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AI artwork featuring #The Idolmaster, #The Idolmaster Shiny Colors and #Chiyuki Kuwayama
Gerar Grรกtis

Chiyuki Kuwayama, The Idolmaster

Arte de IA de uru no PixAI. Tags: The Idolmaster Shiny Colors. Criado com Tsubaki.3.

#The Idolmaster#The Idolmaster Shiny Colors#Chiyuki Kuwayama
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character: kuwayama_chiyuki 1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, braid, brown eyes, beautiful hair, warm smile, closed-mouth smile, blush, heavy blush, embarrassed, cold sweat, sweat on face, nervous sweat, long sleeves, tight ribbed knit long one-piece dress, long skirt, see-through fabric, sheer knit clinging to shoulders, hanging nametag, love hotel background, morning, from below, dutch angle, close-up, cowboy shot, looking to the side, arms up, hand at collar, shoulders drawn in, standing, warm light, Low dutch-angle cowboy shot from slightly below, tilted so the hallway's lines lean; the girl fills the right two-thirds of a 3:4 frame, seen from mid-thigh up, her long ribbed one-piece running unbroken from a high collar down past the hem of a floor-length skirt. Her brown hair is long and heavy, one thick braid falling forward over her left shoulder, a single ahoge springing up and curling against the ceiling light; the braid's loose strands catch a rim of gold along their outer edge. Her face turns three-quarters away toward a numbered door at frame left, eyes lowered and glancing sideways at the floor, chin tucked into her collar; her lips hold a small warm closed-mouth smile that keeps breaking at one corner, and a deep blush spreads from cheekbones to ears. Cold sweat beads in fine droplets at her temple, along her hairline and at the side of her throat, one drop sliding down past her jaw. Both hands are up at her chest: her right hand pinches the knit closed at the collarbone, fingers hooked into the ribbed collar and pulling it taut; her left hand hovers flat over the nametag cord at her sternum, not quite covering it. The tight ribbed knit follows every rib of the fabric, stretched thin and slightly sheer over her shoulders and upper chest where the morning light passes through it, showing the faint warm shadow of skin beneath; the skirt hangs heavy and dense below the waist, opaque, the ribs catching long vertical highlights. The love hotel hallway is shallow and close: a dark lacquered door with a lit number plate at left, a wall-mounted rate board with illegible printed text in soft focus, a low ceiling with one recessed warm lamp above and behind her left shoulder. That lamp is the only light source; it strikes the top of her head, the near edge of the braid and the shoulder where the knit goes sheer, and it drops her shadow short and dense against the door frame. Down the corridor behind her the darkness is absolute, and a small hanging nametag on a thin cord around her neck swings slightly forward, white card pale in the lamplight, its printed words too small to read. The morning is early and the hallway has not been cleaned yet -- a folded towel cart sits half out of frame at the extreme left, sharp only at its edge. Palette held to warm amber lamp light, deep brown-black shadow, and the pale oatmeal of the knit, with the blush and the damp shine at her temple as the only saturated notes. Quiet, flustered, caught.
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Entrada de Instruรงรฃo Original
1girl, masterpiece, best quality,beautiful hair, warm smile, highly detailed, 8k quality, --ar 3:4 --stylize,long sleeve, tight rib long onepiece,long skirt,lovehotel background,hanging nametag,Blushing, feeling embarrassed, morning,Kuwayama Chiyuki, Blushing, feeling embarrassed, I'm breaking out in a cold sweat,seethrough
Modo
ultra
Tag de Qualidade
๏นInstruรงรตes๏นž
Tamanho
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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AI artwork
Avatar image of uru
character: kuwayama_chiyuki 1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, braid, brown eyes, beautiful hair, warm smile, closed-mouth smile, blush, heavy blush, embarrassed, cold sweat, sweat on face, nervous sweat, long sleeves, tight ribbed knit long one-piece dress, long skirt, see-through fabric, sheer knit clinging to shoulders, hanging nametag, love hotel background, morning, from below, dutch angle, close-up, cowboy shot, looking to the side, arms up, hand at collar, shoulders drawn in, standing, warm light, Low dutch-angle cowboy shot from slightly below, tilted so the hallway's lines lean; the girl fills the right two-thirds of a 3:4 frame, seen from mid-thigh up, her long ribbed one-piece running unbroken from a high collar down past the hem of a floor-length skirt. Her brown hair is long and heavy, one thick braid falling forward over her left shoulder, a single ahoge springing up and curling against the ceiling light; the braid's loose strands catch a rim of gold along their outer edge. Her face turns three-quarters away toward a numbered door at frame left, eyes lowered and glancing sideways at the floor, chin tucked into her collar; her lips hold a small warm closed-mouth smile that keeps breaking at one corner, and a deep blush spreads from cheekbones to ears. Cold sweat beads in fine droplets at her temple, along her hairline and at the side of her throat, one drop sliding down past her jaw. Both hands are up at her chest: her right hand pinches the knit closed at the collarbone, fingers hooked into the ribbed collar and pulling it taut; her left hand hovers flat over the nametag cord at her sternum, not quite covering it. The tight ribbed knit follows every rib of the fabric, stretched thin and slightly sheer over her shoulders and upper chest where the morning light passes through it, showing the faint warm shadow of skin beneath; the skirt hangs heavy and dense below the waist, opaque, the ribs catching long vertical highlights. The love hotel hallway is shallow and close: a dark lacquered door with a lit number plate at left, a wall-mounted rate board with illegible printed text in soft focus, a low ceiling with one recessed warm lamp above and behind her left shoulder. That lamp is the only light source; it strikes the top of her head, the near edge of the braid and the shoulder where the knit goes sheer, and it drops her shadow short and dense against the door frame. Down the corridor behind her the darkness is absolute, and a small hanging nametag on a thin cord around her neck swings slightly forward, white card pale in the lamplight, its printed words too small to read. The morning is early and the hallway has not been cleaned yet -- a folded towel cart sits half out of frame at the extreme left, sharp only at its edge. Palette held to warm amber lamp light, deep brown-black shadow, and the pale oatmeal of the knit, with the blush and the damp shine at her temple as the only saturated notes. Quiet, flustered, caught.
uru
AI artwork
Avatar image of uru
character: kuwayama_chiyuki 1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, braid, brown eyes, beautiful hair, warm smile, closed-mouth smile, blush, heavy blush, embarrassed, cold sweat, sweat on face, nervous sweat, long sleeves, tight ribbed knit long one-piece dress, long skirt, see-through fabric, sheer knit clinging to shoulders, hanging nametag, love hotel background, morning, from below, dutch angle, close-up, cowboy shot, looking to the side, arms up, hand at collar, shoulders drawn in, standing, warm light, Low dutch-angle cowboy shot from slightly below, tilted so the hallway's lines lean; the girl fills the right two-thirds of a 3:4 frame, seen from mid-thigh up, her long ribbed one-piece running unbroken from a high collar down past the hem of a floor-length skirt. Her brown hair is long and heavy, one thick braid falling forward over her left shoulder, a single ahoge springing up and curling against the ceiling light; the braid's loose strands catch a rim of gold along their outer edge. Her face turns three-quarters away toward a numbered door at frame left, eyes lowered and glancing sideways at the floor, chin tucked into her collar; her lips hold a small warm closed-mouth smile that keeps breaking at one corner, and a deep blush spreads from cheekbones to ears. Cold sweat beads in fine droplets at her temple, along her hairline and at the side of her throat, one drop sliding down past her jaw. Both hands are up at her chest: her right hand pinches the knit closed at the collarbone, fingers hooked into the ribbed collar and pulling it taut; her left hand hovers flat over the nametag cord at her sternum, not quite covering it. The tight ribbed knit follows every rib of the fabric, stretched thin and slightly sheer over her shoulders and upper chest where the morning light passes through it, showing the faint warm shadow of skin beneath; the skirt hangs heavy and dense below the waist, opaque, the ribs catching long vertical highlights. The love hotel hallway is shallow and close: a dark lacquered door with a lit number plate at left, a wall-mounted rate board with illegible printed text in soft focus, a low ceiling with one recessed warm lamp above and behind her left shoulder. That lamp is the only light source; it strikes the top of her head, the near edge of the braid and the shoulder where the knit goes sheer, and it drops her shadow short and dense against the door frame. Down the corridor behind her the darkness is absolute, and a small hanging nametag on a thin cord around her neck swings slightly forward, white card pale in the lamplight, its printed words too small to read. The morning is early and the hallway has not been cleaned yet -- a folded towel cart sits half out of frame at the extreme left, sharp only at its edge. Palette held to warm amber lamp light, deep brown-black shadow, and the pale oatmeal of the knit, with the blush and the damp shine at her temple as the only saturated notes. Quiet, flustered, caught.
uru
AI artwork
Avatar image of uru
character: kuwayama_chiyuki 1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, braid, brown eyes, beautiful hair, warm smile, closed-mouth smile, blush, heavy blush, embarrassed, cold sweat, sweat on face, nervous sweat, long sleeves, tight ribbed knit long one-piece dress, long skirt, see-through fabric, sheer knit clinging to shoulders, hanging nametag, love hotel background, morning, from below, dutch angle, close-up, cowboy shot, looking to the side, arms up, hand at collar, shoulders drawn in, standing, warm light, Low dutch-angle cowboy shot from slightly below, tilted so the hallway's lines lean; the girl fills the right two-thirds of a 3:4 frame, seen from mid-thigh up, her long ribbed one-piece running unbroken from a high collar down past the hem of a floor-length skirt. Her brown hair is long and heavy, one thick braid falling forward over her left shoulder, a single ahoge springing up and curling against the ceiling light; the braid's loose strands catch a rim of gold along their outer edge. Her face turns three-quarters away toward a numbered door at frame left, eyes lowered and glancing sideways at the floor, chin tucked into her collar; her lips hold a small warm closed-mouth smile that keeps breaking at one corner, and a deep blush spreads from cheekbones to ears. Cold sweat beads in fine droplets at her temple, along her hairline and at the side of her throat, one drop sliding down past her jaw. Both hands are up at her chest: her right hand pinches the knit closed at the collarbone, fingers hooked into the ribbed collar and pulling it taut; her left hand hovers flat over the nametag cord at her sternum, not quite covering it. The tight ribbed knit follows every rib of the fabric, stretched thin and slightly sheer over her shoulders and upper chest where the morning light passes through it, showing the faint warm shadow of skin beneath; the skirt hangs heavy and dense below the waist, opaque, the ribs catching long vertical highlights. The love hotel hallway is shallow and close: a dark lacquered door with a lit number plate at left, a wall-mounted rate board with illegible printed text in soft focus, a low ceiling with one recessed warm lamp above and behind her left shoulder. That lamp is the only light source; it strikes the top of her head, the near edge of the braid and the shoulder where the knit goes sheer, and it drops her shadow short and dense against the door frame. Down the corridor behind her the darkness is absolute, and a small hanging nametag on a thin cord around her neck swings slightly forward, white card pale in the lamplight, its printed words too small to read. The morning is early and the hallway has not been cleaned yet -- a folded towel cart sits half out of frame at the extreme left, sharp only at its edge. Palette held to warm amber lamp light, deep brown-black shadow, and the pale oatmeal of the knit, with the blush and the damp shine at her temple as the only saturated notes. Quiet, flustered, caught.
uru
AI artwork
Avatar image of uru
character: kuwayama_chiyuki 1girl, solo, kuwayama_chiyuki, brown hair, long hair, ahoge, braid, brown eyes, tight ribbed long onepiece, long sleeves, long skirt, see-through clothing, sheer clinging fabric, blushing, embarrassed, cold sweat, sweatdrops on face, warm smile, nervous smile, night, love hotel interior, cowboy shot, from below, dutch angle, looking to the side, head tilt, shoulders drawn in, one hand gripping opposite sleeve, arms close to body, One young woman with long brown hair, an ahoge springing from her crown and a thin braid hanging past her right shoulder, stands alone in a love-hotel room at night, framed at cowboy-shot distance from a low, slightly tilted angle that puts the ceiling's mirror panels and the room's lit fixtures behind her shoulders. She is turned three-quarters away from the camera with her chin tipped down and to one side, eyes sliding off to the left, a warm but faltering smile on her lips, the corners of her mouth pulled taut while her brows climb with embarrassment. Her face is hot pink across both cheeks and a sheen of cold sweat beads at her temple and along her jaw, two droplets tracking down beside her nose. She wears a tight ribbed long-sleeved one-piece dress that clings along the ribs, cuffs at the wrists, the skirt dropping to a long hem that brushes her ankles; the pale knitted fabric is thin enough to be see-through where the room's light passes behind it, the outline of her body and the shadow of the braid showing faintly through, the ribbing stretched into fine parallel lines over her hips. Both arms are held close to her body, one hand gripping the opposite sleeve at the elbow, shoulders drawn up and inward, her weight settled on the back foot with the front knee slightly bent. Behind her the love hotel room is small and saturated: a low wide bed with a dark satin cover in the left midground, a lamp with a dim warm bulb on the right nightstand, a paneled door edge in the near foreground at frame right, and an unseen colored ceiling source washing the upper wall in a muted red glow. The bulb on the right is the key light and the red ceiling panel the fill; the two mix on her cheek, hair and the sheen of her dress, and her shadow falls long and soft onto the bed cover, darker and less defined than she is. Deep shadow fills the corners and the ceiling beyond the mirror's edge. Palette held to warm amber, muted red, cool grey-violet in the shadows and the cream of the dress. Quiet, flustered, hot-cheeked embarrassment.
uru

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