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AI art "MORE MORE JUMP! & Miku's Bouncy Paradise! 🎀"
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MORE MORE JUMP! & Miku's Bouncy Paradise! 🎀

I'm absolutely obsessed with this adorable crossover between the Project SEKAI girls and Miku! Seeing Minori, Haruka, Airi, and Shizuku having so much fun in this pink bouncy castle just melts my heart. I hope this brightens your day as much as it did mine! Please leave a like and follow for more cute content, and let me know in the comments who your favorite is!

#Hatsune Miku#Vocaloid#Hatsune Miku: Colorful Stage!#Minori Hanasato#Haruka Kiritani#Airi Momoi#Shizuku Hinomori#Traje alternativo oficial
Avatar image of Ma Christina Sacramento

Ma Christina Sacramento

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character: kiritani_haruka, momoi_airi, hanasato_minori, hinomori_shizuku, hatsune_miku 5girls, multiple views, five separated POV panels, comic panel layout, panel borders, airi momoi, pink long hair, pink eyes, fang, hair bow, frilly idol dress, minori hanasato, brown medium hair, swept bangs, braid, hair bow, grey eyes, long eyelashes, frilly white dress, neck ribbon, haruka kiritani, short blue hair, blue eyes, hair ornament, frilly idol dress, shizuku hinomori, long blue hair, swept bangs, blue eyes, mole under mouth, hair ornament, frilly dress, hatsune miku, aqua very long twintails, aqua eyes, hair between eyes, hair ornament, detached sleeves, necktie, pleated skirt, playing, bouncing, mid-air, arms up, outstretched arm, crossed legs, hugging own legs, looking back, head tilt, open mouth, :d, grin, one eye closed, puffy cheeks, wide-eyed, from below, from above, dutch angle, pov, fisheye, foreshortening, bouncy castle interior, inflatable vinyl walls, netting, commercial grade bouncy castle, idol theme, stage lights, speakers, stars, hearts, playful, energetic, silly, funny A five-panel comic page; each panel is a separate first-person POV looking out from inside the same idol-themed commercial-grade bouncy castle, and the thick black panel gutters are the only thing between them. The castle is built of taut glossy vinyl in candy pink, white and turquoise, its walls quilted into inflated round pillows, its seams sewn with double stitching, its netted windows bulging outward; a printed idol stage wraps the inner walls — giant spotlights, a bank of speakers, rows of hearts and stars, a scalloped proscenium arch — and overhead a sagging vinyl roof glows translucent where daylight pushes through it. Under the bounce the floor bows in soft waves, and every figure is caught mid-rebound, hair and skirts lifted a beat behind them, feet not touching the floor. The light is one source: daylight filtered and dimmed through the pink roof, so the whole interior is bathed in a warm rosy cast with deeper magenta in the creases of every inflated fold; the netting casts a fine grid of shadow across faces that pass behind it. Panel one, top-left, shot from below at the POV of someone sitting on the bouncy floor: the pink-haired girl with the fang and the bow leans over the camera from above, one knee planted in the vinyl beside the lens, one hand pressed flat to the floor for balance so the vinyl dents in a ring around her palm, the other hand flung up; her long pink hair hangs straight down toward the viewer, her grin is wide and open around the fang, one eye squeezed shut, and she is looking straight down into the lens. Weight on her forward knee, hip cocked, dress hem floating. Panel two, top-right, fisheye from the corner of the castle, wide and curved: the brown-haired girl with the braid and the neck ribbon is caught mid-leap with both arms thrown up and both legs tucked under her, screaming with joy, mouth a wide open oval, eyes crescent-shut; her braid swings out sideways from the spin, the ribbon ends stream behind her shoulders, and the fisheye bends the quilted wall and the printed speaker stack around her into a curve. She looks up toward the roof, not at the camera. Panel three, centre, dutch angle tilted hard to the right: the short-blue-haired girl has just flopped onto her back on the bouncy floor, arms spread wide, and the floor is rebounding under her — her body is a hand's width off the surface, her hair fanned out and still settling, her short hair lifting at the tips. Her head is turned toward the camera with a lazy, lopsided, slightly dizzy smirk, one brow arched, one eye half-lidded; the tilted horizon of the vinyl wall runs diagonally behind her, hearts and stars sliding off the frame edge. Panel four, bottom-left, from above looking down at a steep angle: the long-blue-haired girl with the mole under her mouth sits cross-legged in a deep vinyl dent, both hands gripping her own knees, and she is looking up at the camera with a small sideways glance, her mouth pressed into a puffed-cheek pout she is clearly failing to hold; laughter is already creasing the corners of her eyes. Her long hair spills over her shoulders and pools in the dip of the floor around her hips; the mole shows clearly under her lower lip. The shadow of the netting grids her cheek. Panel five, bottom-right, close and low with the camera almost on the floor: the aqua-twintailed girl has dropped to her knees right up against the lens, both hands pressed to the vinyl on either side of the camera, and she is leaning in so close her face is foreshortened huge — one eye closed in a wink, tongue peeking out, a grin splitting her face, twintails swinging forward over her shoulders and the tips of them brushing the floor. Her detached sleeves have slid down her upper arms; her necktie dangles forward, caught by gravity. Behind her the netted window shows the outside world as a blown-out pale square, overexposed compared to the pink interior. The palette is pink, white and turquoise with deep magenta shadow, and nothing else is admitted except the black gutters and the warm brown of the one braid. The vinyl everywhere holds a hot specular highlight on its upper curves that fades to matte in the folds — the tell that the surface is inflated and full of air. Explosively silly, joyfully chaotic.
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Entrada de Instrução Original
airi momoi, minori hanasato, haruka kiritani, shizuku hinomori, hatsune miku (MMJ), five girls, playing inside on a idol theme commercial grade bouncy castle, outside/inside view, five separated POVs of the five girls, playful, energetic, silly, funny
Modo
pro
Tamanho
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of Ma Christina Sacramento
character: kiritani_haruka, momoi_airi, hanasato_minori, hinomori_shizuku, hatsune_miku 5 girls, comic panel layout, five separated panels, five separated POVs, pov, outside view and inside view, idol-themed commercial-grade bouncy castle, inflatable vinyl castle interior with turret corners, pastel pink and white vinyl with gold star print, inflated arched entrance, sagging air-filled floor, playful, energetic, silly, funny, playing, pink hair, long hair, hair bow, pink eyes, fang, blue hair, short hair, hair ornament, blue eyes, brown hair, medium hair, swept bangs, braid, grey eyes, long eyelashes, blue hair, long hair, mole under mouth, aqua hair, very long hair, twintails, aqua eyes, detached sleeves, necktie, pleated skirt, open mouth, grin, one eye closed, puffy cheeks, blush, wide-eyed, arms up, outstretched arm, bouncing, mid-air, hugging own knees, crossed legs, head tilt, looking at another, looking up, looking to the side, from below, from above, dutch angle, close-up, cowboy shot, wide shot, foreshortening, no text Five tall comic panels in a single frame, divided by thick white gutters, each panel one girl's own point of view from inside the same idol-themed commercial-grade inflatable bouncy castle: glossy pastel-pink and white vinyl walls printed with gold stars and printed idol-fan crests, bulging pillow-soft corners, a sagging air-filled floor that flexes under every knee, and a big inflated archway at the far end of each panel through which a different outdoor glimpse shows -- a blue sky in one, an orange dusk band in another, a green park treeline in a third. Every panel is shot from a low inflated-floor angle, the vinyl curving up out of the frame at both edges, the panels' floor seams converging and bowing under the bounce so each panel reads as its own fisheye dollop of air. Panel one, top left: the girl with long bubblegum-pink hair and a big hair bow, pink eyes, one small fang showing, is caught at the top of a bounce, both knees drawn up and hugged to her chest, hair and bow flung up and out by the launch, her mouth open in a wide :d laugh, one eye squeezed shut; the vinyl floor beneath her dented in a shallow dish and springing back, her shadow a smeared pink patch on the sunlit vinyl; she looks down at the dent she just left. Panel two, top right: the short-blue-haired girl with a hair ornament, blue eyes, lands hard on both knees, hands flung up with fingers spread, cheeks puffed in a mock pout, hair snapped forward over her forehead by the impact; the wall of the castle beside her bulges inward where her shoulder nearly grazed it, and she glances sideways at the girl in panel three. Panel three, center: the brown-haired girl with the braid and the big ribbon, grey eyes and long lashes, is caught mid-tumble onto her back, one leg kicked up, braid swung across her face, her grin upside-down and wide; a scatter of her shadow and the shadow of another body's bounce ripples across the sagging floor, and she looks up toward the panel above her. Panel four, lower left: the long-blue-haired girl with swept bangs and the mole under her mouth, seen from behind-over-shoulder as she presses both palms flat into the vinyl wall, letting it bow out and snap her back; her hair lifts and settles with the recoil, her head tilted back laughing, eyes crinkled shut, the mole visible on her cheek. Panel five, lower right: the aqua-haired girl with very long twintails and detached sleeves, leaning over the inflated archway and reaching one outstretched arm over the ridge toward the outside, twintails streaming sideways out of the panel edge, the outside sky's daylight rimming her arm and hair in bright white; she looks back over her shoulder into the other panels with a wide-eyed, tongue-out :p grin. Light: warm afternoon sun coming through each archway, laying a bright trapezoid across the glossy vinyl floors and leaving every panel's inner corners in soft pink bounce-light; the vinyl's highlight runs as a long soft white streak along every inflated seam. Palette: pastel pink and white vinyl, gold star print, the five girls' hair colors -- bubblegum pink, short blue, brown with red ribbon, long pale blue, aqua -- with the outdoor sky glimpsed as a single saturated blue-orange accent per panel. Texture: glossy stretched-vinyl sheen, air pockets, tiny creases and scratch scuffs on commercial-grade inflatable material, no readable lettering anywhere, signage on the archway kept as illegible micro-print. Joyfully chaotic, fizzy and silly.
Ma Christina Sacramento
#Hatsune Miku#Vocaloid#Hatsune Miku: Colorful Stage!

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