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alpacako
Arte de IA de alpacako no PixAI. Criado com お子様カレー１５杯目.
Mostrar Parâmetros
- Tamanho
- 1024 x 1024
- Passos de Amostragem
- 16
- Método de Amostragem
- Euler
- CFG scale
- 4
- Negativo
- (worst quality:1.2), (low quality:1.2), lowres, jpeg artifacts, bad anatomy, anatomical nonsense, deformed, disfigured, bad hands, bad feet, extra fingers, missing fingers, extra toes, missing toes, extra limbs, missing limbs, text, watermark, signature, censored, out of frame,
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masterpiece, best quality, whimsical storybook illustration, delicate watercolor and gouache painting, vintage children's book illustration,
a magical woodland tea party, enchanted forest clearing, elegant cream-colored pavilion tent, pointed fabric canopy, flowing curtains tied with dusty red ribbons, evergreen garlands, small red berries,
round tea table covered with a delicate lace tablecloth, floral porcelain teapot and teacups, tiered cake stand, tiny strawberry cakes, cookies,
white swan, black swan, majestic stag with antlers, spotted fawn, red fox, gentle cream-colored horse, several tiny fairies with translucent wings and flowing dresses,
animals gathered peacefully around the tea table, one fairy pouring tea, other fairies enjoying the gathering, natural overlapping arrangement, varied poses,
slender pale trees in the background, sparse winter forest, delicate branches, tiny flowers and grasses,
warm ivory background, muted earthy colors, dusty red accents, pale sage green, soft warm browns,
fine dry-brush strokes, delicate stippled pigment, subtle watercolor granulation, visible handmade paper texture, soft irregular edges, lightly faded pigments, precise details on faces and important objects, generous negative space, airy balanced composition, soft diffuse daylight
alpacako
A delicate vintage storybook illustration depicting a magical tea party in a quiet woodland clearing.
At the center stands a small cream-colored pavilion tent with a pointed fabric roof, softly draped curtains, evergreen garlands, and faded red ribbons. Beneath the canopy, a round table covered with a lace tablecloth is arranged with floral porcelain teacups, a teapot, tiny cakes, strawberries, and cookies.
A white swan, a black swan, a majestic stag, a spotted fawn, a gentle fox, and a pale cream-colored horse gather naturally around the table. Several small fairies with translucent wings and flowing ivory dresses join the gathering. One fairy carefully pours tea while the others sit among the animals.
The scene is surrounded by slender, sparsely painted trees, delicate branches, scattered grasses, and tiny woodland flowers. The composition is centered but loosely arranged, with overlapping figures, varied poses, and generous open space around the main gathering.
The artwork is created using thin translucent watercolor washes combined with delicate opaque gouache details. Forms are built from softly layered pigments rather than solid digital gradients. Fine dry-brush marks define fur, feathers, foliage, and fabric folds. Pigment granulation and subtle broken edges remain visible, while faces, eyes, and important objects retain clean, carefully controlled details.
A restrained palette of warm ivory, pale beige, muted brown, dusty red, and soft sage green. Natural handmade paper texture shows through the lightly painted surfaces.
Soft diffuse daylight, almost no cast shadows, gentle tonal transitions, quiet nostalgic atmosphere, airy composition, understated elegance, and the delicate charm of an antique illustrated fairy-tale book.
full body, front view, eye-level camera, straight-on composition, centered character, standing upright with both feet close together, relaxed symmetrical posture, looking toward the viewer,
holding a long traditional Chitose-ame paper bag directly in front of her body, the bag centered vertically from waist to knees, both hands raised in front of the lower chest, both hands firmly gripping the red handle from above, fingers naturally wrapped around the handle, hands placed close together, elbows slightly bent and relaxed, the bag hanging straight down from the handle, clearly visible hands and handle, natural hand-object interaction,
traditional Japanese Shinto shrine courtyard in the background, large wooden shrine building directly behind her, stone approach, stone lanterns, autumn maple leaves, warm sunlight filtering through the trees, a few fallen red leaves, balanced symmetrical environmental composition, shallow depth of field, character sharply focused, shrine background slightly softer
picco white ardlay
A delicate vintage storybook illustration depicting a magical tea party in a quiet woodland clearing.
At the center stands a small cream-colored pavilion tent with a pointed fabric roof, softly draped curtains, evergreen garlands, and faded red ribbons. Beneath the canopy, a round table covered with a lace tablecloth is arranged with floral porcelain teacups, a teapot, tiny cakes, strawberries, and cookies.
A white swan, a black swan, a majestic stag, a spotted fawn, a gentle fox, and a pale cream-colored horse gather naturally around the table. Several small fairies with translucent wings and flowing ivory dresses join the gathering. One fairy carefully pours tea while the others sit among the animals.
The scene is surrounded by slender, sparsely painted trees, delicate branches, scattered grasses, and tiny woodland flowers. The composition is centered but loosely arranged, with overlapping figures, varied poses, and generous open space around the main gathering.
The artwork is created using thin translucent watercolor washes combined with delicate opaque gouache details. Forms are built from softly layered pigments rather than solid digital gradients. Fine dry-brush marks define fur, feathers, foliage, and fabric folds. Pigment granulation and subtle broken edges remain visible, while faces, eyes, and important objects retain clean, carefully controlled details.
A restrained palette of warm ivory, pale beige, muted brown, dusty red, and soft sage green. Natural handmade paper texture shows through the lightly painted surfaces.
Soft diffuse daylight, almost no cast shadows, gentle tonal transitions, quiet nostalgic atmosphere, airy composition, understated elegance, and the delicate charm of an antique illustrated fairy-tale book.
full body, front view, eye-level camera, straight-on composition, centered character, standing upright with both feet close together, relaxed symmetrical posture, looking toward the viewer,
holding a long traditional Chitose-ame paper bag directly in front of her body, the bag centered vertically from waist to knees, both hands raised in front of the lower chest, both hands firmly gripping the red handle from above, fingers naturally wrapped around the handle, hands placed close together, elbows slightly bent and relaxed, the bag hanging straight down from the handle, clearly visible hands and handle, natural hand-object interaction,
traditional Japanese Shinto shrine courtyard in the background, large wooden shrine building directly behind her, stone approach, stone lanterns, autumn maple leaves, warm sunlight filtering through the trees, a few fallen red leaves, balanced symmetrical environmental composition, shallow depth of field, character sharply focused, shrine background slightly softer
picco white ardlay
お花見気分の女の子たち
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