamu 3girls, yumemi_riamu, mayuzumi_fuyuko, mitsumine_yuika, full body, cowboy shot, from below, dutch angle, walking, walking towards viewer, mid-step, talking, smiling, open mouth, mask, face mask, black mask, mask pulled aside, mask below chin, single bare ear, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, ahoge, pink eyes, fang, backpack, smartphone, holding smartphone, badges, accessories, ornaments, latest fashion, cute design, mismatched brands, sneakers, white gothic lolita, frilled skirt, black hair, long hair, blunt bangs, brown eyes, twintails, parted bangs, blue eyes, akihabara, city street, realistic background, street scenery, shop signs, power lines, life-size proportions, badge, highres, absurdres, smile, real background, anime characters on photo-real street The camera sits low and tilted: the three girls walk toward the viewer along an Akihabara side street, seen from below waist height, so the street's perspective runs up and away behind them and the shop fronts lean over the top of the frame. Yumemi Riamu is nearest and slightly left of centre, caught mid-step with her right heel just landing and her left foot pushing off behind; her pink-and-blue two-tone short hair swings with the stride, the ahoge bobbing, one small fang catching the light as she grins. Her face mask is hooked off one ear and pulled down under her chin, so the whole of her open-mouthed smile is exposed; the mask's edge presses a faint line into her cheek. Both hands are up on the strap of her backpack — the right hand also curling a smartphone against the strap, screen lit — and her badges and ornaments cluster on the backpack's front pocket and along the jacket's lapel, tiny hard discs and enamel charms of a cute, cluttered design. Her jacket, her pleated skirt, her chunky sneakers and her socks each read as different brands — a print top under a varsity-style jacket, a ribbon-tied skirt, mint green running shoes with visible maker lettering, striped socks — colours deliberately mismatched within one silhouette. Mayuzumi Fuyuko walks at Riamu's left shoulder, half a pace back, her black hair long and blunt-banged, brown eyes turned toward Riamu as she speaks; her black face mask sits properly over her nose and mouth, muffling her speech and flattening the words, but the corners of her eyes crease in a smile and her chin lifts with it. She wears white gothic lolita — a high-collared white blouse with long sleeves and frilled cuffs, a layered white skirt with black lace edging, a black ribbon at the throat and a bow at the back — and her white lace-up boots step in time. Her right hand is raised, fingers spread, gesturing as she talks. Mitsumune Yuika walks on Riamu's right, her black hair in two long twintails that lift and lag a beat behind each stride, blue eyes angled toward Riamu, smiling as she leans in to hear over the masked voice; her right hand grips the strap of her own bag at her shoulder, her left hand loose and swinging. She wears a cropped jacket over a shirt and pleated skirt, glasses pushed up into her bangs. The background is rendered photographic: real Akihabara — a narrow street of stacked shop façades, vertical signage with dense Japanese lettering curving and foreshortening up the wall, air-conditioner units, exposed conduit, a tangle of overhead power lines crossing the pale sky, a bicycle parked against a shutter, a vending machine's glow at the kerb. The three girls cut out against it in clean animation-style linework and cel-shaded colour. Afternoon light comes from up and to the left, warm and low, striking the left side of every face and the tops of the signage; the right sides of the bodies fall into cool shadow, and their three shadows stretch to the right across the asphalt, overlapping where they walk close. Palette: warm amber pavement and white sky, and against it Riamu's pink-mint-lilac clash, Fuyuko's stark white and black, Yuika's muted navy and camel. Cheerful, lived-in, effortlessly stylish street mood.
kykykykykykykyky
#The Idolmaster#The Idolmaster Cinderella Girls#The Idolmaster Shiny Colors
AI artwork
k
character: mitsumine_yuika, mayuzumi_fuyuko, yumemi_riamu 3girls, yumemi_riamu, mayuzumi_fuyuko, mitsumine_yuika, full body, cowboy shot, from below, dutch angle, walking, walking towards viewer, mid-step, talking, smiling, open mouth, mask, face mask, black mask, mask pulled aside, mask below chin, single bare ear, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, ahoge, pink eyes, fang, backpack, smartphone, holding smartphone, badges, accessories, ornaments, latest fashion, cute design, mismatched brands, sneakers, white gothic lolita, frilled skirt, black hair, long hair, blunt bangs, brown eyes, twintails, parted bangs, blue eyes, akihabara, city street, realistic background, street scenery, shop signs, power lines, life-size proportions, badge, highres, absurdres, smile, real background, anime characters on photo-real street The camera sits low and tilted: the three girls walk toward the viewer along an Akihabara side street, seen from below waist height, so the street's perspective runs up and away behind them and the shop fronts lean over the top of the frame. Yumemi Riamu is nearest and slightly left of centre, caught mid-step with her right heel just landing and her left foot pushing off behind; her pink-and-blue two-tone short hair swings with the stride, the ahoge bobbing, one small fang catching the light as she grins. Her face mask is hooked off one ear and pulled down under her chin, so the whole of her open-mouthed smile is exposed; the mask's edge presses a faint line into her cheek. Both hands are up on the strap of her backpack — the right hand also curling a smartphone against the strap, screen lit — and her badges and ornaments cluster on the backpack's front pocket and along the jacket's lapel, tiny hard discs and enamel charms of a cute, cluttered design. Her jacket, her pleated skirt, her chunky sneakers and her socks each read as different brands — a print top under a varsity-style jacket, a ribbon-tied skirt, mint green running shoes with visible maker lettering, striped socks — colours deliberately mismatched within one silhouette. Mayuzumi Fuyuko walks at Riamu's left shoulder, half a pace back, her black hair long and blunt-banged, brown eyes turned toward Riamu as she speaks; her black face mask sits properly over her nose and mouth, muffling her speech and flattening the words, but the corners of her eyes crease in a smile and her chin lifts with it. She wears white gothic lolita — a high-collared white blouse with long sleeves and frilled cuffs, a layered white skirt with black lace edging, a black ribbon at the throat and a bow at the back — and her white lace-up boots step in time. Her right hand is raised, fingers spread, gesturing as she talks. Mitsumune Yuika walks on Riamu's right, her black hair in two long twintails that lift and lag a beat behind each stride, blue eyes angled toward Riamu, smiling as she leans in to hear over the masked voice; her right hand grips the strap of her own bag at her shoulder, her left hand loose and swinging. She wears a cropped jacket over a shirt and pleated skirt, glasses pushed up into her bangs. The background is rendered photographic: real Akihabara — a narrow street of stacked shop façades, vertical signage with dense Japanese lettering curving and foreshortening up the wall, air-conditioner units, exposed conduit, a tangle of overhead power lines crossing the pale sky, a bicycle parked against a shutter, a vending machine's glow at the kerb. The three girls cut out against it in clean animation-style linework and cel-shaded colour. Afternoon light comes from up and to the left, warm and low, striking the left side of every face and the tops of the signage; the right sides of the bodies fall into cool shadow, and their three shadows stretch to the right across the asphalt, overlapping where they walk close. Palette: warm amber pavement and white sky, and against it Riamu's pink-mint-lilac clash, Fuyuko's stark white and black, Yuika's muted navy and camel. Cheerful, lived-in, effortlessly stylish street mood.
kykykykykykykyky
#The Idolmaster#The Idolmaster Cinderella Girls#Akira Sunazuka
AI artwork
k
character: mitsumine_yuika, mayuzumi_fuyuko, yumemi_riamu 3girls, yumemi_riamu, mayuzumi_fuyuko, mitsumine_yuika, full body, cowboy shot, from below, dutch angle, walking, walking towards viewer, mid-step, talking, smiling, open mouth, mask, face mask, black mask, mask pulled aside, mask below chin, single bare ear, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, ahoge, pink eyes, fang, backpack, smartphone, holding smartphone, badges, accessories, ornaments, latest fashion, cute design, mismatched brands, sneakers, white gothic lolita, frilled skirt, black hair, long hair, blunt bangs, brown eyes, twintails, parted bangs, blue eyes, akihabara, city street, realistic background, street scenery, shop signs, power lines, life-size proportions, badge, highres, absurdres, smile, real background, anime characters on photo-real street The camera sits low and tilted: the three girls walk toward the viewer along an Akihabara side street, seen from below waist height, so the street's perspective runs up and away behind them and the shop fronts lean over the top of the frame. Yumemi Riamu is nearest and slightly left of centre, caught mid-step with her right heel just landing and her left foot pushing off behind; her pink-and-blue two-tone short hair swings with the stride, the ahoge bobbing, one small fang catching the light as she grins. Her face mask is hooked off one ear and pulled down under her chin, so the whole of her open-mouthed smile is exposed; the mask's edge presses a faint line into her cheek. Both hands are up on the strap of her backpack — the right hand also curling a smartphone against the strap, screen lit — and her badges and ornaments cluster on the backpack's front pocket and along the jacket's lapel, tiny hard discs and enamel charms of a cute, cluttered design. Her jacket, her pleated skirt, her chunky sneakers and her socks each read as different brands — a print top under a varsity-style jacket, a ribbon-tied skirt, mint green running shoes with visible maker lettering, striped socks — colours deliberately mismatched within one silhouette. Mayuzumi Fuyuko walks at Riamu's left shoulder, half a pace back, her black hair long and blunt-banged, brown eyes turned toward Riamu as she speaks; her black face mask sits properly over her nose and mouth, muffling her speech and flattening the words, but the corners of her eyes crease in a smile and her chin lifts with it. She wears white gothic lolita — a high-collared white blouse with long sleeves and frilled cuffs, a layered white skirt with black lace edging, a black ribbon at the throat and a bow at the back — and her white lace-up boots step in time. Her right hand is raised, fingers spread, gesturing as she talks. Mitsumune Yuika walks on Riamu's right, her black hair in two long twintails that lift and lag a beat behind each stride, blue eyes angled toward Riamu, smiling as she leans in to hear over the masked voice; her right hand grips the strap of her own bag at her shoulder, her left hand loose and swinging. She wears a cropped jacket over a shirt and pleated skirt, glasses pushed up into her bangs. The background is rendered photographic: real Akihabara — a narrow street of stacked shop façades, vertical signage with dense Japanese lettering curving and foreshortening up the wall, air-conditioner units, exposed conduit, a tangle of overhead power lines crossing the pale sky, a bicycle parked against a shutter, a vending machine's glow at the kerb. The three girls cut out against it in clean animation-style linework and cel-shaded colour. Afternoon light comes from up and to the left, warm and low, striking the left side of every face and the tops of the signage; the right sides of the bodies fall into cool shadow, and their three shadows stretch to the right across the asphalt, overlapping where they walk close. Palette: warm amber pavement and white sky, and against it Riamu's pink-mint-lilac clash, Fuyuko's stark white and black, Yuika's muted navy and camel. Cheerful, lived-in, effortlessly stylish street mood.
kykykykykykykyky
#The Idolmaster#The Idolmaster Cinderella Girls#Akari Tsujino
AI artwork
k
character: yumemi_riamu, mayuzumi_fuyuko, copyright: subarashiki_kono_sekai 2girls, full body, walking, strolling, yumemi_riamu, pink_hair, multicolored_hair, two-tone_hair, blue_hair, short_hair, ahoge, hair_intakes, pink_eyes, fang, mask, white mask pulled aside, holding mask aside with one hand, smile, open-mouthed grin, fang visible, sad eyes half closed, smartphone, holding smartphone, backpack, badges, button badges, accessories, earrings, short_sleeves, latest fashion, oversized streetwear, cute design, sneakers, mayuzumi_fuyuko, black_hair, long_hair, blunt_bangs, brown_eyes, gothic lolita, black_mask, black frilled dress, long_sleeves, bow, ribbon, jewelry, earrings, frills, skirt, black boots, walking beside, from side, full body, wide shot, shibuya, cityscape, realistic background, street, crowd, signage, pop illustration character, mixed media, dutch angle, looking at another, daytime, overcast The camera sits low and slightly to the side in a wide full-body shot, tilted a few degrees off level so the crossing and the street behind it lean; Yumemi Riamu strides at the near left of the frame, and Fuyuko Mayuzumi walks half a pace behind and to her right, their bodies angled three-quarters toward each other and down the street rather than to the lens. Riamu's illustration-flat body moves in a long mid-step, her weight sunk into the bent front leg with the rear heel lifting free of the pavement, and her right forearm lifts to hook two fingers under the edge of her white mask and drag it down past her chin, so the mask hangs from one ear loop and her whole face is open in a wide crescent-eyed grin with one sharp fang catching the light -- she is looking over her shoulder at Fuyuko, chin turned, mid-laugh. Her pink-and-blue two-tone short hair cuts the air in flat clumps, the ahoge springing, her oversized latest-fashion zip jacket riding loose over a frilled crop layer, its seams, her mismatched bright platforms from another label, and the studded bracelet at her wrist each reading as a different brand by different trim, colours and hardware; a chunky badge-barnacled backpack is shrugged onto one shoulder with the strap crossing her chest, badges pinned in clusters across the strap and the jacket lapel, her left hand swinging a smartphone in a decorated case down at her hip, one thumb still on the screen. Fuyuko steps with her weight carried high and straight, chin lowered, black blunt-banged hair swinging in a heavy arc over the shoulder as she angles her face toward Riamu, brown eyes just seen over the top rim of a snug black mask fitted over nose and mouth; her gothic lolita black frilled dress with its ribbon at the throat, long black sleeves and heavy black boots make a dark column against the bright street, both hands loosely folded around the strap of a small bag at her waist. Contact points stay exact: Riamu's two fingers pinched white on the mask edge, her lifted toe rolling off the paving, Fuyuko's boot soles flat and taking her weight, the strap pressed into Riamu's collarbone. Behind them the Shibuya crossing reads photoreal -- sharp frontal facades, layered rows of kanji and Latin signage rendered as illegible distant texture, a scatter of blurred pedestrians at a respectful distance, glass and steel holding the depth -- while the two girls alone are drawn flat with hard cel edges, saturated pinks and blacks, and thin linework; the ambient overcast daylight is soft and even from above, flattening into near-shadowless fill on the illustrated figures but drawing a true shadow under Fuyuko's boots and a soft one beneath Riamu's feet, and a faint reflection of the signage smears on the damp paving. The palette is split: hot pink, electric blue and white on Riamu, unbroken black on Fuyuko, both stitched onto the grey-white realism of the street. The mask's ear loop stretches and whitens under the pull, and Riamu's grin skews lopsided because of it -- loud, sunny, effortlessly stylish.
kykykykykykykyky
#The Idolmaster#The Idolmaster Cinderella Girls#The Idolmaster Shiny Colors

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