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AI artwork featuring #Zenless Zone Zero and #Ellen Joe
Gerar Grรกtis

Ellen Joe, Zenless Zone Zero

#Zenless Zone Zero#Ellen Joe
Avatar image of ้ป˜้ป˜-163
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้ป˜้ป˜-163

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full body, single girl, lying prone face down, head turned toward viewer, hands tucked under head, legs raised and bent at knees, calves crossed in asymmetric X, legs covering hips, front leg angled upward, back leg angled downward, front foot pointed toes, toes visible through sheer fabric, back foot lower, ankle hidden by front leg, sole facing camera, enlarged sole, dark brown sheer pantyhose, diamond argyle pattern, patterned pantyhose, black maid dress, white frilled collar, white frilled apron, red bow tie, black short skirt, long black sleeves, white frilled maid headdress with silver spikes, two white X-shaped hair clips, black nail polish, white floor, purple-black and white two-tone cushions, mouth slightly open, single fang, looking at viewer, blushing, low angle, from below, from side, three-quarter view from behind, diagonal composition, full body, bare ears, bare earlobes, unadorned fingers The camera crouches low beside a white padded sofa, almost at floor level, shooting from the foot end of the sofa: from this low angle the girl lies prone face down along the white upholstery, her head at the upper-left of the frame and her body running on a steep diagonal down to the lower right, so her raised crossed legs and the enlarged sole of the lower foot dominate the near foreground. Her head is turned back over her shoulder toward the lens, cheek pressed into the white cushion, chin lifted; her forearms are folded flat and both hands tucked palm-down beneath her cheek and temple, black-lacquered nails dark against white frills. The two-tone cushion -- deep purple-black on the seam side, white on the face -- is compressed visibly under her forearms and ribs. Her legs are raised behind her with the knees bent, and the calves cross in a deliberate asymmetric X: the nearer leg slants up and away, its foot pointed with the toes stretching the sheer dark-brown fabric so each toe reads as a separate dark blur; the far leg slants down and back lower, its ankle disappearing behind the near calf, and its whole sole turned square to the lens, pushed forward into a wide-angle exaggeration that dwarfs the head. The legs together overlap and hide her hips entirely. Dark brown sheer pantyhose wraps from the hidden hips down over thighs and calves to the tips of both feet, the diamond argyle lattice catching light in a lattice of slightly denser brown across the thighs, thinning to near invisibility over the soles where the skin and the sole's pale arch show through the weave. Her black maid dress is short and sleeveless at the shoulder, long black sleeves snug to her arms; the white frilled collar spreads at her turned throat with the red bow tie knotted just under it, and the white frilled apron with its ribbon straps lies across her back. A white frilled maid headdress with stiff silver spikes sits tilted over her hair, and two white X-shaped clips pin the hair over one temple. The only light is a soft broad one from the window side at frame left, skimming low across the white floor and the sofa, throwing the shadow of her raised legs onto the white floor at frame right and letting the far side of her head fall into a soft shadow. The scene is almost entirely white -- floor, sofa, frills, headdress -- broken by the black dress, the dark brown of the hosiery, the red bow, and the two-tone cushions. Wisps of hair and the loose frill of the headdress lift with the small motion of her turn. Her mouth is open a slit with one small fang showing at the corner, cheeks flushed, eyes on the lens. Playfully teasing.
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Modo
flash
Tamanho
1104 x 1824

Modelo & LoRA usado

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.13k

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Avatar image of ้ป˜้ป˜-joker
1girl, solo, lying, lying on stomach, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, mouth open, fang, blush, one arm extended, outstretched arm, legs up, calves crossed, crossed ankles, one leg raised, foot focus, soles, toes, full body, three-quarter view, from above, high angle, dutch angle, diagonal composition, black maid dress, white frilled collar, red necktie, white embroidery on chest, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed ornaments, white X hair clips, dark brown pantyhose, sheer pantyhose, diamond pattern, white bedding, round cushion, two-tone cushion, A high-angle three-quarter view looking down onto a bed, the camera tilted so the whole frame runs on a diagonal: her head lands in the upper left, her body falling away toward the lower right, the full figure inside the frame from bonnet to soles. She lies face down on white bedding, chest and belly pressed into the sheet, her torso twisted at the waist so the shoulders turn back up toward the lens. Her chin is lifted clear of the mattress, head turned to the viewer, eyes locked on the lens, cheeks flushed red, mouth open with the small fang catching on the lower lip. Her right arm is stretched flat along the bed toward the upper-left corner, palm down, fingers loose and sinking slightly into the sheet, the black sleeve wrinkled at the elbow. Both legs are raised off the mattress behind her, knees bent, calves crossed with the left calf laid over the right; the right foot turns its sole up toward the lens, toes compressed into the fabric, while the left foot angles down past the edge of the skirt with its toes visible pressing through the sheer. The dark brown sheer pantyhose runs unbroken from the hips to the toes, so the white skin blurs through it, faint horizontal creases gathering behind the knees and at the ankles where the fabric pulls taut, and the dark diamond lattice sits on the thighs where the weave is stretched widest. The black maid dress bunches at the twisted waist; the white frilled collar sits at her throat with the red necktie knotted beneath it and the white stitch pattern tracing the chest of the bodice; the white frilled apron spills across the bedding under her hips; the black miniskirt with its white hem flips up over the raised legs. The white frilled bonnet straps under her chin, its four silver pointed ornaments standing up off the crown, and the white X-shaped clips pin her hair flat at one temple. Behind her raised legs, at the far edge of the sheet, a round two-tone cushion rests half-sunk in the bedding. Light comes from a soft window high at the upper left, the only source: it rakes the crown of the bonnet and her lifted face, skims the top of the raised calf and the upturned sole, and throws a short soft shadow of her crossed ankles down onto the sheet; the underside of her twisted torso and the far side of the cushion hold the deepest tone. Palette: white bedding and white frills against black dress and dark brown hosiery, one saturated red at the necktie, cool silver on the bonnet ornaments. The sheet dips where her hips and elbow press into it. Playful, inviting.
้ป˜้ป˜-joker
#Zenless Zone Zero#Ellen Joe
AI artwork
Avatar image of ้ป˜้ป˜-joker
1girl, solo, lying, lying on stomach, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, mouth open, fang, blush, one arm extended, outstretched arm, legs up, calves crossed, crossed ankles, one leg raised, foot focus, soles, toes, full body, three-quarter view, from above, high angle, dutch angle, diagonal composition, black maid dress, white frilled collar, red necktie, white embroidery on chest, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed ornaments, white X hair clips, dark brown pantyhose, sheer pantyhose, diamond pattern, white bedding, round cushion, two-tone cushion, A high-angle three-quarter view looking down onto a bed, the camera tilted so the whole frame runs on a diagonal: her head lands in the upper left, her body falling away toward the lower right, the full figure inside the frame from bonnet to soles. She lies face down on white bedding, chest and belly pressed into the sheet, her torso twisted at the waist so the shoulders turn back up toward the lens. Her chin is lifted clear of the mattress, head turned to the viewer, eyes locked on the lens, cheeks flushed red, mouth open with the small fang catching on the lower lip. Her right arm is stretched flat along the bed toward the upper-left corner, palm down, fingers loose and sinking slightly into the sheet, the black sleeve wrinkled at the elbow. Both legs are raised off the mattress behind her, knees bent, calves crossed with the left calf laid over the right; the right foot turns its sole up toward the lens, toes compressed into the fabric, while the left foot angles down past the edge of the skirt with its toes visible pressing through the sheer. The dark brown sheer pantyhose runs unbroken from the hips to the toes, so the white skin blurs through it, faint horizontal creases gathering behind the knees and at the ankles where the fabric pulls taut, and the dark diamond lattice sits on the thighs where the weave is stretched widest. The black maid dress bunches at the twisted waist; the white frilled collar sits at her throat with the red necktie knotted beneath it and the white stitch pattern tracing the chest of the bodice; the white frilled apron spills across the bedding under her hips; the black miniskirt with its white hem flips up over the raised legs. The white frilled bonnet straps under her chin, its four silver pointed ornaments standing up off the crown, and the white X-shaped clips pin her hair flat at one temple. Behind her raised legs, at the far edge of the sheet, a round two-tone cushion rests half-sunk in the bedding. Light comes from a soft window high at the upper left, the only source: it rakes the crown of the bonnet and her lifted face, skims the top of the raised calf and the upturned sole, and throws a short soft shadow of her crossed ankles down onto the sheet; the underside of her twisted torso and the far side of the cushion hold the deepest tone. Palette: white bedding and white frills against black dress and dark brown hosiery, one saturated red at the necktie, cool silver on the bonnet ornaments. The sheet dips where her hips and elbow press into it. Playful, inviting.
้ป˜้ป˜-joker
#1 garota
AI artwork
Avatar image of ้ป˜้ป˜-joker
1girl, solo, lying, lying on stomach, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, mouth open, fang, blush, one arm extended, outstretched arm, legs up, calves crossed, crossed ankles, one leg raised, foot focus, soles, toes, full body, three-quarter view, from above, high angle, dutch angle, diagonal composition, black maid dress, white frilled collar, red necktie, white embroidery on chest, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed ornaments, white X hair clips, dark brown pantyhose, sheer pantyhose, diamond pattern, white bedding, round cushion, two-tone cushion, A high-angle three-quarter view looking down onto a bed, the camera tilted so the whole frame runs on a diagonal: her head lands in the upper left, her body falling away toward the lower right, the full figure inside the frame from bonnet to soles. She lies face down on white bedding, chest and belly pressed into the sheet, her torso twisted at the waist so the shoulders turn back up toward the lens. Her chin is lifted clear of the mattress, head turned to the viewer, eyes locked on the lens, cheeks flushed red, mouth open with the small fang catching on the lower lip. Her right arm is stretched flat along the bed toward the upper-left corner, palm down, fingers loose and sinking slightly into the sheet, the black sleeve wrinkled at the elbow. Both legs are raised off the mattress behind her, knees bent, calves crossed with the left calf laid over the right; the right foot turns its sole up toward the lens, toes compressed into the fabric, while the left foot angles down past the edge of the skirt with its toes visible pressing through the sheer. The dark brown sheer pantyhose runs unbroken from the hips to the toes, so the white skin blurs through it, faint horizontal creases gathering behind the knees and at the ankles where the fabric pulls taut, and the dark diamond lattice sits on the thighs where the weave is stretched widest. The black maid dress bunches at the twisted waist; the white frilled collar sits at her throat with the red necktie knotted beneath it and the white stitch pattern tracing the chest of the bodice; the white frilled apron spills across the bedding under her hips; the black miniskirt with its white hem flips up over the raised legs. The white frilled bonnet straps under her chin, its four silver pointed ornaments standing up off the crown, and the white X-shaped clips pin her hair flat at one temple. Behind her raised legs, at the far edge of the sheet, a round two-tone cushion rests half-sunk in the bedding. Light comes from a soft window high at the upper left, the only source: it rakes the crown of the bonnet and her lifted face, skims the top of the raised calf and the upturned sole, and throws a short soft shadow of her crossed ankles down onto the sheet; the underside of her twisted torso and the far side of the cushion hold the deepest tone. Palette: white bedding and white frills against black dress and dark brown hosiery, one saturated red at the necktie, cool silver on the bonnet ornaments. The sheet dips where her hips and elbow press into it. Playful, inviting.
้ป˜้ป˜-joker

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