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大人の夜のひととき…ピンク髪の彼女との癒しタイム
大人の雰囲気が漂うバーで、ピンク髪の彼女が少し照れながら微笑む姿がとても色っぽくてドキドキしちゃいます。隣にいる彼との距離感もすごく素敵で、見ているだけで私も癒されました。気に入ったらいいねとフォローをお願いします！次回の投稿もお楽しみに。
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- Entrada de Instrução Original
- masterpiece, best quality, highly detailed, anime style, full color, vibrant colors, 1girl, 1boy, beautiful woman, adult woman, attractive face, long hair, large breasts, soft breasts, cleavage, blond handsome playboy man, flashy charismatic blond guy, muscular, confident smirk, sitting next to each other, close proximity, lewd body touch, hand on her thigh, hand on her waist, intimate touching, groping lightly, she has a not-unwilling expression, slightly aroused face, blush, half-lidded eyes, subtle smile, looking away shyly yet enjoying, gokon, group date, izakaya, bar, night, alcohol, drinks on table, erotic atmosphere, sensual, thick sexual tension, muwaa, humid, passionate undertone, about to be taken home, pickup atmosphere, netorare undertone, detailed clothing, detailed hands, cinematic lighting, soft warm light, sharp focus, intense erotic atmosphere,美女、スイートプリキュア、ベリーロングヘア、ピンク色の美しい髪色、巨乳、色白、モデル体型、キュアメロディ
- Modo
- pro
- Tag de Qualidade
- ﹝Instruções﹞
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- 1104 x 1824
- Método de Amostragem
- Euler
- Negativo
- lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name, deformed, mutated, extra limbs, extra arms, extra legs, fused fingers, long neck, bad proportions, ugly, poorly drawn face, poorly drawn hands, missing limbs, floating limbs, disconnected limbs, out of frame, duplicate, morbid, mutilated, nude, naked, sex, penetration, young, teen, loli, child, flat chest, small breasts, skinny, censorship, mosaic, bar censor, multiple girls, multiple boys, crowd too many people
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tb
character: tsukishiro_yanagi
2girls, no, 1girl, 1boy, 2 people total, mature adult woman, mature adult man, pink hair, long hair, hair between eyes, sidelocks, hair intakes, ring hair ornament, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, button blouse, corset, skirt, thigh highs, sitting, at table, white hair, medium hair, blue eyes, toned body, sweater, jeans, restaurant, date, looking at each other, leaning forward, elbow on table, chin rest, hand on chin, head tilt, light smile, blush, cowboy shot, from above, dutch angle, depth of field, warm interior lighting, candlelight, window seat
The camera looks down from a shallow high angle, tilted a few degrees off level, in a cowboy shot that holds both figures from the waist up where they sit across a narrow two-person restaurant table. The table's near edge cuts the bottom of the frame; the two face each other along a diagonal, so both are three-quarter to the lens rather than square to it.
On the left of frame the woman sits with her weight rocked forward onto her right forearm planted on the tabletop, her left hand curled loosely around the stem of a wine glass, fingers spread against the glass and nails catching the candle. Her chin rests on the back of her right hand, cheek pressed slightly into the knuckle of her index finger, elbow denting the white tablecloth into a small crease. Her long pink hair falls in straight heavy panels past her shoulders, two long sidelocks dropping in front of her ears, hair between her eyes parting down the centre of her brow, and the ring-shaped hair ornament is caught at the left side of her head where the light rims it. Behind the rimless eyeglasses — thin wire arms vanishing into her hair, no frame across the brow, lenses catching two small pale rectangles of candle reflection — her violet eyes are lifted and fixed on the man's face, lids low, the corner of her mouth pulled into a faint closed-lip smile. The button blouse is open at the collar with the top button undone, cloth taut across her chest and tucked down into a cinched corset that bites the waist and flares over wide hips; the skirt spreads across her seat. Her thighs are pressed together under the table edge, thigh highs ending high on them.
On the right the man leans in on his left elbow, right hand flat on the table with his fingers an inch from hers, not quite touching. His medium-length white hair falls forward over one brow as he tips his head down toward her, blue eyes on her eyes, one eyebrow lifted, a lopsided grin showing a sliver of teeth. His sweater's knit ribbing is visible at the cuff and collar, the sleeves pushed to the forearm, and the shoulder line reads as a toned frame under the wool; jeans below the table. His shoulders are angled so one crowds nearer the table edge than the other.
Light comes only from the small candle on the table between them and the warm pendants strung behind — the candle is the key, a low warm source below their chins that lights the underside of her jaw, the rim of his collar and the tops of the glasses, and throws both their shadows long and soft up the wall behind. Beyond the table the restaurant falls into warm amber gloom: a window at their backs, its glass a dark blue mirror with the street's blurred lights doubled and dimmer than their sources, empty chair backs, one distant table with an illegible chalked menu board. Red, cream and warm amber hold the palette: red in the wine, the candle glow, a hint of it on her nail beds; cream in the cloth and blouse; amber in the room.
The candle's small flame bends toward the man because she has just leaned in — its light travels with the lean, so the bright edge of her cheek and the shadow under her chin shift a half-step his way. Quiet, warm, unhurried.
Trevor Belmont
tb
character: tsukishiro_yanagi
2girls, no, 1girl, 1boy, 2 people total, mature adult woman, mature adult man, pink hair, long hair, hair between eyes, sidelocks, hair intakes, ring hair ornament, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, button blouse, corset, skirt, thigh highs, sitting, at table, white hair, medium hair, blue eyes, toned body, sweater, jeans, restaurant, date, looking at each other, leaning forward, elbow on table, chin rest, hand on chin, head tilt, light smile, blush, cowboy shot, from above, dutch angle, depth of field, warm interior lighting, candlelight, window seat
The camera looks down from a shallow high angle, tilted a few degrees off level, in a cowboy shot that holds both figures from the waist up where they sit across a narrow two-person restaurant table. The table's near edge cuts the bottom of the frame; the two face each other along a diagonal, so both are three-quarter to the lens rather than square to it.
On the left of frame the woman sits with her weight rocked forward onto her right forearm planted on the tabletop, her left hand curled loosely around the stem of a wine glass, fingers spread against the glass and nails catching the candle. Her chin rests on the back of her right hand, cheek pressed slightly into the knuckle of her index finger, elbow denting the white tablecloth into a small crease. Her long pink hair falls in straight heavy panels past her shoulders, two long sidelocks dropping in front of her ears, hair between her eyes parting down the centre of her brow, and the ring-shaped hair ornament is caught at the left side of her head where the light rims it. Behind the rimless eyeglasses — thin wire arms vanishing into her hair, no frame across the brow, lenses catching two small pale rectangles of candle reflection — her violet eyes are lifted and fixed on the man's face, lids low, the corner of her mouth pulled into a faint closed-lip smile. The button blouse is open at the collar with the top button undone, cloth taut across her chest and tucked down into a cinched corset that bites the waist and flares over wide hips; the skirt spreads across her seat. Her thighs are pressed together under the table edge, thigh highs ending high on them.
On the right the man leans in on his left elbow, right hand flat on the table with his fingers an inch from hers, not quite touching. His medium-length white hair falls forward over one brow as he tips his head down toward her, blue eyes on her eyes, one eyebrow lifted, a lopsided grin showing a sliver of teeth. His sweater's knit ribbing is visible at the cuff and collar, the sleeves pushed to the forearm, and the shoulder line reads as a toned frame under the wool; jeans below the table. His shoulders are angled so one crowds nearer the table edge than the other.
Light comes only from the small candle on the table between them and the warm pendants strung behind — the candle is the key, a low warm source below their chins that lights the underside of her jaw, the rim of his collar and the tops of the glasses, and throws both their shadows long and soft up the wall behind. Beyond the table the restaurant falls into warm amber gloom: a window at their backs, its glass a dark blue mirror with the street's blurred lights doubled and dimmer than their sources, empty chair backs, one distant table with an illegible chalked menu board. Red, cream and warm amber hold the palette: red in the wine, the candle glow, a hint of it on her nail beds; cream in the cloth and blouse; amber in the room.
The candle's small flame bends toward the man because she has just leaned in — its light travels with the lean, so the bright edge of her cheek and the shadow under her chin shift a half-step his way. Quiet, warm, unhurried.
Trevor Belmont
tb
character: tsukishiro_yanagi
1girl, 1boy, 2 people, mature adult woman, mature adult man, pink hair, long hair, hair between eyes, sidelocks, pink-tipped sidelocks framing cheeks, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, cream knit sweater, deep v neckline, lots of cleavage, charcoal pleated skirt, cream sweater thigh highs, white hair, medium length hair, blue eyes, toned body, navy wool sweater, khaki pants, sitting next to each other, on couch, cuddling, leaning into each other, cowboy shot, from side, slight from below, looking at each other, light smile, half-closed eyes, head rest, arm around shoulder, hand on thigh, legs touching, sweater sleeves pushed to elbows, knee raised, sock cuff bunched at thigh, sofa cushion compressed under their weight, warm lamp light from the left, evening living room, soft knit texture, cream and charcoal and navy and khaki and warm amber palette, intimate, tender.
Viewed from the side at a slight low angle in a cowboy shot, the two sit close together on a low-cushioned couch, filling the frame from thigh to crown. The woman, an adult with long pink hair falling in the sidelocks and between-eyes fringe of her style, the strands ticked with deeper pink toward the tips, sits angled toward the man with her weight settled onto her right hip; her left leg is drawn up along the seat edge so the cream sweater-knit thigh high bunches at the cuff just above her knee, its vertical ribbing stretched across her wide thigh. She wears the cream knit sweater loose over her bust, its deep v neckline opened wide to bare a lot of cleavage, the knit strained taut across the fullest part; below it the short charcoal pleated skirt rides up over her wide hips and the pleats fan where her thigh presses the cushion. Rimless eyeglasses sit on her nose, the thin lens edge catching a fine bright line, and her violet eyes turn up and to her left toward his face. Her left arm drapes around his shoulders, her hand resting flat on his far shoulder over the navy wool; her right hand lies open on his khaki-clad thigh.
The man, adult and squarely built, his white hair of medium length falling back from his temples and a lock dropping over one brow, leans his head down toward hers so the crown of his head nearly meets the side of her hair; his blue eyes are on her face, lids lowered. The navy wool sweater is pushed to the elbows, its cuffs crumpled on his forearms, and his shoulders fill the knit with a toned breadth. His near arm comes around her waist and his hand presses into the small of her back, fingers spread against the cream knit; his far hand rests on his own knee. His right knee is up, his foot flat on the seat cushion, and her skirt falls against that raised leg.
Behind them the couch back runs in a soft diagonal across the frame's lower third, the cushion under them visibly dented and folded where their combined weight sinks it. A warm amber table lamp stands off-frame left at seat height, its light striking the left side of both faces, making the cream knit read gold and leaving their right contours in soft shadow; the room beyond falls to a dim blue-grey until a single dull window pane at the far right returns a faint cool reflection. The palette stays to cream, charcoal, navy, khaki and warm lamp amber, the pink of her hair the one saturated note. Small physical tell: where her sock cuff binds the fullest part of her thigh, the knit is pulled thinnest and the skin beneath shows a faint warm flush at the edge of the ribbing. The atmosphere is quiet and close, unhurried.
Trevor Belmont
tb
character: tsukishiro_yanagi
2girls, no, 1girl, 1boy, 2 people total, mature adult woman, mature adult man, pink hair, long hair, hair between eyes, sidelocks, hair intakes, ring hair ornament, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, button blouse, corset, skirt, thigh highs, sitting, at table, white hair, medium hair, blue eyes, toned body, sweater, jeans, restaurant, date, looking at each other, leaning forward, elbow on table, chin rest, hand on chin, head tilt, light smile, blush, cowboy shot, from above, dutch angle, depth of field, warm interior lighting, candlelight, window seat
The camera looks down from a shallow high angle, tilted a few degrees off level, in a cowboy shot that holds both figures from the waist up where they sit across a narrow two-person restaurant table. The table's near edge cuts the bottom of the frame; the two face each other along a diagonal, so both are three-quarter to the lens rather than square to it.
On the left of frame the woman sits with her weight rocked forward onto her right forearm planted on the tabletop, her left hand curled loosely around the stem of a wine glass, fingers spread against the glass and nails catching the candle. Her chin rests on the back of her right hand, cheek pressed slightly into the knuckle of her index finger, elbow denting the white tablecloth into a small crease. Her long pink hair falls in straight heavy panels past her shoulders, two long sidelocks dropping in front of her ears, hair between her eyes parting down the centre of her brow, and the ring-shaped hair ornament is caught at the left side of her head where the light rims it. Behind the rimless eyeglasses — thin wire arms vanishing into her hair, no frame across the brow, lenses catching two small pale rectangles of candle reflection — her violet eyes are lifted and fixed on the man's face, lids low, the corner of her mouth pulled into a faint closed-lip smile. The button blouse is open at the collar with the top button undone, cloth taut across her chest and tucked down into a cinched corset that bites the waist and flares over wide hips; the skirt spreads across her seat. Her thighs are pressed together under the table edge, thigh highs ending high on them.
On the right the man leans in on his left elbow, right hand flat on the table with his fingers an inch from hers, not quite touching. His medium-length white hair falls forward over one brow as he tips his head down toward her, blue eyes on her eyes, one eyebrow lifted, a lopsided grin showing a sliver of teeth. His sweater's knit ribbing is visible at the cuff and collar, the sleeves pushed to the forearm, and the shoulder line reads as a toned frame under the wool; jeans below the table. His shoulders are angled so one crowds nearer the table edge than the other.
Light comes only from the small candle on the table between them and the warm pendants strung behind — the candle is the key, a low warm source below their chins that lights the underside of her jaw, the rim of his collar and the tops of the glasses, and throws both their shadows long and soft up the wall behind. Beyond the table the restaurant falls into warm amber gloom: a window at their backs, its glass a dark blue mirror with the street's blurred lights doubled and dimmer than their sources, empty chair backs, one distant table with an illegible chalked menu board. Red, cream and warm amber hold the palette: red in the wine, the candle glow, a hint of it on her nail beds; cream in the cloth and blouse; amber in the room.
The candle's small flame bends toward the man because she has just leaned in — its light travels with the lean, so the bright edge of her cheek and the shadow under her chin shift a half-step his way. Quiet, warm, unhurried.
Trevor Belmont
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