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AI artwork
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oyoyoyomimisyo#0

Arte de IA de oyoyoyomimisyo#0 no PixAI. Criado com Tsubaki.3 Flash.

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character: hoshimachi_suisei, artist: alp 1girl, 1boy, 2 total, hoshimachi suisei, blue hair, long hair, hair between eyes, blue eyes, hat, beret, sunglasses, long coat, disguise, linked arm, arm in arm, walking, night, residential neighborhood, upper body, profile, looking at viewer, from side, male face not shown, man seen from behind, face out of frame, outdoors, rim lighting, backlighting, shallow depth of field, warm palette, glossy highlights, soft cel-shading, From the side, cropped at the ribbon of her coat's chest line, the two of them walk the empty residential street at night: a blue-haired young woman on the near side, a taller man on the far side, her arm threaded through his so their elbows lock at the center of the frame. She is turned in full profile toward the right edge of the image, chin tipped a fraction up, and from that profile her single visible blue eye is cut back toward the viewer at the corner of its socket — a stolen sideways glance aimed straight out of the picture, one brow lifted above the dark lens line, lips pressed in a faint closed-mouth curve that is almost a smirk. Her long coat is a deep navy wool, collar turned up to her jaw, belt pulled snug at the waist, sleeve pressed flat where her forearm crosses the man's forearm; the coat's shoulder seam lifts with each stride. A soft felt beret sits tilted over her blue hair, the long strands escaping beneath it and swaying forward past her cheek with the walk, one lock falling between her eyes. Dark sunglasses ride her nose; the streetlamp's reflection sits in the right lens as a small bright lozenge, and the left lens holds only darkness. Her free hand is tucked into the coat pocket, knuckles tenting the fabric. The man is rendered only from the rear-and-side: his head is turned away from the camera beyond the line of his collar, so nothing of his face is in frame; a broad shoulder in a charcoal jacket fills the lower right, his sleeve bent where her arm hooks through it, his own hand hanging loose and open past her grip. His head sits higher than hers by half a length, body angled down the street, the only contact that matters being the locked elbows and the small pressure where her wrist rides the crook of his arm. The street is a quiet residential lane at night: low house walls and hedges recede into soft focus on both sides, a single streetlamp behind them throws a warm amber rim down the left contour of her hat, her cheek, the coat's shoulder and the top edge of the man's arm, while the fronts of both figures fall into cool blue-violet shadow; a faint sheen of recent rain darkens the asphalt and mirrors the lamp in a broken vertical streak, and their long shadows rake forward out of frame at the lower left. The background is thrown out of focus, one distant window glowing amber. Palette: deep navy, charcoal, cool nocturnal blue, one warm amber key. Detail budget on her profile, the sunglass reflection, the linked arms and the wool's nap. Quiet, conspiratorial, stylish.
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Entrada de Instrução Original
(alp Style,) 星街すいせい、ロングコート、サングラス、帽子、変装、 夜の住宅街を歩く、上半身から上を描写、横顔、視点を見ている、 男と並んで歩いていて、女は男の腕に自分の腕を絡ませている、 男は顔を描写しない、
Modo
flash
Tamanho
1824 x 1104
Assistente de Prompt

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AI artwork
o0
character: hoshimachi_suisei, artist: alp 2girls, 1girl, 1boy, hoshimachi_suisei, blue hair, long hair, hair between eyes, blue eyes, smile, closed-mouth smile, sunglasses, dark sunglasses, hat, wide-brimmed hat, newsboy cap, long coat, long coat worn open, disguise, walking, walking side by side, girl clinging to man's arm, arm hug, arm linked, holding arm, upper body, bust shot, cowboy shot, from side, profile, looking at another, looking ahead, man's face not shown, head out of frame, hat brim shadowing face, red-light district, love hotel street, neon signs, pink neon, night, shallow depth of field, backlighting, rim lighting, glossy highlights, warm palette, pin-up composition, close-up The camera sits at chest height in a three-quarter side view, close enough that the frame cuts both figures off at hip level: the girl is the near figure, angled half-toward the lens but walking forward, her long coat swinging open over her stride. She wears a dark newsboy cap pulled low and oversized sunglasses with a thin metal frame; the lenses sit just under the cap's brim, and the smile is the whole of her face that reads -- closed lips curving up, one cheek fuller where she presses it lightly against the man's upper arm. Her blue hair, long and heavy at the back, falls over the coat's raised collar and one strand is caught in the notch of the sunglasses. Both of her hands wrap around the man's forearm, fingers overlapping the sleeve of his dark jacket, her shoulder tucked under his shoulder, her weight shifted onto her forward foot so the coat's hem lifts behind her. The man walks to her right, his body present from the collar down -- his torso turned slightly away, the whole of his head taken off by the top edge of the frame so that only the underside of his jaw and his throat appear, shadowed. His arm stays straight under her hands, a relaxed elbow, the other hand pushed into his coat pocket. He does not turn toward her; his unseen gaze reads as straight ahead by the set of his shoulder and the downward tilt of his jaw. The street recedes behind them: wet asphalt catching neon in long vertical smears, facades crowded with signboards stacked in rows, their lettering illegible -- a vertical sign panel here, a lit doorway there with a curtained entrance and a price board whose numerals stay soft and blurred. Pink and red neon from those signs is the only light, coming from behind and above, so rim light runs along the girl's cap brim, her sunglass frame, the shoulder of her coat and the man's forearm; their faces and the front of the coats stay in warm shadow. Depth of field is shallow, the facades falling to soft bokeh, the focused plane held on her hands and the bend of her smile. Palette: deep navy and black for the coats and cap, electric pink and warm rose from the signage bleeding onto skin and wet pavement, a cool blue carried only in her hair. A single red neon sign reflected in the lower portion of her sunglasses lens, inverted and small, its glow bent along the glass curve. Quiet, secretive, warm.
oyoyoyomimisyo#0
AI artwork
o0
character: hoshimachi_suisei, artist: alp 1girl, 1boy, hoshimachi_suisei, blue hair, long hair, hair between eyes, blue eyes, smile, blush, embarrassed, closed mouth, looking up, long coat, sunglasses, hat, beret, disguise, jewelry, earrings, ribbon, shirt, jacket, skirt, gloves, long sleeves, walking, side by side, arm cling, clinging to arm, bodies close, body press, upper body, bust shot, cowboy shot, from side, profile, outdoors, love hotel district, night, neon signage, soft cel shading, glossy highlights, rim light, backlighting, shallow depth of field, warm palette, vibrant Seen from the side in a close bust-up, the two figures move together from left to right across the frame: the girl on the near side, the man on the far side, his head sliced off by the top edge of the picture so nothing above his collar enters the image. Her hands are wrapped around his upper arm, both forearms crossing it, fingers dug into the coat sleeve, and her right shoulder, hip and the side of her chest are pressed flat against him so the two silhouettes merge into one block; the pressure dimples his sleeve fabric around her grip and pulls a soft crease up the shoulder of her own coat. She is caught mid-stride, right leg forward, weight riding on her right hip, torso leaned into him at an angle. Her face is turned up toward where his face would be, chin lifted, eyes behind the dark lenses angled upward, and she smiles — lips closed, corners lifted, one brow slightly drawn — a smile that keeps trying to be casual while her cheeks burn red across the nose and both ears. Under the brim of the hat a small beret sits tilted back, and a fringe of long blue hair falls between her eyes; the loose strands at her cheek sway back from the walking motion, and the skirt hem below the coat swings with the same step. They walk along a narrow street of love-hotel buildings: signboards stacked up the facades in the midground, pink, magenta and hot amber tubes glowing behind them, lettering illegible, the light nearest the camera smeared into soft bokeh discs and the far end of the street dissolving into a warm haze. That neon is the light source: a magenta rim runs down the outside of her hat, coat shoulder and hair, a warmer amber edge paints the strip of his arm that her fingers cover, and the fronts of both figures fall into soft shadow so the faces and coat surface read high-key and pale against the saturated background. Where the light passes her sunglasses it leaves a thin glossy streak along the lens rather than reaching her eyes. Palette held to blue, magenta, warm amber and her hot blush. Tender, illicit, glowing.
oyoyoyomimisyo#0
AI artwork
o0
character: hoshimachi_suisei, artist: alp upper body, 2girls... no wait, 2 people, male and female, hoshimachi suisei, blue hair, long hair, hair between eyes, blue eyes, smile, embarrassed, blush, closed mouth smile, sunglasses, hat, beret, long coat, disguise, walking, side by side, arm linked, clinging to arm, hugging arm, bodies close, pressed together, looking up, looking at another, head tilt, from side, cowboy shot, close-up, love hotel district, street, night, neon signage, shallow depth of field, warm palette, rim lighting, backlighting, glossy highlights, soft cel shading, clean linework, male face out of frame, cropped at neck A tight upper-body shot from a three-quarter side angle: the girl with long blue hair and blue eyes fills the left two-thirds of the frame, her head tilted up and toward the man's shoulder, and the man is a presence on the right edge — his shoulder, upper arm and the lapel of his coat enter the frame, his head cut off entirely above the collar so that only neck and jawless shoulder read as a dark vertical mass. She wears a long coat with a broad collar, a hat pulled down over her fringe, and dark sunglasses pushed slightly down on her nose so that her blue eyes show over the rim; her arm hooks through his, both her hands closed on his sleeve at the elbow, and her whole right side is pressed flush to his ribs, coat fabric dimpling where their bodies meet, her shoulder overlapping his arm. Her weight rolls onto her front foot mid-stride, one hip leading, the coat's hem swinging back behind her thigh. Her smile is closed-lipped and embarrassed, chin dipped, a soft blush across the bridge of her nose and both cheekbones, gaze angled up at him from under the hat brim. Behind them the love hotel strip recedes: a row of narrow facades, vertical signs in red and amber with illegible characters, doorway lamps, a curtained entrance glowing pink, all falling into soft-focus bokeh; the signage light spills onto her back and the coat's shoulder as a warm rim, with a cooler shadow along her chest; a shallow puddle on the pavement catches the neon as broken vertical streaks. Muted navy, black and warm amber palette, glossy highlights on the sunglasses and the coat's shoulder, delicate linework, soft cel shading, airbrushed skin tones, intimate and furtive.
oyoyoyomimisyo#0

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