Fallen Goddess Example
ดูพารามิเตอร์
- ขนาด
- 1024 x 1024
- ขั้นตอนการสุ่ม
- 28
- วิธีการสุ่มตัวอย่าง
- Euler a
- ค่า CFG
- 5
- ไม่ต้องการ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติม
ac
An evocative oil painting of dark surrealism, capturing Frida from NTE in a moment of tragic beauty. Low-key, dramatic cinematic framing with a dynamic Dutch angle to enhance the surreal, dreamlike state.
Her figure is gracefully reclined, but her upper torso and face are surrealistically cracked open, revealing a meticulously detailed, purple octopus tentacles inside her body. Rich purple poison drips slowly like liquid velvet down her porcelain skin and dress. She is wearing an ornate white Victorian gown with heavy lace textures and elaborate silk ruffles, adorned with dark pearlescent jewelry.
The background is a pitch-black cosmic void, with her body casting a soft, internal bioluminescent white glow, blending the boundary between physical flesh and pure spirit. The lighting is an intense, single-source Rembrandt lighting, casting deep, soft-edged shadows. The color palette features a heavy contrast between the muted, desaturated monochromatic darkness, her glowing cyan-purple hair, and the rich, saturated bright-purple of the poison filling. Visible artistic brushstrokes, textured canvas look, moody melancholic vibe, hyper-detailed, poetic aesthetic, masterpiece.,((best_quality:1.5)),((oil_painting_style:1.7)),((rim_lighting:1.6)),((soft_shadows)),((ink_lines)),((soft_contrast:1.4)),((smooth_coloring)). ((cinematic_lighting:1.5)),((semi-realistic)),((aegyo_sal)),beautiful light, best shadow, color blink,Vincent van Gogh style, oil painting, thick impasto, bold brushstrokes, classical oil medium,
AI Cover
. Lace .
esttk
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Appearance: A pale, androgynous young person with short, light-colored hair and delicate facial features, shown in a frontal close-up. Their expression is calm, almost emotionless, with one clearly visible pale eye staring directly toward the viewer while the other eye is partially obscured. The face is smooth and softly illuminated, with a narrow nose, subtle lips, and a sharply defined jawline. They wear a high-collared white garment that blends almost completely into the white background, causing the lower-right portion of the figure to dissolve into brightness.
Multiple long, pale human hands emerge from a surrounding mass of black shadow and stretch across the person's face. The hands have elongated fingers, slender wrists, visible knuckles, subtle veins, and realistic anatomical proportions. One hand covers the upper forehead and eyes, another crosses horizontally over the eyes and nose, another covers the mouth and lower face, while additional hands reach around the neck and lower jaw. The fingers overlap each other, creating several horizontal layers of obstruction. The hands are stark white-gray against the black surrounding forms.
Behind and around the pale figure is a huge amorphous black shadow mass containing numerous partially hidden human-like eyes. Many realistic eyes are scattered throughout the darkness at different positions and depths, each with pale irises, tiny highlights, dark pupils, and faint surrounding facial forms. Some eyes are clearly visible while others dissolve into the black texture. The shadow resembles a swarm, living cloud, or collection of overlapping faces.
Scene: A surreal monochrome fine-art horror composition divided diagonally between deep black darkness on the left and brilliant white emptiness on the right. The pale central figure emerges from the boundary between these two extremes. The black mass occupies roughly the left half of the image and advances toward the center in irregular smoky tendrils, while the right side remains almost completely white.
The composition is tightly cropped and portrait-oriented. The pale face is positioned slightly right of center, while the dark mass occupies the entire left side and partially surrounds the head. The boundary between black and white is organic and fluid rather than geometric, with smoky brush-like transitions and wispy tendrils.
The multiple hands create the primary compositional rhythm: large pale hands cross horizontally from the black region toward the white figure, repeatedly interrupting the face. Their fingers overlap the forehead, eyes, nose, mouth, and neck, producing a layered cage-like effect. The hands should appear physically attached to or emerging from the surrounding darkness, with wrists disappearing into the black mass.
The eyes within the darkness are numerous but irregularly distributed. They should not form a clean pattern. Some are close to the surface and sharply detailed, while others are dim and partially swallowed by shadow. This creates the impression that the black region itself is alive and filled with hidden watchers.
Lighting is extremely high contrast. The white figure and hands are illuminated with soft diffuse light, preserving delicate grayscale modeling in the skin. The black mass contains almost pure blacks with subtle charcoal-gray textures, smoky gradients, and faint facial contours. The eyes provide tiny bright highlights inside the darkness. There is almost no environmental background.
The artwork should feel like a surreal psychological-horror illustration, combining realistic anatomy with impossible imagery. Monochrome black, white, charcoal, and silver-gray palette; no saturated colors. Fine-art editorial composition, stark negative space, realistic hands and eyes, soft airbrush gradients, smoky painterly textures, subtle grain, unsettling stillness, symbolic imagery, oppressive contrast, and dreamlike supernatural atmosphere.
delicate thin lineart, soft colored lines, low contrast, muted palette, pastel tones, smooth gradients, soft shading, gentle lighting, subtle shadows, minimal highlights, airy feel, watercolor texture, Solveig style, semi-real, lips, nose.
Erlok
f2
f23cba
คอมเมนต์