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Bryan Luna
Mostrar Parรขmetros
- Entrada de Instruรงรฃo Original
- Kaoruko Awata from Mha, posing sexy
- Modo
- flash
- Tamanho
- 1232 x 1632
Assistente de Prompt
Modelo & LoRA usado
Imagens Similares
Mostrar maismasterpiece, best quality, detailed, cowboy shot, 1girl, solo, purple bodysuit, sleeveless, arm guards, armband, thigh boots, thigh strap, standing, sweet smile, japan anime style, tall woman, slim body, long legs, long hair, slim thighs, kind expression, full body, ninwilltekk, blonde hair, ponytail
์กํ์น
Stunning Red-Haired Beauty in Profile
Kydol
ca
The character from image1, in a full-body shot facing the viewer, wearing the same tight black sleeveless turtleneck top and black leggings as image1, with her long pink hair featuring blonde streaks and her arms raised above her head. She is looking directly forward with a confident expression. The leggings are tighter and more form-fitting around the crotch and upper thighs, emphasizing the contours of her lower body. The background is a dark, moody space with a soft blue light source from above, consistent with image1. The style of the image remains faithful to image1.
Carmelo Anyhony
ca
character: uro_takako
1girl, solo, uro_takako \(jujutsu_kaisen\), female, pink hair, long hair, two-tone hair, blonde hair on one side, pink hair on the other, hair between eyes, floating hair strands lifting upward, black sclera, colored sclera, pale blue eyes with pink ring, really tight clothing, skin-tight bodysuit, tight black sleeveless high-collar bodysuit clinging to her torso, tight dark leggings, tight garment stretched across the chest, fabric tension lines, seam stretched taut, arms up, both arms raised overhead, wrists crossed above her head, mid-stretch, standing on tiptoe, one leg lifted and bent, leaning back, back arched, head tilted back, from below, low angle, close-up, cowboy shot, looking up, half-closed eyes, light smile, smug, open mouth, floating hair points, volumetric light, dark background, cold blue backlight,
From a steep low angle close in front of her, the pale woman is caught halfway through an overhead stretch: her pelvis is pushed forward and her weight rides on the ball of her right foot, her left leg lifted and bent at the knee, toes pointing down and not touching anything; both arms are raised so her crossed wrists sit just under the top edge of the frame, the shoulder line pulled long by the reach. A black sleeveless bodysuit with a high closed collar is stretched skin-tight over her torso, the knit strained into fine pale tension lines over the breasts, a faint seam pulled dead straight down her sternum, the hem gripping her hips; skin-tight dark leggings cling so closely the inner-thigh fabric sheens. The garment lifts with the back-arch and rides a fraction at the waist, revealing a sliver of skin there. Because the camera sits low, her chin is high and her eyes look down the long line of her own raised arms, half-lidded, one corner of her mouth hooked up; her hair floats as if weightless, the pink masses and the blonde section streaming upward and outward past her shoulders, strands crossing over the dark behind her. The only light is a cold blue rim from behind and above, breaking along the lifted edge of her collar, the ridge of her shoulder and the underside of one forearm; a second weak sky-tinted fill catches the front of the bodysuit, and everything outside that, her legs below the knee and the whole background, falls into near-black with a soft blue halo where her hair passes in front of the light; her cast shadow drops out of frame entirely. Palette limited to black, cold blue and her pink-and-blonde hair. Effortlessly confident.
Carmelo Anyhony
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