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AI art "Rio bare feet" featuring #Blue Archive and #สึกัตสึกิ ริโอะ
สร้างฟรี

Rio bare feet

#Blue Archive#สึกัตสึกิ ริโอะ
P

P

ดูเพิ่มเติม

คอมเมนต์

rio\(blue archive\), 1girl, sitting on couch, erotic face, mouth open, tongue out, blushing, hearts, white shirt, jean short shorts, bare legs, bare feet, legs extended upwards, arms wrapped around legs, showing bare feet, right foot slightly above left foot, soft smooth feet, closeup on feet, focus on soles, toes slightly up
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
Rio (blue archive) sitting on couch, erotic face, mouth open, tongue out, blushing, hearts, white shirt, jean short shorts, her bare legs and bare feet up extended upwards, her arms wrapped Around her legs, showing bare feet, right foot sligthly positioned above left foot, soft smooth feet, closeup on the feet, focus on the soles, toes facing slightly up
ขนาด
768 x 1024
ขั้นตอนการสุ่ม
12
วิธีการสุ่มตัวอย่าง
DPM++ SDE Karras
ค่า CFG
4
ไม่ต้องการ
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), (6 fingers, bad hands, bad feet, bad hand, bad finger, bad fingers, extra finger, extra fingers, split finger, split fingers, extra digits, fused arms, fused hands:1.2), nsfw

โมเดลและ LoRA ที่ใช้

VXP_illustrious - AI Model cover image

SDXL

VXP_illustrious
6.71k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, long black hair, black hair, barefoot, bare feet, soles, foot focus, soles of feet, crossed legs, sitting, sitting on sofa, sofa, chin rest, hand on cheek, resting chin on hand, head rest, foreshortening, perspective, from below, extreme foreshortening, foot up, toe point, slender toes, high arch, large feet, beautiful feet, tall female, slim figure, long legs, looking at viewer, half-closed eyes, light smile, relaxed, indoor, living room, window light, day The camera sits low and close to the floor, tipped steeply upward, so the shot opens on the undersides of two bare feet pushed toward the lens and everything else recedes up and away behind them. The nearest sole fills the lower half of the frame, huge and sharply rendered: its long vertical span runs from the round pad of the heel at the bottom edge up past a deep, clearly scooped arch that hollows the inside edge, to the ball of the foot where five slender toes curl slightly and separate. The second foot crosses behind and above the first at the ankle, its own sole turned three-quarters toward the viewer, toes overlapping the first foot's toes, heel resting against the first foot's instep — the crossed-leg knot is read entirely from underneath. Skin of the soles is pale ivory with a faint warm blush at the heel and the ball, fine creases drawn across the arch and under the toes, and the toes tipped with a soft pink flush at the tips, no nail polish. The feet are pressed forward at the lens, so the toes nearest the camera are large and softly focused at their leading edges while the arch and heel behind them stay crisp. Above and behind the feet, shrinking with the foreshortening, she sits deep in a low-backed fabric sofa, spine settled into the right-hand cushion, one hip lower than the other, the crossed upper leg's knee lifted. Long black hair falls in a straight heavy sheet over one shoulder and pools along the sofa back, a few strands slipping forward across her collar. She wears a white short-sleeved button-down shirt, sleeves ending mid-upper-arm, collar open, and a pleated navy skirt whose hem rides up over the crossed thigh, folds fanning in the seat. Her right elbow is planted on the sofa's armrest, forearm rising, and her cheek rests heavily into the heel of that hand so the flesh of her cheek presses and lifts slightly; fingers curl loose against her jaw, one fingertip near her lip. Her left hand lies slack across the upper knee. Her eyes are half-lidded under a light, lazy smile, looking straight down the length of her own legs into the lens — a calm, unbothered, faintly teasing regard. The room is a quiet domestic interior: a plain plaster wall behind the sofa, a window off-frame to the left throwing cool daylight across the scene from the left side. That single light grazes the near sole's outer edge and the tops of the toes, leaves the arch and the space between the crossed feet in soft shadow, and lays a long soft shadow of the feet and the sofa leg across the floorboards in the foreground right, stretching away from the window. Palette is restrained: ivory skin, white shirt, navy skirt, black hair, warm grey sofa, pale wood floor, cool daylight — nothing else admitted. The single-variable physics: the near sole's leading toes blur very slightly with proximity while the arch behind them stays tack-sharp, selling the extreme close foreshortening. Intimate, quietly playful.
吉田晴樹
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, long black hair, black hair, barefoot, bare feet, soles, foot focus, soles of feet, crossed legs, sitting, sitting on sofa, sofa, chin rest, hand on cheek, resting chin on hand, head rest, foreshortening, perspective, from below, extreme foreshortening, foot up, toe point, slender toes, high arch, large feet, beautiful feet, tall female, slim figure, long legs, looking at viewer, half-closed eyes, light smile, relaxed, indoor, living room, window light, day The camera sits low and close to the floor, tipped steeply upward, so the shot opens on the undersides of two bare feet pushed toward the lens and everything else recedes up and away behind them. The nearest sole fills the lower half of the frame, huge and sharply rendered: its long vertical span runs from the round pad of the heel at the bottom edge up past a deep, clearly scooped arch that hollows the inside edge, to the ball of the foot where five slender toes curl slightly and separate. The second foot crosses behind and above the first at the ankle, its own sole turned three-quarters toward the viewer, toes overlapping the first foot's toes, heel resting against the first foot's instep — the crossed-leg knot is read entirely from underneath. Skin of the soles is pale ivory with a faint warm blush at the heel and the ball, fine creases drawn across the arch and under the toes, and the toes tipped with a soft pink flush at the tips, no nail polish. The feet are pressed forward at the lens, so the toes nearest the camera are large and softly focused at their leading edges while the arch and heel behind them stay crisp. Above and behind the feet, shrinking with the foreshortening, she sits deep in a low-backed fabric sofa, spine settled into the right-hand cushion, one hip lower than the other, the crossed upper leg's knee lifted. Long black hair falls in a straight heavy sheet over one shoulder and pools along the sofa back, a few strands slipping forward across her collar. She wears a white short-sleeved button-down shirt, sleeves ending mid-upper-arm, collar open, and a pleated navy skirt whose hem rides up over the crossed thigh, folds fanning in the seat. Her right elbow is planted on the sofa's armrest, forearm rising, and her cheek rests heavily into the heel of that hand so the flesh of her cheek presses and lifts slightly; fingers curl loose against her jaw, one fingertip near her lip. Her left hand lies slack across the upper knee. Her eyes are half-lidded under a light, lazy smile, looking straight down the length of her own legs into the lens — a calm, unbothered, faintly teasing regard. The room is a quiet domestic interior: a plain plaster wall behind the sofa, a window off-frame to the left throwing cool daylight across the scene from the left side. That single light grazes the near sole's outer edge and the tops of the toes, leaves the arch and the space between the crossed feet in soft shadow, and lays a long soft shadow of the feet and the sofa leg across the floorboards in the foreground right, stretching away from the window. Palette is restrained: ivory skin, white shirt, navy skirt, black hair, warm grey sofa, pale wood floor, cool daylight — nothing else admitted. The single-variable physics: the near sole's leading toes blur very slightly with proximity while the arch behind them stays tack-sharp, selling the extreme close foreshortening. Intimate, quietly playful.
吉田晴樹
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, long black hair, black hair, barefoot, bare feet, soles, foot focus, soles of feet, crossed legs, sitting, sitting on sofa, sofa, chin rest, hand on cheek, resting chin on hand, head rest, foreshortening, perspective, from below, extreme foreshortening, foot up, toe point, slender toes, high arch, large feet, beautiful feet, tall female, slim figure, long legs, looking at viewer, half-closed eyes, light smile, relaxed, indoor, living room, window light, day The camera sits low and close to the floor, tipped steeply upward, so the shot opens on the undersides of two bare feet pushed toward the lens and everything else recedes up and away behind them. The nearest sole fills the lower half of the frame, huge and sharply rendered: its long vertical span runs from the round pad of the heel at the bottom edge up past a deep, clearly scooped arch that hollows the inside edge, to the ball of the foot where five slender toes curl slightly and separate. The second foot crosses behind and above the first at the ankle, its own sole turned three-quarters toward the viewer, toes overlapping the first foot's toes, heel resting against the first foot's instep — the crossed-leg knot is read entirely from underneath. Skin of the soles is pale ivory with a faint warm blush at the heel and the ball, fine creases drawn across the arch and under the toes, and the toes tipped with a soft pink flush at the tips, no nail polish. The feet are pressed forward at the lens, so the toes nearest the camera are large and softly focused at their leading edges while the arch and heel behind them stay crisp. Above and behind the feet, shrinking with the foreshortening, she sits deep in a low-backed fabric sofa, spine settled into the right-hand cushion, one hip lower than the other, the crossed upper leg's knee lifted. Long black hair falls in a straight heavy sheet over one shoulder and pools along the sofa back, a few strands slipping forward across her collar. She wears a white short-sleeved button-down shirt, sleeves ending mid-upper-arm, collar open, and a pleated navy skirt whose hem rides up over the crossed thigh, folds fanning in the seat. Her right elbow is planted on the sofa's armrest, forearm rising, and her cheek rests heavily into the heel of that hand so the flesh of her cheek presses and lifts slightly; fingers curl loose against her jaw, one fingertip near her lip. Her left hand lies slack across the upper knee. Her eyes are half-lidded under a light, lazy smile, looking straight down the length of her own legs into the lens — a calm, unbothered, faintly teasing regard. The room is a quiet domestic interior: a plain plaster wall behind the sofa, a window off-frame to the left throwing cool daylight across the scene from the left side. That single light grazes the near sole's outer edge and the tops of the toes, leaves the arch and the space between the crossed feet in soft shadow, and lays a long soft shadow of the feet and the sofa leg across the floorboards in the foreground right, stretching away from the window. Palette is restrained: ivory skin, white shirt, navy skirt, black hair, warm grey sofa, pale wood floor, cool daylight — nothing else admitted. The single-variable physics: the near sole's leading toes blur very slightly with proximity while the arch behind them stays tack-sharp, selling the extreme close foreshortening. Intimate, quietly playful.
吉田晴樹

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#สาวน้อยเวทมนตร์ มาโดกะ#คานาเมะ มาโดกะ#สาวน้อยเวทมนตร์ มาโดกะ
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