Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Server Maintenance Complete — Server maintenance is now complete, and generation speeds for SDXL and Tsubaki.1 tasks are back to normal. Tasks that we…

View details
cover image
Avatar image of MegumIA
avatar-frame

MegumIA

https://patreon.com/MegumIA?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink
10ติดตาม34ผู้ติดตาม1.78kยอดไลก์
ผลงานคอลเลกชัน
AI artwork
Avatar image of MegumIA
character: higashiyama_kobeni, makima_(chainsaw_man), chainsaw_man_(character), copyright: chainsaw_man 2girls, higashiyama kobeni, makima \(chainsaw man\), breasts, medium breasts, blush, white collared shirt, long sleeves, black necktie, black pants, closed mouth, sitting, brown hair, red hair, braided ponytail, asymmetrical hair, braid, single sidelock, sidelocks, hair ornament, hairclip, brown eyes, ringed yellow eyes, mole under eye, mole under mouth, shoes, socks, barefoot, one girl barefoot, hand up, hands up, collar tug, removing shoes, holding another's foot, foot out of frame, feet, toes, toenails, pink soles, soles, foot focus, sweatdrop, nervous, embarrassed, knees together feet apart, legs together, eyelashes, indoors, blurry background, depth of field, pov, shadow, manga-styled rendering, colored, hyperrealistic, ultra-realistic, hyper-detailed, very shiny skin, very shiny soles, looking at another, leaning forward, from above, pov The camera is a first-person point of view looking down from standing height into a narrow genkan entry hall, tilted slightly so both seated girls sit below the lens with their faces turned up toward the viewer; the front door is shut behind them at the top of the frame and the wooden floor fills the lower third. Makima with long wavy red hair in a braided ponytail, ringed yellow eyes, a single long sidelock sweeping down her right cheek and two moles under her left eye and under the corner of her mouth, sits on the raised step edge with her weight on her right hip, knees pressed together and ankles apart, her black-panted legs folded to one side, both soles turned up toward the lens so her pink soles catch the overhead light in a glossy sheen. Her right hand is raised to her collar, two fingers hooked under the knot of her black necktie and tugging it loose, her white collared shirt pulling open at the throat with the long sleeves cuffed and her chest rising under the cloth; her left hand closed gently around the heel of the other girl's bare foot, thumb across the arch. Kobeni at her left sits lower on the floorboards, brown hair in a short braided ponytail with asymmetrical side-swept bangs, one clip at her temple, brown eyes wide and flicking sideways toward Makima's hand on her foot, closed mouth pressed into a nervous line, heavy blush across her cheeks, one large sweatdrop beading at her right temple; her loose white shirt is untucked and wrinkled and her long sleeve is bunched to her elbow, black pants creased. Her barefoot leg is lifted across Makima's lap fully unshod, the toes curled and the toenails catching light, while her other leg is bent under her so that foot falls outside the image boundary — its knee still in frame — and her shoes sit kicked off to one side of the hall, one tipped over, a pair of socks pulled from her heel and dropped beside them. Light comes from a single ceiling fixture directly above: it pools on the shiny tops of both girls' skin, on the moist pink soles angled toward the camera, and leaves their faces and the hall around them in soft shadow; the background behind their shoulders falls into a blurred wash of a dim corridor with only an illegible dark shape at the far wall, shallow depth of field keeping the soles and the tugging hand razor sharp. Palette is constrained to white shirt fabric, black pants and necktie, red and brown hair, warm pink skin highlights and the honeyed amber of the floor, nothing else admitted. The lifted foot's toes curl and its arch wrinkles against Makima's palm, and the shoe on the floor lies on its side where it fell, its shadow sharp on the boards. Quiet nervous heat.
Nov 4, 2026 12:50 AM
#zetaCollab#เชนซอว์แมน#โคเบนิ ฮิงาชิยามะ
AI artwork
Avatar image of MegumIA
character: higashiyama_kobeni, makima_(chainsaw_man), chainsaw_man_(character), copyright: chainsaw_man 2girls, higashiyama kobeni, makima \(chainsaw man\), breasts, medium breasts, blush, white collared shirt, long sleeves, black necktie, black pants, closed mouth, sitting, brown hair, red hair, braided ponytail, asymmetrical hair, braid, single sidelock, sidelocks, hair ornament, hairclip, brown eyes, ringed yellow eyes, mole under eye, mole under mouth, shoes, socks, barefoot, one girl barefoot, hand up, hands up, collar tug, removing shoes, holding another's foot, foot out of frame, feet, toes, toenails, pink soles, soles, foot focus, sweatdrop, nervous, embarrassed, knees together feet apart, legs together, eyelashes, indoors, blurry background, depth of field, pov, shadow, manga-styled rendering, colored, hyperrealistic, ultra-realistic, hyper-detailed, very shiny skin, very shiny soles, looking at another, leaning forward, from above, pov The camera is a first-person point of view looking down from standing height into a narrow genkan entry hall, tilted slightly so both seated girls sit below the lens with their faces turned up toward the viewer; the front door is shut behind them at the top of the frame and the wooden floor fills the lower third. Makima with long wavy red hair in a braided ponytail, ringed yellow eyes, a single long sidelock sweeping down her right cheek and two moles under her left eye and under the corner of her mouth, sits on the raised step edge with her weight on her right hip, knees pressed together and ankles apart, her black-panted legs folded to one side, both soles turned up toward the lens so her pink soles catch the overhead light in a glossy sheen. Her right hand is raised to her collar, two fingers hooked under the knot of her black necktie and tugging it loose, her white collared shirt pulling open at the throat with the long sleeves cuffed and her chest rising under the cloth; her left hand closed gently around the heel of the other girl's bare foot, thumb across the arch. Kobeni at her left sits lower on the floorboards, brown hair in a short braided ponytail with asymmetrical side-swept bangs, one clip at her temple, brown eyes wide and flicking sideways toward Makima's hand on her foot, closed mouth pressed into a nervous line, heavy blush across her cheeks, one large sweatdrop beading at her right temple; her loose white shirt is untucked and wrinkled and her long sleeve is bunched to her elbow, black pants creased. Her barefoot leg is lifted across Makima's lap fully unshod, the toes curled and the toenails catching light, while her other leg is bent under her so that foot falls outside the image boundary — its knee still in frame — and her shoes sit kicked off to one side of the hall, one tipped over, a pair of socks pulled from her heel and dropped beside them. Light comes from a single ceiling fixture directly above: it pools on the shiny tops of both girls' skin, on the moist pink soles angled toward the camera, and leaves their faces and the hall around them in soft shadow; the background behind their shoulders falls into a blurred wash of a dim corridor with only an illegible dark shape at the far wall, shallow depth of field keeping the soles and the tugging hand razor sharp. Palette is constrained to white shirt fabric, black pants and necktie, red and brown hair, warm pink skin highlights and the honeyed amber of the floor, nothing else admitted. The lifted foot's toes curl and its arch wrinkles against Makima's palm, and the shoe on the floor lies on its side where it fell, its shadow sharp on the boards. Quiet nervous heat.
Nov 4, 2026 12:50 AM
#zetaCollab#เชนซอว์แมน#โคเบนิ ฮิงาชิยามะ
AI artwork
Avatar image of MegumIA
character: higashiyama_kobeni, makima_(chainsaw_man), chainsaw_man_(character), copyright: chainsaw_man 2girls, higashiyama kobeni, makima \(chainsaw man\), breasts, medium breasts, blush, white collared shirt, long sleeves, black necktie, black pants, closed mouth, sitting, brown hair, red hair, braided ponytail, asymmetrical hair, braid, single sidelock, sidelocks, hair ornament, hairclip, brown eyes, ringed yellow eyes, mole under eye, mole under mouth, shoes, socks, barefoot, one girl barefoot, hand up, hands up, collar tug, removing shoes, holding another's foot, foot out of frame, feet, toes, toenails, pink soles, soles, foot focus, sweatdrop, nervous, embarrassed, knees together feet apart, legs together, eyelashes, indoors, blurry background, depth of field, pov, shadow, manga-styled rendering, colored, hyperrealistic, ultra-realistic, hyper-detailed, very shiny skin, very shiny soles, looking at another, leaning forward, from above, pov The camera is a first-person point of view looking down from standing height into a narrow genkan entry hall, tilted slightly so both seated girls sit below the lens with their faces turned up toward the viewer; the front door is shut behind them at the top of the frame and the wooden floor fills the lower third. Makima with long wavy red hair in a braided ponytail, ringed yellow eyes, a single long sidelock sweeping down her right cheek and two moles under her left eye and under the corner of her mouth, sits on the raised step edge with her weight on her right hip, knees pressed together and ankles apart, her black-panted legs folded to one side, both soles turned up toward the lens so her pink soles catch the overhead light in a glossy sheen. Her right hand is raised to her collar, two fingers hooked under the knot of her black necktie and tugging it loose, her white collared shirt pulling open at the throat with the long sleeves cuffed and her chest rising under the cloth; her left hand closed gently around the heel of the other girl's bare foot, thumb across the arch. Kobeni at her left sits lower on the floorboards, brown hair in a short braided ponytail with asymmetrical side-swept bangs, one clip at her temple, brown eyes wide and flicking sideways toward Makima's hand on her foot, closed mouth pressed into a nervous line, heavy blush across her cheeks, one large sweatdrop beading at her right temple; her loose white shirt is untucked and wrinkled and her long sleeve is bunched to her elbow, black pants creased. Her barefoot leg is lifted across Makima's lap fully unshod, the toes curled and the toenails catching light, while her other leg is bent under her so that foot falls outside the image boundary — its knee still in frame — and her shoes sit kicked off to one side of the hall, one tipped over, a pair of socks pulled from her heel and dropped beside them. Light comes from a single ceiling fixture directly above: it pools on the shiny tops of both girls' skin, on the moist pink soles angled toward the camera, and leaves their faces and the hall around them in soft shadow; the background behind their shoulders falls into a blurred wash of a dim corridor with only an illegible dark shape at the far wall, shallow depth of field keeping the soles and the tugging hand razor sharp. Palette is constrained to white shirt fabric, black pants and necktie, red and brown hair, warm pink skin highlights and the honeyed amber of the floor, nothing else admitted. The lifted foot's toes curl and its arch wrinkles against Makima's palm, and the shoe on the floor lies on its side where it fell, its shadow sharp on the boards. Quiet nervous heat.
Nov 4, 2026 12:50 AM
#zetaCollab#เชนซอว์แมน#โคเบนิ ฮิงาชิยามะ
AI artwork
Avatar image of MegumIA
character: higashiyama_kobeni, makima_(chainsaw_man), chainsaw_man_(character), copyright: chainsaw_man 2girls, higashiyama kobeni, makima \(chainsaw man\), breasts, medium breasts, blush, white collared shirt, long sleeves, black necktie, black pants, closed mouth, sitting, brown hair, red hair, braided ponytail, asymmetrical hair, braid, single sidelock, sidelocks, hair ornament, hairclip, brown eyes, ringed yellow eyes, mole under eye, mole under mouth, shoes, socks, barefoot, one girl barefoot, hand up, hands up, collar tug, removing shoes, holding another's foot, foot out of frame, feet, toes, toenails, pink soles, soles, foot focus, sweatdrop, nervous, embarrassed, knees together feet apart, legs together, eyelashes, indoors, blurry background, depth of field, pov, shadow, manga-styled rendering, colored, hyperrealistic, ultra-realistic, hyper-detailed, very shiny skin, very shiny soles, looking at another, leaning forward, from above, pov The camera is a first-person point of view looking down from standing height into a narrow genkan entry hall, tilted slightly so both seated girls sit below the lens with their faces turned up toward the viewer; the front door is shut behind them at the top of the frame and the wooden floor fills the lower third. Makima with long wavy red hair in a braided ponytail, ringed yellow eyes, a single long sidelock sweeping down her right cheek and two moles under her left eye and under the corner of her mouth, sits on the raised step edge with her weight on her right hip, knees pressed together and ankles apart, her black-panted legs folded to one side, both soles turned up toward the lens so her pink soles catch the overhead light in a glossy sheen. Her right hand is raised to her collar, two fingers hooked under the knot of her black necktie and tugging it loose, her white collared shirt pulling open at the throat with the long sleeves cuffed and her chest rising under the cloth; her left hand closed gently around the heel of the other girl's bare foot, thumb across the arch. Kobeni at her left sits lower on the floorboards, brown hair in a short braided ponytail with asymmetrical side-swept bangs, one clip at her temple, brown eyes wide and flicking sideways toward Makima's hand on her foot, closed mouth pressed into a nervous line, heavy blush across her cheeks, one large sweatdrop beading at her right temple; her loose white shirt is untucked and wrinkled and her long sleeve is bunched to her elbow, black pants creased. Her barefoot leg is lifted across Makima's lap fully unshod, the toes curled and the toenails catching light, while her other leg is bent under her so that foot falls outside the image boundary — its knee still in frame — and her shoes sit kicked off to one side of the hall, one tipped over, a pair of socks pulled from her heel and dropped beside them. Light comes from a single ceiling fixture directly above: it pools on the shiny tops of both girls' skin, on the moist pink soles angled toward the camera, and leaves their faces and the hall around them in soft shadow; the background behind their shoulders falls into a blurred wash of a dim corridor with only an illegible dark shape at the far wall, shallow depth of field keeping the soles and the tugging hand razor sharp. Palette is constrained to white shirt fabric, black pants and necktie, red and brown hair, warm pink skin highlights and the honeyed amber of the floor, nothing else admitted. The lifted foot's toes curl and its arch wrinkles against Makima's palm, and the shoe on the floor lies on its side where it fell, its shadow sharp on the boards. Quiet nervous heat.
Nov 4, 2026 12:50 AM
#zetaCollab#เชนซอว์แมน#โคเบนิ ฮิงาชิยามะ
AI artwork
Avatar image of MegumIA
character: fern_(sousou_no_frieren), copyright: 장송의 프리렌 2koma, comic, multiple views, 1girl, solo focus, fern, purple hair, long hair, straight hair, blunt bangs, sidelocks, purple eyes, large breasts, huge breasts, white dress, long sleeves, frilled shirt collar, frills, coat, open clothes, shirt, holding staff, staff, jewelry, sweat, shiny skin, open mouth, tongue out, tongue, head back, instant loss, speech bubble, from below, from side, close-up, dutch angle, trembling, blush, half-closed eyes, heavy breathing, motion lines, panel-based layout with distinct comic framing and speech bubbles A two-panel comic page split by a single horizontal border, panel 1 above, panel 2 below, both panels sharing the same tall vertical format and the same soft neutral backdrop. Panel 1: viewed from a low three-quarter angle from below, the purple-haired young woman with long straight hair, blunt bangs and sidelocks parted over the brow stands with her staff already knocked aside in mid-air, one hand still lifted where it slipped off the shaft, the staff spinning free above her to the right; her white dress with the frilled shirt collar and long sleeves bunches at the shoulder as the coat slips half off her arm, open clothes showing the loosened collar and the line of her chest, a chain of small jewelry catching the light at her throat; her head tips back, chin lifted with the underside of her chin exposed to the viewer, mouth open, tongue out and hanging over her lower lip, a beaded drop of sweat at her temple and another at her jaw, her skin glossy and slick with it. Panel 2: the same figure an instant later, seen in a closer from-side close-up across the same border, head thrown fully back so the throat is a taut pale column, blunt bangs falling away from her brow, one sidelock stuck to the sweat at her cheek, half-closed eyes unfocused toward the upper corner of the frame, mouth wide open with the tongue still out and a thread of saliva catching the low light, shoulders dropped and arms gone slack so the sleeves hang loose, the white dress pulled aside at the shoulder with the frilled shirt collar wet through, the staff now lying in the lower corner of the panel just within the border, no longer in her grip. A short comic speech bubble sits above her face in panel 2, its tail pointing at her open mouth, holding one small hand-drawn heart. Motion lines fan down from the top border of panel 1, sweat drops flick from the corners of her jaw, and the light comes from a single soft source at the upper left of each panel, so the shine gathers on the high planes of her skin, throat, and the frilled collar and leaves the fall-off dark along the underside of her jaw and inside the dropped shoulder of the dress; the palette stays in warm off-white, violet and flushed pink, with the blacks spotted only in the hair's deep shadows and the panel border. Overwhelmed, undone.
Nov 2, 2026 1:24 PM
#คำอธิษฐานในวันที่จากลา FRIEREN#เฟิร์น
AI artwork
Avatar image of MegumIA
character: fern_(sousou_no_frieren), copyright: 장송의 프리렌 2koma, comic, multiple views, 1girl, solo focus, fern, purple hair, long hair, straight hair, blunt bangs, sidelocks, purple eyes, large breasts, huge breasts, white dress, long sleeves, frilled shirt collar, frills, coat, open clothes, shirt, holding staff, staff, jewelry, sweat, shiny skin, open mouth, tongue out, tongue, head back, instant loss, speech bubble, from below, from side, close-up, dutch angle, trembling, blush, half-closed eyes, heavy breathing, motion lines, panel-based layout with distinct comic framing and speech bubbles A two-panel comic page split by a single horizontal border, panel 1 above, panel 2 below, both panels sharing the same tall vertical format and the same soft neutral backdrop. Panel 1: viewed from a low three-quarter angle from below, the purple-haired young woman with long straight hair, blunt bangs and sidelocks parted over the brow stands with her staff already knocked aside in mid-air, one hand still lifted where it slipped off the shaft, the staff spinning free above her to the right; her white dress with the frilled shirt collar and long sleeves bunches at the shoulder as the coat slips half off her arm, open clothes showing the loosened collar and the line of her chest, a chain of small jewelry catching the light at her throat; her head tips back, chin lifted with the underside of her chin exposed to the viewer, mouth open, tongue out and hanging over her lower lip, a beaded drop of sweat at her temple and another at her jaw, her skin glossy and slick with it. Panel 2: the same figure an instant later, seen in a closer from-side close-up across the same border, head thrown fully back so the throat is a taut pale column, blunt bangs falling away from her brow, one sidelock stuck to the sweat at her cheek, half-closed eyes unfocused toward the upper corner of the frame, mouth wide open with the tongue still out and a thread of saliva catching the low light, shoulders dropped and arms gone slack so the sleeves hang loose, the white dress pulled aside at the shoulder with the frilled shirt collar wet through, the staff now lying in the lower corner of the panel just within the border, no longer in her grip. A short comic speech bubble sits above her face in panel 2, its tail pointing at her open mouth, holding one small hand-drawn heart. Motion lines fan down from the top border of panel 1, sweat drops flick from the corners of her jaw, and the light comes from a single soft source at the upper left of each panel, so the shine gathers on the high planes of her skin, throat, and the frilled collar and leaves the fall-off dark along the underside of her jaw and inside the dropped shoulder of the dress; the palette stays in warm off-white, violet and flushed pink, with the blacks spotted only in the hair's deep shadows and the panel border. Overwhelmed, undone.
Nov 2, 2026 1:24 PM
#คำอธิษฐานในวันที่จากลา FRIEREN#เฟิร์น
AI artwork
Avatar image of MegumIA
character: fern_(sousou_no_frieren), copyright: 장송의 프리렌 2koma, comic, multiple views, 1girl, solo focus, fern, purple hair, long hair, straight hair, blunt bangs, sidelocks, purple eyes, large breasts, huge breasts, white dress, long sleeves, frilled shirt collar, frills, coat, open clothes, shirt, holding staff, staff, jewelry, sweat, shiny skin, open mouth, tongue out, tongue, head back, instant loss, speech bubble, from below, from side, close-up, dutch angle, trembling, blush, half-closed eyes, heavy breathing, motion lines, panel-based layout with distinct comic framing and speech bubbles A two-panel comic page split by a single horizontal border, panel 1 above, panel 2 below, both panels sharing the same tall vertical format and the same soft neutral backdrop. Panel 1: viewed from a low three-quarter angle from below, the purple-haired young woman with long straight hair, blunt bangs and sidelocks parted over the brow stands with her staff already knocked aside in mid-air, one hand still lifted where it slipped off the shaft, the staff spinning free above her to the right; her white dress with the frilled shirt collar and long sleeves bunches at the shoulder as the coat slips half off her arm, open clothes showing the loosened collar and the line of her chest, a chain of small jewelry catching the light at her throat; her head tips back, chin lifted with the underside of her chin exposed to the viewer, mouth open, tongue out and hanging over her lower lip, a beaded drop of sweat at her temple and another at her jaw, her skin glossy and slick with it. Panel 2: the same figure an instant later, seen in a closer from-side close-up across the same border, head thrown fully back so the throat is a taut pale column, blunt bangs falling away from her brow, one sidelock stuck to the sweat at her cheek, half-closed eyes unfocused toward the upper corner of the frame, mouth wide open with the tongue still out and a thread of saliva catching the low light, shoulders dropped and arms gone slack so the sleeves hang loose, the white dress pulled aside at the shoulder with the frilled shirt collar wet through, the staff now lying in the lower corner of the panel just within the border, no longer in her grip. A short comic speech bubble sits above her face in panel 2, its tail pointing at her open mouth, holding one small hand-drawn heart. Motion lines fan down from the top border of panel 1, sweat drops flick from the corners of her jaw, and the light comes from a single soft source at the upper left of each panel, so the shine gathers on the high planes of her skin, throat, and the frilled collar and leaves the fall-off dark along the underside of her jaw and inside the dropped shoulder of the dress; the palette stays in warm off-white, violet and flushed pink, with the blacks spotted only in the hair's deep shadows and the panel border. Overwhelmed, undone.
Nov 2, 2026 1:23 PM
#คำอธิษฐานในวันที่จากลา FRIEREN#เฟิร์น
AI artwork
Avatar image of MegumIA
character: suou_yuki 1girl, solo, long brown hair, hair bow, hair between eyes, brown eyes, medium breasts, tight black o-ring dress, metal ring chest cutout, bare shoulders, very shiny glossy skin, sitting, on sofa, indoors, dimly lit cozy room, night, knees together, thighs, hands on own lap, looking at viewer, soft blush, closed mouth, shy, teasing, warm lamp light, glossy highlights, shallow depth of field, eye level, three-quarter view, waist-up, cowboy shot, hyperrealistic anime, ultra-detailed rendering, detailed skin texture, from front, slight head tilt, Eye-level three-quarter view, waist-up framing: one young woman sits on a low-backed sofa in a dim living room at night, her body angled about thirty degrees toward the right of frame while her face turns back to the lens, chin dipped a little, weight settled into the sofa's seat cushion behind her hips. Long brown hair falls past her shoulders on the near side and is gathered at the back of her head by a bow whose loops show above the crown; fine strands of hair hang straight down between her eyes onto the bridge of her nose. Her brown eyes look directly at the viewer from under soft, slightly lowered lids, the corners of her closed mouth pulled up a few millimetres on one side only — shy, and quietly pleased about it — with a warm blush blooming across both cheeks and the tips of her ears. She wears a tight black dress cut high at the shoulders so both shoulders and collarbones are bare; the fabric pulls taut across her medium chest where a polished metal ring sits in an open circular cutout at the sternum, its rim catching a hard, bright specular line. Her upper arms hang relaxed, both hands folded one over the other and resting flat on her lap, fingers loosely interlaced, thumbs touching; her knees are pressed together and the hem rides up just enough that her bare thighs show against the dark upholstery, the cushion compressing under her weight. A single warm table lamp burns off-frame to the left at roughly her shoulder height, the only light source: it rakes across her left cheek, the bare curve of her left shoulder and the metal ring, laying long soft-edged glossy highlights down her skin, while the right side of her neck and the far side of her hair sink into warm brown shadow; the darkness beyond the lamp's pool is deep and unbroken. Behind her the sofa's back and a few blurred shelves fall away into shallow-depth bokeh circles of amber, and her cast shadow smears across the cushion to her right. Palette: black dress, warm amber lamplight, honeyed brown hair, flushed rose on her cheeks against the dark room. Tender, quietly teasing.
Oct 31, 2026 12:20 PM
#ยูกิ ซูโอะ
AI artwork
Avatar image of MegumIA
character: samus_aran, ridley, metroid_(creature), copyright: metroid 1girl, 1boy, 2girls no, size_difference, giant, samus aran, ridley, blonde_hair, long_hair, ponytail, blue_eyes, mole_under_mouth, large_breasts, blush, open_mouth, teeth, tongue, licking, saliva, sweat, shiny_skin, zero_suit, blue_bodysuit, skin_tight, impossible_clothes, covered_nipples, covered_navel, bare_arms, covered_feet, very_tight_clothes_on_feet, toes, bare_feet, toes_pointed, one_hand_grab, grabbed_from_above, claws_on_waist, monster, sharp_teeth, purple_skin, purple_hair, yellow_eyes, wings, tail, imposing, from_below, low_angle, dutch_angle, foreshortening, cowboy_shot, struggling, imminent_rape, restrained, head_tilted_back, half-closed_eyes, heavy_breathing, trembling, claws, dark_ambient, vignette From a hard low angle that cants the horizon into a dutch tilt, the frame looks up across the flank of an immense purple-hided monster that fills the upper two-thirds of the image, and a blonde woman in a blue zero suit suspended in its single left hand. The monster's vast torso and one folded wing rise into the upper frame as a dark mass, its narrow yellow-eyed head dipping down toward her from the left, purple hair ruffled back along its crest, its long tail sweeping off behind it. Its left hand is closed around the woman's waist and ribs, the claws of four fingers curling onto the blue fabric at her hip and side so the suit puckers and dimples under each tip; her body is lifted and pulled upward and slightly back, her spine arching, both her legs hanging free and kicking outward toward the camera so that her feet are the closest things to the lens. Her feet are encased in the same blue suit material, drawn drum-tight over the arches and the balls of the feet, the fabric thinning until the individual toes read as distinct shapes — the big toe pulled back, the others splayed — and her soles turn half toward the viewer. Her long blonde hair, bound in a high ponytail, swings forward past her shoulder and hangs toward the viewer, strands crossing her cheek; her head is thrown back, eyes blue and half-shut under the strain, cheeks flushed deep red, mouth open wide enough to show both rows of teeth and her tongue. The monster's long grey tongue extends from between its sharp teeth, curling down and licking a wet stripe across her shoulder and up the side of her neck, saliva shining in a thin trail from its mouth to her suit's shoulder. The zero-suit fabric is skin-tight everywhere it can be seen and impossible at the chest, wrapping the underside of her breasts and the space between them so the cloth reads as a pouch sealed around each breast, nipples and navel both sealed beneath the blue — nothing bare there. Her arms are pinned at her sides by the grip, her hands open, fingers curled. Her own skin is glossy with a sheen of sweat, highlights running down her throat and along her collarbone. Behind them, a cold dark interior of layered metal ribs and hanging cables is visible only as a suggestion — the only light is a low, cold blue-white source from below-left, striking the undersides of her thighs, the tops of her feet, her throat and the monster's teeth, leaving the upper frame in absolute darkness and throwing long shadows up her body. The palette is limited to the blue of the suit, the purple and grey of the monster, her gold hair and the warm red of her blush, everything else sinking into black. Hyperrealistic, hyper-detailed rendering, wet specular skin, fine fabric micro-texture, cinematic low-key grade. Menacing, breathless.
Oct 29, 2026 12:20 PM
#ซามุส อารัน#เมทรอยด์
AI artwork
Avatar image of MegumIA
A full-body composition based on image1, featuring Samus Aran and Ridley. Samus has long blonde hair tied in a high ponytail, blue eyes, and a blushing expression with an open mouth, showing her teeth and tongue. She is wearing a shiny, skin-tight blue Zero Suit that conforms impossibly to her large breasts, showing nipple bumps beneath the fabric, and hugs her curves tightly down to her visible toes. Ridley is a giant, imponent purple monster with sharp teeth and claws; he is grabbing Samus with one hand, lifting her up, and licking her. The scene is set in a dimly lit, industrial environment with a metallic background. The style is hyper-detailed and hyper-realistic with shiny skin textures and vivid lighting. The art style stays the same as the input image1. copyright: metroid
Oct 29, 2026 12:20 PM
#ซามุส อารัน#เมทรอยด์
AI artwork
Avatar image of MegumIA
1girl, solo, full body, lying on back, upside-down, on back, short hair, green hair, green eyes, smile, grin, parted lips, looking at her phone, holding phone, black shirt, black sweater, long sleeves, necklace, jewelry, headphones, blue denim shorts, short shorts, denim, fishnet pantyhose, black shoes, indoors, poster (object), snacks around the floor, from above, high angle, foreshortening, dutch angle Full body, seen from above and slightly behind her head in a steep high angle with a mild dutch tilt, the girl lies flat on her back on a bare wooden floor, her body running from the top of the frame toward the bottom so that her head hangs past the near edge toward the viewer, upside-down from the camera's standpoint: her short green hair spills loose and fans out on the boards below her crown, strands splayed in every direction with the ends lifting slightly away from the planks, and the blood-slow weight of it pulls the locks closest to the floor into soft flattened curves. Her chin is tipped back, throat extended, so that her face reads inverted to the viewer: green eyes angled up toward the phone she holds above her face, both lids half-lowered in concentration, one brow lifted a fraction higher than the other, lips parted in a wide easy grin that shows a sliver of teeth. She grips the phone in her right hand, fingers curled around its lower edge, thumb braced on the side, the phone held at a slight angle so it casts a bar of cool glow across her cheekbones and the underside of her chin; her left arm lies flung out across the floor, elbow soft, knuckles resting against the boards. Her torso is wrapped in a black long-sleeved sweater, the knit bunching into thick folds across her stomach where her back arches against the floor, the collar loose enough to expose her collarbones and the fine chain of a small necklace lying flat in the hollow of her throat, its pendant slid off to one side under gravity; over her ears sit a pair of round headphones, the band arcing beneath the back of her head and pressing flat into her hair. Below the sweater hem her blue denim short shorts sit low on her hips, the front pockets and copper stitching visible, the cuffs frayed, and beneath them black fishnet pantyhose makes a fine diamond lattice down both legs, the weave pulling into wider rhombuses where it stretches over her knees and thinning to tight mesh at the ankles; black low shoes on both feet, one toe turned inward, the other pointing up out of the frame's lower edge. The floor around her is scattered with snacks — a tipped open bag spilling chips in a loose arc beside her hip, two crumpled wrappers, a can lying on its side, a few stray puffs resting between her fingers and near her elbow — the debris spread wider on the side where her arm has swept through it. Directly behind her, on the wall that runs along the top of the frame, hangs a single paper poster, its lower corner curling away from the plaster, printed imagery reduced to soft unreadable shapes. The room's only light is a warm lamp off-frame to the left plus the cold blue-white of the phone screen; the lamp lays a long soft shadow of her legs across the boards to the right, and the phone's glow lights a narrow oval on her face, leaving her hair and the far side of the room in dusk. Palette of black knit, indigo denim, warm honey-brown floorboards and the phone's cyan — relaxed, lazy afternoon.
Oct 26, 2026 5:36 AM
#zetaCollab
AI artwork
Avatar image of MegumIA
1girl, solo, full body, lying on back, upside-down, on back, short hair, green hair, green eyes, smile, grin, parted lips, looking at her phone, holding phone, black shirt, black sweater, long sleeves, necklace, jewelry, headphones, blue denim shorts, short shorts, denim, fishnet pantyhose, black shoes, indoors, poster (object), snacks around the floor, from above, high angle, foreshortening, dutch angle Full body, seen from above and slightly behind her head in a steep high angle with a mild dutch tilt, the girl lies flat on her back on a bare wooden floor, her body running from the top of the frame toward the bottom so that her head hangs past the near edge toward the viewer, upside-down from the camera's standpoint: her short green hair spills loose and fans out on the boards below her crown, strands splayed in every direction with the ends lifting slightly away from the planks, and the blood-slow weight of it pulls the locks closest to the floor into soft flattened curves. Her chin is tipped back, throat extended, so that her face reads inverted to the viewer: green eyes angled up toward the phone she holds above her face, both lids half-lowered in concentration, one brow lifted a fraction higher than the other, lips parted in a wide easy grin that shows a sliver of teeth. She grips the phone in her right hand, fingers curled around its lower edge, thumb braced on the side, the phone held at a slight angle so it casts a bar of cool glow across her cheekbones and the underside of her chin; her left arm lies flung out across the floor, elbow soft, knuckles resting against the boards. Her torso is wrapped in a black long-sleeved sweater, the knit bunching into thick folds across her stomach where her back arches against the floor, the collar loose enough to expose her collarbones and the fine chain of a small necklace lying flat in the hollow of her throat, its pendant slid off to one side under gravity; over her ears sit a pair of round headphones, the band arcing beneath the back of her head and pressing flat into her hair. Below the sweater hem her blue denim short shorts sit low on her hips, the front pockets and copper stitching visible, the cuffs frayed, and beneath them black fishnet pantyhose makes a fine diamond lattice down both legs, the weave pulling into wider rhombuses where it stretches over her knees and thinning to tight mesh at the ankles; black low shoes on both feet, one toe turned inward, the other pointing up out of the frame's lower edge. The floor around her is scattered with snacks — a tipped open bag spilling chips in a loose arc beside her hip, two crumpled wrappers, a can lying on its side, a few stray puffs resting between her fingers and near her elbow — the debris spread wider on the side where her arm has swept through it. Directly behind her, on the wall that runs along the top of the frame, hangs a single paper poster, its lower corner curling away from the plaster, printed imagery reduced to soft unreadable shapes. The room's only light is a warm lamp off-frame to the left plus the cold blue-white of the phone screen; the lamp lays a long soft shadow of her legs across the boards to the right, and the phone's glow lights a narrow oval on her face, leaving her hair and the far side of the room in dusk. Palette of black knit, indigo denim, warm honey-brown floorboards and the phone's cyan — relaxed, lazy afternoon.
Oct 26, 2026 5:36 AM
#zetaCollab
AI artwork
Avatar image of MegumIA
1girl, solo, full body, lying on back, upside-down, on back, short hair, green hair, green eyes, smile, grin, parted lips, looking at her phone, holding phone, black shirt, black sweater, long sleeves, necklace, jewelry, headphones, blue denim shorts, short shorts, denim, fishnet pantyhose, black shoes, indoors, poster (object), snacks around the floor, from above, high angle, foreshortening, dutch angle Full body, seen from above and slightly behind her head in a steep high angle with a mild dutch tilt, the girl lies flat on her back on a bare wooden floor, her body running from the top of the frame toward the bottom so that her head hangs past the near edge toward the viewer, upside-down from the camera's standpoint: her short green hair spills loose and fans out on the boards below her crown, strands splayed in every direction with the ends lifting slightly away from the planks, and the blood-slow weight of it pulls the locks closest to the floor into soft flattened curves. Her chin is tipped back, throat extended, so that her face reads inverted to the viewer: green eyes angled up toward the phone she holds above her face, both lids half-lowered in concentration, one brow lifted a fraction higher than the other, lips parted in a wide easy grin that shows a sliver of teeth. She grips the phone in her right hand, fingers curled around its lower edge, thumb braced on the side, the phone held at a slight angle so it casts a bar of cool glow across her cheekbones and the underside of her chin; her left arm lies flung out across the floor, elbow soft, knuckles resting against the boards. Her torso is wrapped in a black long-sleeved sweater, the knit bunching into thick folds across her stomach where her back arches against the floor, the collar loose enough to expose her collarbones and the fine chain of a small necklace lying flat in the hollow of her throat, its pendant slid off to one side under gravity; over her ears sit a pair of round headphones, the band arcing beneath the back of her head and pressing flat into her hair. Below the sweater hem her blue denim short shorts sit low on her hips, the front pockets and copper stitching visible, the cuffs frayed, and beneath them black fishnet pantyhose makes a fine diamond lattice down both legs, the weave pulling into wider rhombuses where it stretches over her knees and thinning to tight mesh at the ankles; black low shoes on both feet, one toe turned inward, the other pointing up out of the frame's lower edge. The floor around her is scattered with snacks — a tipped open bag spilling chips in a loose arc beside her hip, two crumpled wrappers, a can lying on its side, a few stray puffs resting between her fingers and near her elbow — the debris spread wider on the side where her arm has swept through it. Directly behind her, on the wall that runs along the top of the frame, hangs a single paper poster, its lower corner curling away from the plaster, printed imagery reduced to soft unreadable shapes. The room's only light is a warm lamp off-frame to the left plus the cold blue-white of the phone screen; the lamp lays a long soft shadow of her legs across the boards to the right, and the phone's glow lights a narrow oval on her face, leaving her hair and the far side of the room in dusk. Palette of black knit, indigo denim, warm honey-brown floorboards and the phone's cyan — relaxed, lazy afternoon.
Oct 26, 2026 5:36 AM
#zetaCollab
AI artwork
Avatar image of MegumIA
1girl, solo, full body, lying on back, upside-down, on back, short hair, green hair, green eyes, smile, grin, parted lips, looking at her phone, holding phone, black shirt, black sweater, long sleeves, necklace, jewelry, headphones, blue denim shorts, short shorts, denim, fishnet pantyhose, black shoes, indoors, poster (object), snacks around the floor, from above, high angle, foreshortening, dutch angle Full body, seen from above and slightly behind her head in a steep high angle with a mild dutch tilt, the girl lies flat on her back on a bare wooden floor, her body running from the top of the frame toward the bottom so that her head hangs past the near edge toward the viewer, upside-down from the camera's standpoint: her short green hair spills loose and fans out on the boards below her crown, strands splayed in every direction with the ends lifting slightly away from the planks, and the blood-slow weight of it pulls the locks closest to the floor into soft flattened curves. Her chin is tipped back, throat extended, so that her face reads inverted to the viewer: green eyes angled up toward the phone she holds above her face, both lids half-lowered in concentration, one brow lifted a fraction higher than the other, lips parted in a wide easy grin that shows a sliver of teeth. She grips the phone in her right hand, fingers curled around its lower edge, thumb braced on the side, the phone held at a slight angle so it casts a bar of cool glow across her cheekbones and the underside of her chin; her left arm lies flung out across the floor, elbow soft, knuckles resting against the boards. Her torso is wrapped in a black long-sleeved sweater, the knit bunching into thick folds across her stomach where her back arches against the floor, the collar loose enough to expose her collarbones and the fine chain of a small necklace lying flat in the hollow of her throat, its pendant slid off to one side under gravity; over her ears sit a pair of round headphones, the band arcing beneath the back of her head and pressing flat into her hair. Below the sweater hem her blue denim short shorts sit low on her hips, the front pockets and copper stitching visible, the cuffs frayed, and beneath them black fishnet pantyhose makes a fine diamond lattice down both legs, the weave pulling into wider rhombuses where it stretches over her knees and thinning to tight mesh at the ankles; black low shoes on both feet, one toe turned inward, the other pointing up out of the frame's lower edge. The floor around her is scattered with snacks — a tipped open bag spilling chips in a loose arc beside her hip, two crumpled wrappers, a can lying on its side, a few stray puffs resting between her fingers and near her elbow — the debris spread wider on the side where her arm has swept through it. Directly behind her, on the wall that runs along the top of the frame, hangs a single paper poster, its lower corner curling away from the plaster, printed imagery reduced to soft unreadable shapes. The room's only light is a warm lamp off-frame to the left plus the cold blue-white of the phone screen; the lamp lays a long soft shadow of her legs across the boards to the right, and the phone's glow lights a narrow oval on her face, leaving her hair and the far side of the room in dusk. Palette of black knit, indigo denim, warm honey-brown floorboards and the phone's cyan — relaxed, lazy afternoon.
Oct 26, 2026 5:36 AM
#zetaCollab
ก่อนหน้าต่อไป
หน้าหลักโมเดลสร้างRecipeโปรไฟล์