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Lillo Zuzu
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- Entrada de Instrução Original
- A scene inside a physical education gymnasium at a school in Japan. The interior features basketball hoops, climbing ropes, floor mats, and white lines marked on the wooden floor.
- Modo
- pro
- Tamanho
- 1280 x 720
- Método de Amostragem
- Euler
- Negativo
- (worst quality, low quality, normal quality, medium quality, draft, sketchy, lowres:1.4), deformed anatomy, bad anatomy, bad proportions, disfigured, mutated, gross, ugly face, asymmetric face, poorly drawn eyes, misaligned pupils, cross-eyed, dilated pupils, expressionless, blank stare, Bad hands, extra hands, missing hands, mutated hands, poorly drawn hands, (deformed fingers, extra fingers, missing fingers, fused fingers, webbed fingers, twisted fingers:1.4), elongated fingers, double thumbs, floating limbs, detached limbs, disconnected hands, awkward hand placement, Distorted cane, bent cane, multiple canes, floating cane, cane merging with clothes, cane merging with fingers, Deformed furniture, warped bookshelf, low-detail books, Bad feet, extra legs, poorly drawn clothing folds, modern casual clothes, sportswear, school uniform (unless specified), school blazer, t-shirt, jeans, Loud open-mouthed laughter, crying, panic, blushing, embarrassment, Blurry, motion blur, out of focus character, grain, noise, compression artifacts, text, title, watermark, copyright, signature, artist name, username, logo, border, frame, split screen, low-resolution background, neon colors, over-saturated colors, flat shading, MS Paint style, bad quality, anatomical nonsense, artistic error, interlocked fingers, extra toes, ugly, poorly drawn, censor, simple background, transparent background, old, oldest, glitch, deformed, long body, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, big head, extra digits, bad eye, bad arms, missing arms, missing digit, missing limbs, fused hands, badly drawn hands, bad drawn hands, three hands, fewer fingers, extra limbs, extra arms, malformed limbs, too many fingers, changed hands, uneven arms, abnormal hands, poorly designed finger, poorly designed hands, abnormal finger, a hand with more than five digits, digit too long, broken limb, stamp, subtitle, date, footer, header, multiple angle, two shots, display uniform, grid view, ugly arms, a hand with more than five fingers, finger too long, poor anatomy, split view, grid display, (bad fingers: 1.3), poor quality, (inaccurate limbs: 1.3), (multiple legs: 1.3), (multiple arms: 1.3), (wrong hand: 1, 3), mutated hand, twisted body, (wrong proportions: 1.3), (low quality, worst quality: 1.4), (very bad anatomy), (inaccurate limb: 1.2), very bad composition, inaccurate eyes, (extra arms: 1.2)
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ml
no humans, empty scene, indoors, sports hall, small stage, backdrop, judges table, folding chairs, stage lights, wide shot, from side, dutch angle, symmetrical equipment, no people, unoccupied chairs, empty stage, wooden gym floor, painted court lines, ceiling trusses, hanging lamps, curtain backdrop, spotlight beams, dust motes in light, high ceiling, deep perspective
A wide shot from a low side angle, tilted slightly off level, looks across an empty school sports hall toward a small raised stage at the far end. Nobody is present; every surface holds still. The stage is a low wooden platform, its front edge skirted in dark fabric, and behind it a tall backdrop curtain hangs in heavy vertical folds, pale cream at the top grading to dusty blue at the floor, its hem pooling an inch onto the boards. Directly in front of the stage, a long judges table draped in a white cloth stands square to the platform, with three folding chairs pushed in behind it at slightly uneven angles -- one pulled out a hand's width, its metal legs catching the light, its seat empty and its backrest still turned a few degrees off true. Two more rows of folding chairs fan out behind the judges table in loose arcs, all vacant, seats flipped down, a few backs left at differing angles as if the last people to leave stood up at different moments. The floor is scuffed varnished wood, its painted court lines running in long converging curves toward the stage and pulling the eye back into depth; scuff marks and a faint taped rectangle mark where equipment once stood. Overhead, steel trusses cross the high ceiling, and from them two stage lights on short arms angle down at the platform, plus a row of hanging industrial lamps receding into the darker far end of the hall. The stage lights are the dominant source: two hard warm-white beams cut down through the dusty air, landing as bright elliptical pools on the boards and spilling onto the backdrop, where the fabric's folds throw soft vertical shadows; the beams are visible as faint cones of suspended dust. Cooler daylight leaks in from high clerestory windows along the left wall, laying pale blue-grey rectangles across the seating rows, so the room reads in two temperatures -- warm on the stage, cold over the chairs. Beyond the lit pools the hall falls into deep shadow, the far bleachers and wall bars reduced to dim silhouettes. Palette is restricted to honey-varnished wood, cream and dusty blue of the curtain, cold grey-blue of the shaded seats, and the warm amber of the spotlights. Empty, expectant, quietly waiting.
me lin
w
no humans, scenery, background art, landscape, interior, japanese school at night, vast courtyard, courtyard seen from a high corner, wide shot, from above, dutch angle, empty, zero people, night, moonlight, deep blue palette, sealed door, magic circle, glowing seal, illusion magic, dimensional rift, sliding entrance hidden in plain sight, school building wings, covered walkway, colonnade, rows of windows, clock tower, trees, manicured hedges, stone paving, long shadows, atmospheric perspective, volumetric light, dust motes, stillness, quiet dread
The view is a high, tilted wide shot looking down across the whole courtyard from a third-floor corner of the school, the camera canted a few degrees so the courtyard's rectangular grid of paving runs diagonally out of the frame. No one is present anywhere in the image; the entire school is empty, every window dark. The courtyard is enormous, a broad quadrangle enclosed on three sides by low Japanese school buildings: two long parallel wings of pale concrete with regular grids of sliding windows, and between them a covered walkway of square pillars running the length of the yard, its roof a dark horizontal band. At the far end a squat clock tower rises above the rooflines, its face unlit, hands frozen. Along the near edge, clipped hedges and a row of bare-branched trees stand in a line, their long shadows raking across the stone paving toward the lower left of the frame, thrown by a single cold moon high behind and to the right of the camera. The moon is the only light source: it strikes the upward-facing surfaces -- the tops of the hedges, the walkway roof, the upper faces of the pillars, the flat stone flags -- and leaves every vertical face in deepening blue shadow, so the yard reads as a grid of lit planes and dark trenches.
The disguise is the whole subject. In the centre of the courtyard the paving stones are not what they seem: a huge circular magic circle lies flush with the ground, its lines disguised as ordinary paving joints and drainage grooves, the inlaid geometry only visible where the moonlight catches the shallow chamfers of the stone -- a faint silver-blue tracery curving through the grey flags, several metres across, partly hidden under a thin film of standing water that has gathered in the low seams. The seal holds: at the circle's exact centre a single vertical seam of faint cold light breathes between two paving slabs, no wider than a finger, glowing dim cyan and fading at its edges, the only warm-free colour in the frame besides the moon. A trickle of water runs along the drainage groove and stops dead at that seam, beading and refusing to cross — the seal is a real barrier, and the water proves it. The light from the seam does not spill; it is a glow, not a lamp, and the surrounding stone stays in shadow. Behind and below the main circle, at the base of the far wing where the covered walkway meets the building, a sliding door stands ajar in its frame — a plain school entrance, apparently ordinary — and the darkness beyond it is absolute, a black rectangle the moonlight does not enter, as though the corridor behind it belongs to another space entirely. Nothing moves; the air holds a few faint dust motes and a low ground mist lying in the paving seams.
Palette: deep indigo and slate blue across the buildings and shadow, cold silver where the moon strikes stone and hedge, one restrained cyan seam of sealed light at the courtyard's heart, the whole image keyed low and dark with the sky a deep navy above the rooflines. Detail budget is spent on the courtyard's geometry — the paving grid, the run of pillars and their shadows, the circle of disguised tracery — while the distant tower and the far windows stay simplified in atmospheric blue haze. Quiet dread.
whitekopper
The Silent Classroom
Love
t7
character: hayashida_airi, shimada_mayu, katayama_minami, nanase_yoshino, hisami_nanami, kikuma_kaya, okamoto_miyu, copyright: wake_up_girls!
7girls, wide shot, wide angle, large gymnasium, basketball hoop, tall windows, high ceiling, soft daylight, sunlight beams, polished wood floor, reflective floor, court lines, school gym uniform, white t-shirt, short sleeves, blue bloomers, gym bloomers, gym shoes, socks, candid, relaxed, break, stretching, sitting on floor, straddle stretch, leaning against wall, chatting, holding basketball, tossing basketball, mid-air ball, brown hair, black hair, twintails, short twintails, ponytail, short hair, long hair, green eyes, yellow eyes, brown eyes, mole under eye, vibrant colors
A wide-angle shot frames the sunlit interior of an expansive school gymnasium during a pause in physical education class. High along the upper walls, tall vertical windows admit broad shafts of soft golden daylight that illuminate suspended dust motes and cast luminous rectangular patches across the polished honey-toned wooden floorboards. The glossy polyurethane floor mirrors the figures and window frames in slightly diffused, elongated reflections. In the background and above the court, standard basketball hoops with white net meshes and rectangular backboards jut from the wooden ribs of the walls.
All seven high school girls wear matching PE attire: clean white short-sleeved cotton sports shirts with crew collars and deep royal blue gym bloomers, worn with white ankle socks and indoor court shoes.
In the foreground, two girls sit directly on the smooth floorboards doing cool-down stretches: one with dark shoulder-length hair and soft bangs sits in a seated straddle, leaning her torso forward with open palms resting on the wood, while beside her, a girl with short chin-length brown hair, green eyes, and a distinct beauty mark beneath her left eye reaches both hands toward the toes of her extended legs with a relaxed exhale.
To the right, two girls linger against the lower wall paneling: a tall girl with long, straight raven-black hair and striking amber eyes leans her upper back against the wall with arms loosely crossed over her chest, smiling faintly at her companion, who has long wavy brown hair and vivid green eyes, resting one shoulder against the wooden wall while leaning into her right hip and gesturing with an upturned palm mid-conversation.
Toward the court center, the remaining three girls interact around a pebbled orange basketball: a cheerful girl with long brown twintails follows through an underhand toss, leaning forward on one sneaker; a shorter girl with perky short brown twintails crouches slightly with palms raised to receive the spinning ball; and a girl with short brown hair tied in a perky ponytail watches the pass from a few paces back, hands resting on her knees as she calls for the rebound. The atmosphere is warm, bright, and effortlessly candid.
totsushi_77229#0
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