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Azur Lane
Arte de IA de 默默-luan no PixAI. Criado com Tsubaki.3 Flash.
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- Entrada de Instrução Original
- lying face down, torso twisted, head turned to the viewer, chin lifted, one arm stretched on the bed, both legs raised, calves crossed, one sole facing the lens, visible skin creases through sheer fabric, the other foot angled down, toes visible through sheer fabric, high angle, from above, three-quarter, head in the upper left of the frame, body diagonal, full body, dark brown sheer pantyhose over hips to toes, dark diamond pattern on the thighs, black maid dress, white frilled collar, red necktie, white stitch pattern on the chest, white frilled apron, black miniskirt with white hem, long black sleeves, white frilled maid bonnet with four silver pointed ornaments attached, white X-shaped hair clips, white bedding, two-tone round cushion behind the legs, mouth open, small fang visible, looking at viewer, blushing
- Modo
- flash
- Tamanho
- 1104 x 1824
Assistente de Prompt
Modelo & LoRA usado
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1girl, solo, lying, lying on stomach, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, mouth open, fang, blush, one arm extended, outstretched arm, legs up, calves crossed, crossed ankles, one leg raised, foot focus, soles, toes, full body, three-quarter view, from above, high angle, dutch angle, diagonal composition, black maid dress, white frilled collar, red necktie, white embroidery on chest, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed ornaments, white X hair clips, dark brown pantyhose, sheer pantyhose, diamond pattern, white bedding, round cushion, two-tone cushion,
A high-angle three-quarter view looking down onto a bed, the camera tilted so the whole frame runs on a diagonal: her head lands in the upper left, her body falling away toward the lower right, the full figure inside the frame from bonnet to soles. She lies face down on white bedding, chest and belly pressed into the sheet, her torso twisted at the waist so the shoulders turn back up toward the lens. Her chin is lifted clear of the mattress, head turned to the viewer, eyes locked on the lens, cheeks flushed red, mouth open with the small fang catching on the lower lip. Her right arm is stretched flat along the bed toward the upper-left corner, palm down, fingers loose and sinking slightly into the sheet, the black sleeve wrinkled at the elbow. Both legs are raised off the mattress behind her, knees bent, calves crossed with the left calf laid over the right; the right foot turns its sole up toward the lens, toes compressed into the fabric, while the left foot angles down past the edge of the skirt with its toes visible pressing through the sheer. The dark brown sheer pantyhose runs unbroken from the hips to the toes, so the white skin blurs through it, faint horizontal creases gathering behind the knees and at the ankles where the fabric pulls taut, and the dark diamond lattice sits on the thighs where the weave is stretched widest.
The black maid dress bunches at the twisted waist; the white frilled collar sits at her throat with the red necktie knotted beneath it and the white stitch pattern tracing the chest of the bodice; the white frilled apron spills across the bedding under her hips; the black miniskirt with its white hem flips up over the raised legs. The white frilled bonnet straps under her chin, its four silver pointed ornaments standing up off the crown, and the white X-shaped clips pin her hair flat at one temple. Behind her raised legs, at the far edge of the sheet, a round two-tone cushion rests half-sunk in the bedding.
Light comes from a soft window high at the upper left, the only source: it rakes the crown of the bonnet and her lifted face, skims the top of the raised calf and the upturned sole, and throws a short soft shadow of her crossed ankles down onto the sheet; the underside of her twisted torso and the far side of the cushion hold the deepest tone. Palette: white bedding and white frills against black dress and dark brown hosiery, one saturated red at the necktie, cool silver on the bonnet ornaments. The sheet dips where her hips and elbow press into it. Playful, inviting.
默默-joker
1girl, solo, lying, lying on stomach, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, mouth open, fang, blush, one arm extended, outstretched arm, legs up, calves crossed, crossed ankles, one leg raised, foot focus, soles, toes, full body, three-quarter view, from above, high angle, dutch angle, diagonal composition, black maid dress, white frilled collar, red necktie, white embroidery on chest, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed ornaments, white X hair clips, dark brown pantyhose, sheer pantyhose, diamond pattern, white bedding, round cushion, two-tone cushion,
A high-angle three-quarter view looking down onto a bed, the camera tilted so the whole frame runs on a diagonal: her head lands in the upper left, her body falling away toward the lower right, the full figure inside the frame from bonnet to soles. She lies face down on white bedding, chest and belly pressed into the sheet, her torso twisted at the waist so the shoulders turn back up toward the lens. Her chin is lifted clear of the mattress, head turned to the viewer, eyes locked on the lens, cheeks flushed red, mouth open with the small fang catching on the lower lip. Her right arm is stretched flat along the bed toward the upper-left corner, palm down, fingers loose and sinking slightly into the sheet, the black sleeve wrinkled at the elbow. Both legs are raised off the mattress behind her, knees bent, calves crossed with the left calf laid over the right; the right foot turns its sole up toward the lens, toes compressed into the fabric, while the left foot angles down past the edge of the skirt with its toes visible pressing through the sheer. The dark brown sheer pantyhose runs unbroken from the hips to the toes, so the white skin blurs through it, faint horizontal creases gathering behind the knees and at the ankles where the fabric pulls taut, and the dark diamond lattice sits on the thighs where the weave is stretched widest.
The black maid dress bunches at the twisted waist; the white frilled collar sits at her throat with the red necktie knotted beneath it and the white stitch pattern tracing the chest of the bodice; the white frilled apron spills across the bedding under her hips; the black miniskirt with its white hem flips up over the raised legs. The white frilled bonnet straps under her chin, its four silver pointed ornaments standing up off the crown, and the white X-shaped clips pin her hair flat at one temple. Behind her raised legs, at the far edge of the sheet, a round two-tone cushion rests half-sunk in the bedding.
Light comes from a soft window high at the upper left, the only source: it rakes the crown of the bonnet and her lifted face, skims the top of the raised calf and the upturned sole, and throws a short soft shadow of her crossed ankles down onto the sheet; the underside of her twisted torso and the far side of the cushion hold the deepest tone. Palette: white bedding and white frills against black dress and dark brown hosiery, one saturated red at the necktie, cool silver on the bonnet ornaments. The sheet dips where her hips and elbow press into it. Playful, inviting.
默默-joker
1girl, solo, lying, lying on stomach, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, mouth open, fang, blush, one arm extended, outstretched arm, legs up, calves crossed, crossed ankles, one leg raised, foot focus, soles, toes, full body, three-quarter view, from above, high angle, dutch angle, diagonal composition, black maid dress, white frilled collar, red necktie, white embroidery on chest, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed ornaments, white X hair clips, dark brown pantyhose, sheer pantyhose, diamond pattern, white bedding, round cushion, two-tone cushion,
A high-angle three-quarter view looking down onto a bed, the camera tilted so the whole frame runs on a diagonal: her head lands in the upper left, her body falling away toward the lower right, the full figure inside the frame from bonnet to soles. She lies face down on white bedding, chest and belly pressed into the sheet, her torso twisted at the waist so the shoulders turn back up toward the lens. Her chin is lifted clear of the mattress, head turned to the viewer, eyes locked on the lens, cheeks flushed red, mouth open with the small fang catching on the lower lip. Her right arm is stretched flat along the bed toward the upper-left corner, palm down, fingers loose and sinking slightly into the sheet, the black sleeve wrinkled at the elbow. Both legs are raised off the mattress behind her, knees bent, calves crossed with the left calf laid over the right; the right foot turns its sole up toward the lens, toes compressed into the fabric, while the left foot angles down past the edge of the skirt with its toes visible pressing through the sheer. The dark brown sheer pantyhose runs unbroken from the hips to the toes, so the white skin blurs through it, faint horizontal creases gathering behind the knees and at the ankles where the fabric pulls taut, and the dark diamond lattice sits on the thighs where the weave is stretched widest.
The black maid dress bunches at the twisted waist; the white frilled collar sits at her throat with the red necktie knotted beneath it and the white stitch pattern tracing the chest of the bodice; the white frilled apron spills across the bedding under her hips; the black miniskirt with its white hem flips up over the raised legs. The white frilled bonnet straps under her chin, its four silver pointed ornaments standing up off the crown, and the white X-shaped clips pin her hair flat at one temple. Behind her raised legs, at the far edge of the sheet, a round two-tone cushion rests half-sunk in the bedding.
Light comes from a soft window high at the upper left, the only source: it rakes the crown of the bonnet and her lifted face, skims the top of the raised calf and the upturned sole, and throws a short soft shadow of her crossed ankles down onto the sheet; the underside of her twisted torso and the far side of the cushion hold the deepest tone. Palette: white bedding and white frills against black dress and dark brown hosiery, one saturated red at the necktie, cool silver on the bonnet ornaments. The sheet dips where her hips and elbow press into it. Playful, inviting.
默默-joker
Ellen Joe
Keny98
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