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Laila Mason
ดูพารามิเตอร์
- พรอมต์ต้นฉบับ
- Long hair, very long hair, sharp hair, messy hair, shiny hair, lustrous hair, black hair, black lips, shiny lips, blue eyes, bright eyes, dim lighting, warm glow, intimate moment, perfect hands, perfect feet, candles, many candles, luxury couch, medium breasts, round breasts, wide hips, huge thighs, huge feet, thigh lines, ass scrunch, leaning back, stretching, perfect feet, perfect hands, pink back light, pink steam, White tank top, Black dolphim shorts, sitting on bed, Indian style, hands on neck,<lineARTroboV>, clothes, outfit, accessories, precision, minuteness, line art, pupils,White tank top,Black dolphim shorts,
- ขนาด
- 1280 x 768
- ขั้นตอนการสุ่ม
- 30
- วิธีการสุ่มตัวอย่าง
- Euler a
- ค่า CFG
- 6
- ไม่ต้องการ
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,
ปรับหน้า
โมเดลและ LoRA ที่ใช้
![Tortuga style [Illustrious] - AI Model cover image](https://images-ng.pixai.art/images/thumb/5c223599-593b-4ef0-98a2-cf7ad2beefad)
รูปภาพคล้ายกัน
ดูเพิ่มเติม
吉
1girl, solo, 19 years old, tall female, 180cm, large build, voluptuous, curvy figure, long legs, beautiful legs, large breasts, black hair, blue streaks in hair, blue mesh highlights, long hair, casual cropped top, midriff exposed, navel visible, leather jacket, open jacket, silver necklace, pendant necklace, denim shorts, sitting, sitting on sofa, one knee bent, knee up, hand on own cheek, head resting on hand, supporting head with hand, elbow on knee, looking at viewer, gazing at viewer, half-closed eyes, light smile, head tilt, from below, cowboy shot, three-quarter view, indoor, living room, warm lamp light
The camera sits low and slightly off her left side, looking up at her from just above knee height, so her raised knee reads large in the near foreground while her shoulders lean back and away: a tall, broad-shouldered woman seen from below, seen three-quarter. She lounges deep in the corner of a low dark-brown leather sofa, torso angled toward the room but her face turned square to the lens. Her right foot is planted flat on the sofa cushion, the right knee drawn up and leaning outward; the raised knee is the nearest thing to the camera and her right forearm crosses it, so the point of her right elbow sinks into the top of her knee and her cheek rests heavily on the heel of her open right hand, fingers loosely spread along her jaw, two fingertips pressed into her cheek and pushing the skin up slightly. Her left arm drapes along the sofa's backrest behind her, hand hanging slack over the far armrest, thumb hooked on the cushion seam. Her hips are slung to the left so her weight rides the left seat bone; the left leg stretches out along the sofa seat toward the right edge of the frame, long and unbroken from the swell of the thigh to the slender ankle, the calf lying across the cushion with the toes of the left foot just off the edge. Denim shorts, cut high, ride up on the raised right thigh so the frayed hem sits at the crease of the hip, the stitched edge fraying into loose pale threads. The cropped casual top is a soft heather-grey jersey, sleeveless, loose at the armholes, ending a hand's width under the bust so a straight span of bare midriff shows from the ribcage down to the low waistband of the shorts, with the navel set in the middle of that bare skin and one faint crease across it where she is sitting bent. Over it the black leather jacket hangs open and slides half off her left shoulder, the collar shoved back at the nape, both sleeves pushed to below the elbow and bunched in thick folds; the leather catches light along the top of the sleeve roll and dulls into matte black in the folds. The silver necklace is a fine flat chain with a small solid oval pendant, sitting on her collarbone, catching a bright pinprick and dropping a tiny white highlight onto the skin under it. Her black hair is long and heavy, parted off-centre, with narrow ribbons of electric blue running through it from temple to ends; it falls over the jacket's pushed-back collar on the right side and slides forward across the side of her throat, the loose ends brushing her right wrist where it holds her head. Her eyes are half-lidded and level, locked straight on the viewer without a flicker of shyness, dark irises with a small wet catchlight, brows level, mouth closed on a faint lopsided smile that pulls a little higher at the left corner. The pose compresses the cushion under her left hip and back, and the leather sofa back dents where her shoulder leans in.
The room falls off into dark behind her: a warm floor lamp stands out of frame to the left at about her shoulder height, its light raking across the left side of her face, the left edge of the open jacket and the top of her raised knee, while the right side of her jaw, the underside of the bent knee and the sofa behind her sink into deep brown shadow. The lamp is the only light source; beyond its falloff the background dissolves into a near-black wall with one dim framed rectangle reading as unlit glazing. Palette restricted to warm amber light, black leather and hair, pale heather grey, faded indigo denim, and the single cold blue note of the hair streaks and the silver chain. Fabric and leather are rendered with visible grain and stitching; the skin keeps a soft matte sheen with one specular line along the top of the raised knee and the collarbone. Quiet, confident, effortlessly cool.
吉田晴樹
吉
1girl, solo, 19 years old, tall female, 180cm, large build, voluptuous, curvy figure, long legs, beautiful legs, large breasts, black hair, blue streaks in hair, blue mesh highlights, long hair, casual cropped top, midriff exposed, navel visible, leather jacket, open jacket, silver necklace, pendant necklace, denim shorts, sitting, sitting on sofa, one knee bent, knee up, hand on own cheek, head resting on hand, supporting head with hand, elbow on knee, looking at viewer, gazing at viewer, half-closed eyes, light smile, head tilt, from below, cowboy shot, three-quarter view, indoor, living room, warm lamp light
The camera sits low and slightly off her left side, looking up at her from just above knee height, so her raised knee reads large in the near foreground while her shoulders lean back and away: a tall, broad-shouldered woman seen from below, seen three-quarter. She lounges deep in the corner of a low dark-brown leather sofa, torso angled toward the room but her face turned square to the lens. Her right foot is planted flat on the sofa cushion, the right knee drawn up and leaning outward; the raised knee is the nearest thing to the camera and her right forearm crosses it, so the point of her right elbow sinks into the top of her knee and her cheek rests heavily on the heel of her open right hand, fingers loosely spread along her jaw, two fingertips pressed into her cheek and pushing the skin up slightly. Her left arm drapes along the sofa's backrest behind her, hand hanging slack over the far armrest, thumb hooked on the cushion seam. Her hips are slung to the left so her weight rides the left seat bone; the left leg stretches out along the sofa seat toward the right edge of the frame, long and unbroken from the swell of the thigh to the slender ankle, the calf lying across the cushion with the toes of the left foot just off the edge. Denim shorts, cut high, ride up on the raised right thigh so the frayed hem sits at the crease of the hip, the stitched edge fraying into loose pale threads. The cropped casual top is a soft heather-grey jersey, sleeveless, loose at the armholes, ending a hand's width under the bust so a straight span of bare midriff shows from the ribcage down to the low waistband of the shorts, with the navel set in the middle of that bare skin and one faint crease across it where she is sitting bent. Over it the black leather jacket hangs open and slides half off her left shoulder, the collar shoved back at the nape, both sleeves pushed to below the elbow and bunched in thick folds; the leather catches light along the top of the sleeve roll and dulls into matte black in the folds. The silver necklace is a fine flat chain with a small solid oval pendant, sitting on her collarbone, catching a bright pinprick and dropping a tiny white highlight onto the skin under it. Her black hair is long and heavy, parted off-centre, with narrow ribbons of electric blue running through it from temple to ends; it falls over the jacket's pushed-back collar on the right side and slides forward across the side of her throat, the loose ends brushing her right wrist where it holds her head. Her eyes are half-lidded and level, locked straight on the viewer without a flicker of shyness, dark irises with a small wet catchlight, brows level, mouth closed on a faint lopsided smile that pulls a little higher at the left corner. The pose compresses the cushion under her left hip and back, and the leather sofa back dents where her shoulder leans in.
The room falls off into dark behind her: a warm floor lamp stands out of frame to the left at about her shoulder height, its light raking across the left side of her face, the left edge of the open jacket and the top of her raised knee, while the right side of her jaw, the underside of the bent knee and the sofa behind her sink into deep brown shadow. The lamp is the only light source; beyond its falloff the background dissolves into a near-black wall with one dim framed rectangle reading as unlit glazing. Palette restricted to warm amber light, black leather and hair, pale heather grey, faded indigo denim, and the single cold blue note of the hair streaks and the silver chain. Fabric and leather are rendered with visible grain and stitching; the skin keeps a soft matte sheen with one specular line along the top of the raised knee and the collarbone. Quiet, confident, effortlessly cool.
吉田晴樹
吉
1girl, solo, 20 years old, tall female, muscular female, toned, great figure, short hair, two-tone hair, red inner hair, black hair with red underlayer, abs, defined abs, midriff, crop top, casual clothes, open jacket, black leather jacket, silver necklace, pendant necklace, short shorts, denim shorts, bare legs, long legs, thick legs, crossed legs, sitting, on sofa, hand on own neck, touching own nape, head tilted back, looking at viewer, half-closed eyes, light smile, from below, low angle, foreshortening, legs in foreground, wide shot, indoor, living room, dramatic lighting,
The camera sits low, near the floor at the level of her shins, tilted up so the crossed legs dominate the bottom half of the frame and the torso and face recede in steep foreshortening above them. She is seated deep in a low, soft dark-brown leather sofa, sunk slightly into the cushions, hips square to the frame; her right leg is crossed over her left at the knee, the left calf dropping straight to the floor while the right foot dangles free, the top thigh foreshortened and enormously close to the lens so the calf tapers away in perspective. Her left arm rests along the sofa's backrest, weight braced on that elbow; her right hand rises so the fingers curl against the side of her neck, just under the jaw, thumb along the tendon, the forearm crossing her chest and drawing the leather sleeve taut at the elbow. Her chin is lifted a little by the hand's pressure, the head tipped slightly back, and her eyes come down the line of the low camera to meet the viewer's exactly, lids half lowered in a steady confident look, one corner of the mouth pulled a few millimetres higher than the other. Short black hair, cut close at the jaw and cropped behind the ear, carries a strong panel of deep red at the inner layer, visible where the mass parts above the ear and along the nape under her fingers; the strands shift back off her brow from the tilt of her head. The cropped top, pale grey cotton, ends a hand's width above the navel, and the low light rakes across the shallow divisions of her abdominal wall, two faint shadow lines catching under the ribs. The black leather jacket hangs open over it, collar pushed back off the shoulders, the sleeves creasing in hard highlights along the forearm and upper arm. A thin silver chain sits on her collarbones with the small pendant resting in the hollow of her throat, and the low key light strikes a single bright point on its curved face. Denim shorts end high on the thigh, hem riding up where the crossed leg folds against the other, the fabric bunching in a tight crease behind the knee. The room is dark and close: a warm floor lamp off frame to the left at knee height is the only source, throwing a long soft-edged shadow of her crossed legs across the floorboards toward the right and rimming the outer edge of the calf nearest the camera in amber while the top of her face falls into softer shade; beyond the lamp's reach the corners go to near-black. Palette of deep brown leather, worn denim blue, black hide, the red inner hair and the one cold silver glint, everything warmed by the single amber source at its falloff. A thin film of dust is visible floating in the lamp's beam just above the sofa arm. Confident, imposing.
吉田晴樹
吉
1girl, solo, 19 years old, tall female, 180cm, large build, voluptuous, curvy figure, long legs, beautiful legs, large breasts, black hair, blue streaks in hair, blue mesh highlights, long hair, casual cropped top, midriff exposed, navel visible, leather jacket, open jacket, silver necklace, pendant necklace, denim shorts, sitting, sitting on sofa, one knee bent, knee up, hand on own cheek, head resting on hand, supporting head with hand, elbow on knee, looking at viewer, gazing at viewer, half-closed eyes, light smile, head tilt, from below, cowboy shot, three-quarter view, indoor, living room, warm lamp light
The camera sits low and slightly off her left side, looking up at her from just above knee height, so her raised knee reads large in the near foreground while her shoulders lean back and away: a tall, broad-shouldered woman seen from below, seen three-quarter. She lounges deep in the corner of a low dark-brown leather sofa, torso angled toward the room but her face turned square to the lens. Her right foot is planted flat on the sofa cushion, the right knee drawn up and leaning outward; the raised knee is the nearest thing to the camera and her right forearm crosses it, so the point of her right elbow sinks into the top of her knee and her cheek rests heavily on the heel of her open right hand, fingers loosely spread along her jaw, two fingertips pressed into her cheek and pushing the skin up slightly. Her left arm drapes along the sofa's backrest behind her, hand hanging slack over the far armrest, thumb hooked on the cushion seam. Her hips are slung to the left so her weight rides the left seat bone; the left leg stretches out along the sofa seat toward the right edge of the frame, long and unbroken from the swell of the thigh to the slender ankle, the calf lying across the cushion with the toes of the left foot just off the edge. Denim shorts, cut high, ride up on the raised right thigh so the frayed hem sits at the crease of the hip, the stitched edge fraying into loose pale threads. The cropped casual top is a soft heather-grey jersey, sleeveless, loose at the armholes, ending a hand's width under the bust so a straight span of bare midriff shows from the ribcage down to the low waistband of the shorts, with the navel set in the middle of that bare skin and one faint crease across it where she is sitting bent. Over it the black leather jacket hangs open and slides half off her left shoulder, the collar shoved back at the nape, both sleeves pushed to below the elbow and bunched in thick folds; the leather catches light along the top of the sleeve roll and dulls into matte black in the folds. The silver necklace is a fine flat chain with a small solid oval pendant, sitting on her collarbone, catching a bright pinprick and dropping a tiny white highlight onto the skin under it. Her black hair is long and heavy, parted off-centre, with narrow ribbons of electric blue running through it from temple to ends; it falls over the jacket's pushed-back collar on the right side and slides forward across the side of her throat, the loose ends brushing her right wrist where it holds her head. Her eyes are half-lidded and level, locked straight on the viewer without a flicker of shyness, dark irises with a small wet catchlight, brows level, mouth closed on a faint lopsided smile that pulls a little higher at the left corner. The pose compresses the cushion under her left hip and back, and the leather sofa back dents where her shoulder leans in.
The room falls off into dark behind her: a warm floor lamp stands out of frame to the left at about her shoulder height, its light raking across the left side of her face, the left edge of the open jacket and the top of her raised knee, while the right side of her jaw, the underside of the bent knee and the sofa behind her sink into deep brown shadow. The lamp is the only light source; beyond its falloff the background dissolves into a near-black wall with one dim framed rectangle reading as unlit glazing. Palette restricted to warm amber light, black leather and hair, pale heather grey, faded indigo denim, and the single cold blue note of the hair streaks and the silver chain. Fabric and leather are rendered with visible grain and stitching; the skin keeps a soft matte sheen with one specular line along the top of the raised knee and the collarbone. Quiet, confident, effortlessly cool.
吉田晴樹
ผู้ใช้แนะนำ
ที่คุณอาจชอบ
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
2
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
คอมเมนต์