acharacter: hoshino_(blue_archive), copyright: blue_archive masterpiece, highest quality, high res, high resolution, hoshino (blue archive), blue archive, 1girl, solo, long hair, looking at viewer, shirt, blue eyes, , holding, gloves, hair between eyes, pink hair, ponytail, ahoge, heterochromia, smile a bit, wedding ring, blurry background, snowy mountains, windows, high, apartment, city, road, morning, sweater, cars, indoors, ,迷陌然 style, dairantongzhi style, smooth hd, rendered, semi realistic,yshxsp style lora, smooth, smooth lineArisuastro44
1girl, solo, city street, tornado, wind, clinging to utility pole, holding on, floating, upside down, inverted, head down, legs up, legs pulled upward, white dress, sleeveless dress, eyelet lace, flared skirt, long hair, chestnut brown hair, low twintails, white hair ribbons, bare arms, barefoot, strained expression, gritted teeth, squeezed eyes shut, hair blown upward, dress billowing, skirt blown up toward tornado, debris flying, motion lines pulling legs upward, from below, foreshortening, dutch angle, wide shot, dynamic composition, day, overcast storm light, desaturated palette The camera looks up from street level at a steep angle, tilted so the composition itself leans with the suction, a single girl hanging inverted in the middle of the frame. Her head points down toward the wet asphalt, her chin lifted against gravity, and her legs stretch straight up toward the top of the panel where the tornado's dark funnel fills the upper third, its rotating wall of dust and shredded debris spiraling counter-clockwise. Both her hands are locked around the concrete utility pole that runs vertically through the left of the frame: fingers dug into the seam where a rusted metal band wraps the pole, palms pressed flat, knuckles white with strain, forearms taut and trembling, her shoulders wrenched upward by the pull. The pole itself leans a few degrees toward the funnel. Her white cotton eyelet dress hangs the wrong way — the flared skirt blown upward past her hips and snapping at her waist, the lace hem rippling toward the tornado, the bodice pulled tight across her shoulders — and her long chestnut hair has escaped the two low pigtails with their white ribbons, strands whipping upward toward the sky while the ribbons themselves strain and flutter. Her feet kick uselessly at the air above her, toes pointed, heels pulled higher than her hips by the updraft. Her eyes are squeezed shut and her mouth is set in a hard gritted line, cheeks flushed, a fine spray of rain and grit streaking past her face. Motion lines rake vertically up her legs toward the funnel, and loose paper, dust and torn leaves all rise around her. The street runs away behind her in perspective: shop fronts with shuttered windows and illegible signage on either side, a sagging awning, a parked bicycle, a second utility pole leaning at the right edge, power lines snapping upward. Flat overcast storm light comes from directly overhead with no direction, greying everything except the girl's white dress, which is the brightest shape in the frame; deep shadow sits under cars and eaves, and no cast shadow falls from her because she is airborne above the street. The palette is desaturated grey-green city concrete against the one white dress, the dust a dirty ochre. Violent, precarious.ひす11
ruined city, 1boy, very short black hair, T-shirt, damaged jeans, grey eyes, standing in front of truck, twirling car key, muscular, usnr, ((sketch_style:1.5)), (black_line), ((flat_color:1.3)), ((2D_image)), (clear_lines), 748cmstyleハチロク11
sky, day, morning, sun, autumn, mountain, forest, city, island, blue water, background, people, sidewalk, car, road, masterpiece, ultra detailedEdward Perez33#placa#outono#folhas de outono
