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AI artwork
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千災

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character: tsukishiro_yanagi, copyright: zenless_zone_zero 1girl, solo, tsukishiro_yanagi, pink hair, long hair, hair between eyes, sidelocks, ring hair ornament, pink eyes, glasses, lying on back, on sofa, arms spread, outstretched arms, open arms, inviting, welcoming, from above, foreshortening, work shirt, white dress shirt completely unbuttoned, shirt pulled open, bare shoulders, bare skin, large breasts, wide hips, hourglass figure, visible waistline, waist curve, black pencil skirt hiked up, black gloves, black gloves on both hands, thighs, bare legs, head tilted back, looking at viewer, half-closed eyes, heavy-lidded, lewd face, ahegao, tongue out, flushed cheeks, blush, trembling lips, happy expression, cute, open mouth, teeth, drool, sweat, messy hair, hair spread on cushion, transparent skin, luminous skin, glossy skin, soft subsurface glow, warm intimate lighting, sensual The camera looks down from above and slightly in front, at a foreshortened angle along her body: her head rests at the upper-left of the frame with her pink hair fanned out across a dark charcoal sofa cushion, one sidelock falling away over the edge, and her long body recedes down the frame toward the lower-right with her hips and raised knees closer to the lens. She lies flat on her back along the length of a deep-seated sofa, her spine arched a little so the cushion compresses under her shoulder blades and hips, one hip rolled slightly higher than the other so the waistline curve shows as a long S from ribs to the crest of her hip; both knees bent and parted, her feet out of frame at the bottom edge. Both arms are thrown wide open toward the viewer, elbows half-bent on the cushions, palms open and turned up, black-gloved fingers relaxed and slightly curled, each glove stretched taut across the knuckles; her shoulders sink back so the open white dress shirt spreads with them, buttoned nowhere, both front panels fallen away to either side of her ribs, cuffs loose at her wrists, collar slipped off one shoulder, and the black high-waisted pencil skirt shoved down and gathered around her hips, its waistband twisted low, exposing the whole bare line of her waist and belly to the low slanting light. Her chin tips back into the cushion, head turned slightly toward the lens; her pink eyes look straight up at the viewer through half-lowered lids with a wet shine, blinking slowly, brows drawn a little together; her lips part in a wide, wanting smile, tongue out, one corner pulling higher, a sheen of drool at her lip, cheeks flooded pink, a fine sweat gleam at her temples and collarbone. A single warm lamp from the upper left, low and close, strikes the left side of her throat, the round of her shoulder and the swell of her waist, laying a soft hot edge along her skin while the right side of her body and the sofa's far arm rest in deeper shadow; her luminous pale skin catches that light as if lit from just beneath the surface, edges softly glowing, and where her breastbone and hipbone press the cushion the fabric dimples and holds the dent. Palette is restricted to pale rose, warm honey lamplight, ivory white of the open shirt and deep charcoal of the sofa, with the black of her gloves and skirt anchoring the corners. Shallow depth of field keeps the near hip and gloves crisp and softens the far cushion into a blur. Intimate, shameless.
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Entrada de Instrução Original
月城柳(ゼンレスゾーンゼロ) 透明感 とてもボンキュッボンな月城柳 ソファ 仰向け こちらに向けて腕を広げて誘う 完全にはだけた仕事服 腰のラインが見える 素肌が見える 可愛い 幸せそうな顔 めちゃくちゃにされたい いやらしい顔
Modo
pro
Estilo
Sutil e Transparente
Tag de Qualidade
﹝Instruções﹞
Tamanho
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Estilo: Sutil e Transparente
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AI artwork
Avatar image of 千災
character: tsukishiro_yanagi, copyright: zenless_zone_zero pov, male pov, 1girl, long pink hair, sidelocks, hair between eyes, ring hair ornament, pink eyes, glasses, hugging, standing embrace, arms around the viewer's neck, bodies pressed together, chest-to-chest contact, huge breasts, k-cup, visible cleavage, dress shirt, white shirt, unbuttoned shirt collar, black pencil skirt, high-waist skirt, black gloves, happy smile, light smile, open mouth, half-closed eyes, melting expression, blissful, pleased, blush, looking at viewer, looking up, head tilt, translucent, clear atmosphere, soft light, close-up, cowboy shot, warm palette, tender The camera is the man's own eyes: a straight-on first-person view, chest height, so his forearms enter the bottom corners of the frame and the pale grey wall of an office corridor fills the space behind her. She is in the middle of the frame, tilted up toward the lens because she is shorter than he is and has pressed herself in close; her chin is lifted, her head tipped a little to his left, and her glasses sit slightly low on the bridge of her nose where they have shifted. Her arms are up over his shoulders, black-gloved hands folded and resting on the back of his neck behind the viewer's head, the right glove's fingers overlapping the left at the knuckles, the cuffs riding up her wrists. Her chest is flattened against his, and because she is pressed to him the shirt strains across it: the top two buttons are open in a narrow V that shows a clean deep line of cleavage, the white fabric pulled taut from each button and creasing outward under the bust where it tucks into the high waist of the black pencil skirt. The skirt's waistband digs a soft line into her middle where his body meets hers, and the skirt front is pressed flat against his hips. Her face is the whole point of the frame. She is smiling with her mouth just barely open, the lower lip relaxed and glossy, corners of the lips drawn up genuinely rather than politely, and her eyes are heavy-lidded behind the glasses, half-closed, lashes low, the pink irises catching the light along the lower edge so they read as wet and bright. A warm flush sits high on both cheekbones. She is looking directly into the viewer's eyes, and her expression is unguarded and pleased, a little giddy, entirely unresisting. Two strands of her long pink hair have fallen forward across the shoulder nearest the lens and one sidelock rests against her jaw; the rest of her hair hangs behind her and spills to the sides of the frame. The light comes from a tall window to her right, cool and broad, and it is what gives the image its translucency: it passes through the loose edges of her hair and leaves a soft luminous fringe on the fine strands at her temple, rim-lights the top edge of the glasses frames, and grazes the white shirt so the fabric reads as thin and bright rather than flat. A second, warmer bounce comes up from the pale floor and warms the underside of her chin and the exposed skin at her throat. In the corridor behind her the background falls away into a clean wash of very light grey and soft pale blue, deliberately desaturated, no clutter, no other people, with the soft blur of depth of field so the only crisp edges in the image are her face, the rim of her glasses, and the strained white cotton across her chest. Palette is restrained and cool-neutral: white shirt, black skirt and gloves, pale grey-blue environment, with her pink hair and pink eyes and the warm blush the only saturated colour, so the picture feels airy and transparent rather than busy. The physics of the press is visible in the cloth: the shirt fabric pools and creases toward the armpits, and the sharp fold lines radiate from the open button area where the bust pushes the cloth apart. Intimate, warm, softly dazed.
千災
AI artwork
Avatar image of 千災
character: tsukishiro_yanagi, copyright: zenless_zone_zero 1boy, 1girl, pov, male pov, extreme close-up, face focus, close-up, hug, mutual hug, completely pressed together, chest to chest, cheek to cheek, arms around waist, arms around neck, sighing, breath, open mouth, light smile, melting, pleased, happy, flustered, blush, half-closed eyes, looking at viewer, transparent, luminous air, clear aura, work clothes, dress shirt, white shirt, glasses, pink hair, long hair, hair between eyes, sidelocks, ring hair ornament, pink eyes, only two people, no resistance, relaxed body, indoor office, soft light The camera sits inside the viewpoint of the man: a first-person extreme close-up, his face and shoulder edging the frame at the lower left as a soft out-of-focus dark mass of jaw, collar and the loose curve of one shirt sleeve, his arms coming up out of the bottom corners and closing around her back. Yanagi's face fills the centre-right of the frame, held at an intimate distance of a few centimetres, her chin lifted and her cheek angled against the side of his jaw, so her glasses sit slightly up her nose from the pressure. Her eyes are half-lidded, pink irises soft and unfocused, gaze drifting up toward the lens; a faint lopsided smile pulls one corner of her mouth, lips parted a little, warm and melting. A thin, visible breath escapes that opening and blurs the lower edge of her glasses and the air beside her cheek, riding the light. Her arms are looped over his shoulders and around his neck, the black-gloved fingertips resting flat between his shoulder blades, though only one forearm and its glove edge graze into frame along the top-left. Chests are flattened together, his shirt front pressed to her white dress shirt, wrinkles radiating from the contact; her high-waisted black pencil skirt is crushed against his hip out of focus at the bottom edge. Her long pink hair spills forward over his collarbone, sidelocks and the strand between her eyes pushed aside by the closeness, the small ring ornament at one temple catching a spark. Only the two of them exist. Behind her head a bright office interior dissolves into a soft wash — the pale grey of a desk edge low at the left, a hint of a window's cool daylight far back, no other figures. Cool daylight from that window comes in from the upper right, striking the transparent skin of her cheek and nose so the edge of her jaw glows thinly and the rim of her glasses picks up a white line, while the shadow side of her face falls warm and dim against his throat. The palette is quiet and airy: pink, white, black and a clear cool grey-blue, nothing heavy. The lit skin carries a fine translucent sheen, and where her breath meets it the moisture faintly fogs the near lens of her glasses — tender, quietly radiant.
千災

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