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AI art "そっち?😅" featuring #Nave espacial, #Ficção científica, #balão de fala, #1 garota, #1 garoto and #Anything Goes Contest
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そっち?😅

「これが俺の宇宙船:スケルトン号だ♪」「最高にカッコ悪いですね…」 ガイコツっぽい宇宙船になるかと思ったら、そこにプラスして骨組みと透ける方のスケルトン素材を混ぜ込むとは😆 宇宙船としては、たしかにカッコ悪いかも🤣 でも女性のセリフが「カッコ悪い」じゃなくて「カッコいい」に…😅 呆れた表情をしながらも気に入ったご様子です🤣

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Anything Goes Casual Posting Festival!
#Nave espacial#Ficção científica#balão de fala#1 garota#1 garoto
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two characters, 1girl, 1boy, male character presenting with outstretched arm, open palm, palm up, arms up, triumphant pose, wide grin, open mouth, :d, one eye closed, looking at viewer, female character, unimpressed, half-closed eyes, jitome, flat expression, crossed arms, head tilt, looking at object, speech bubble, two speech bubbles, spaceship, skeleton spaceship, bone-white hull, spacecraft interior, hangar, large window, from below, cowboy shot, dutch angle, vibrant colors, sharp focus, detailed background Shot from below at a slight dutch angle, a low cowboy shot inside a wide hangar bay: on the right, a young man with short spiky ash-blond hair and bright green eyes leans back on his left heel and throws his right arm out wide toward the hangar window, open palm raised flat as if unveiling a monument; a jagged, slightly oversized angled speech bubble sits above his head, its edge following the tilt of his shoulder, reading "これが俺の宇宙船:スケルトン号だ♪". On the left, a young woman with a long dark braid falling over her left shoulder, narrow amber eyes and a grey-clad utilitarian jumpsuit stands half a step back, her weight on her right hip, both arms folded against her chest with her right hand's fingers drumming once on her left sleeve, chin lowered, eyelids half-shut in a flat, unimpressed stare turned toward the window and the ship rather than toward him; a smaller, neat rectangular speech bubble floats level with her cheek, reading "最高にカッコ悪いですね…". Between and beyond them, framed by the tall hangar window's mullions, the ship the man's palm presents: an ungainly skeletal craft, gaunt bone-white ribs of hull plating over exposed dark struts, a blunt mismatched nose, a trio of stubby fin spars, patched plating at odd angles — its scale told by the tiny maintenance gantry and ladder clinging to its flank, so it reads as huge and absurd at once. The bay's overhead floodlamps throw hard light from above left, glinting off the man's outstretched hand and the top edges of the ship's ribs while leaving the undersides and the woman's half of the floor in cool shadow; a faint lens flare bleeds across the window glass from the lamp behind the ship. Palette of bone white, gunmetal grey and cold hangar blue, cut through by the warm gold of the floodlamps and the man's bright grin. Her braid swings slightly from the step she just took, and the man's jacket hem lifts with his overcommitted gesture, casting a stretched shadow across the floor plating that puts the refusal right beside the pride. Comedy duo energy, deadpan.
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Entrada de Instrução Original
「これが俺の宇宙船:スケルトン号だ♪」「最高にカッコ悪いですね…」, masterpiece, best quality, highres, ultra detailed, vibrant colors, intricate details, sharp focus on all elements,
Modo
pro
Tag de Qualidade
﹝Instruções﹞
Tamanho
1232 x 1232
Método de Amostragem
Euler
Negativo
nsfw, (lowres:1.2), (worst quality:1.3), (low quality:1.3), error, blurry, watermark, signature, username, cropped, trimming, out-of-frame, underexposed, text BREAK bad anatomy, (bad body, deformed), bad hands, mutated hands and fingers, missing fingers, (extra digits:1.3), (six fingers:1.3), (too many fingers:1.3), (fused fingers:1.3), extra legs, (long fingers:1.3), extra arms, long neck, side-sighted, bad ratio, rough ratio, extra faces, (sharp chin:1.2), (pointed chin:1.2), visible ribs BREAK transparent clothing, (multicolored hair, streaked hair, two-tone hair:1.2), flat color, smooth skin, plastic skin, 2d skin paint, 2d shading, dull skin color, mature, tall, long legs, high head-to-body ratio, hyperrealistic face, realistic eyes, 3d, rendering, (下着:1.2)
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character: kshatriya, marida_cruz, artist: sa-dui, doppel_(bonnypir), copyright: gundam 1girl, solo, facing viewer, standing, smile, large breasts, thick thighs, wide hips, orange hair, long hair, braid, ponytail, purple eyes, pilot suit, bodysuit, unzipping, hands on own clothes, open clothes, from below, cowboy shot, looking at viewer, mecha, giant robot, two mecha, fusion, wings, funnel racks, hangar, from below, wide shot background, dutch angle A low-angle cowboy shot from slightly below and a touch to the right of the subject: a single young woman with long orange hair gathered into a high ponytail and a single thick braid falling forward over her right shoulder, violet eyes, standing centered in the frame with her weight settled on her right leg so her left hip and thigh carry the counter-sway. She faces the viewer squarely, chin lifted a little in defiance of the low camera, and she smiles — an easy, lopsided closed-mouth smile that pulls higher on her left cheek, her eyes narrowed and bright with mischief, a faint blush high on each cheek, her gaze set directly on the viewer and answering no one else in the frame. She wears a snug military-issue pilot suit: a dark teal-and-charcoal bodysuit with segmented hard panels at the shoulders and knees, a broad belt at the waist, and a narrow amber piping line running down each outer thigh. Both hands are at the chest of the suit, gripping the flat pull-tab of the front zipper: her right hand pulls the tab steadily down toward her sternum while her left hand spreads the parted collar fabric aside, the split seam opening from collarbone to the top of her ribs. Each gloved fingertip is enumerated against the tab and the fabric edges — thumb over the metal slider, index finger hooked on the pull ring, remaining fingers curled into the parted seam. The unzipped opening reveals only a narrow strip of inner undersuit and bare skin at the base of the throat; the suit remains closed below the sternum. Her hips shift wide; both boots are planted flat, the thighs thick and full, the suit straining in a taut crease across the front of each hip. She does not look down at her hands — her eyes stay on the viewer while she works the tab, and the low angle makes her reach up and toward the camera. The environment is a cavernous mobile-suit hangar: behind her, rising to fill the upper two-thirds of the frame, two colossal mecha fused into a single impossible silhouette. On the left a heavy rounded unit with a domed head and a wide skirt of skirt-like armor pods; on the right a leaner machine whose long fin-like funnel racks splay out like a pair of angled wings. Their hulls merge along the centerline: the domed left head, the leaner right torso, a shared reactor housing at the waist, four curved funnel plates arranged like a crown, and one enormous articulated arm reaching out on each side. The machines are matte grey-green and deep indigo with pale sand-colored accents, worn, scratched, and half-disassembled — a service gantry crosses in front of the left machine's knee, cabling hangs down in loops, and a small pool of hydraulic fluid glistens beneath the right foot, its surface the only true mirror in the frame. Ground-level light comes from a single bank of hanging work lamps above and behind the mecha; the lamps are the only light source, so their pools of warm light fall on the top-facing planes of the machines and on the woman's hair and the shoulders of the suit, while the undersides of the mecha, the seams of the hangar floor, and the far back wall fall into deep, near-black shadow. The lamp light casts her shadow down and slightly left across the hangar floor, long because of the low camera. Palette held to charcoal, deep indigo, muted grey-green, warm amber lamp light, with the orange of her hair as the one warm accent repeated in the amber piping and the glow of a distant status panel. Do not use: no other people, no helmet, no jacket, no additional accessories on her hair or hands beyond the gloves. The picture is caught mid-motion — the tab just past the second tooth of the zipper, the collar still settling apart — glossy plastic-and-cel rendering with hard shadow edges, clean linework and a cool-to-warm gradient, easily confident.
DarkShadow_45
AI artwork
Avatar image of マチカネパルキア
(masterpiece:1.2), robot anime style, 1girl, solo, from below, cowboy shot, military salute, saluting, pilot suit, bodysuit, large breasts, glasses, sky blue hair, long hair, two side up, swept bangs, messy hair, frizzy hair, blue eyes, empty eyes, dark circles under eyes, bags under eyes, shaded face, shadow on face, smile, giant robot, mecha in background, hangar, sci-fi, industrial lighting, A low-angle cowboy shot looks upward at the female pilot standing at attention along an elevated steel hangar catwalk. She raises her right hand in a crisp military salute to the edge of her brow, holding herself in rigid discipline while her left arm presses flat against her side. Her form-fitting robot anime pilot suit hugs her frame and emphasizes her large bust, styled with segmented mechanical chest plates, reinforced shoulder gaskets, and dark rubberized seams. Her long sky-blue hair is visibly messy and slightly frizzy, bound into two side-up tails that fall past her shoulders while uneven, swept bangs angle across her forehead. Heavy, dramatic cel-shaded darkness falls across the upper half of her face beneath her clear-lensed glasses, cloaking the bridge of her nose in deep shadow. Behind the spectacles, her blue eyes are wide, glassy, and completely empty, framed by prominent exhausted bags under the lower eyelids, yet her lips are drawn upward into a distinct, hollow smile. Looming directly behind her in the midground and background is a colossal giant combat robot standing in its maintenance cradle, its angular metallic armor, hydraulic pistons, and glowing optical sensor array towering into the shadows of the vaulted bay. Cold overhead floodlights cast harsh, directional highlights along her silhouette and the mecha's steel plating, while pale coolant steam billows upward through the perforated deck grating, fluttering the loose stray wisps of her unkempt hair. Chillingly dutiful.
マチカネパルキア

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