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Cherry blossom confession scene
Character: Tomohiko Kazami (Another), Nia Canimal (Humanized version from Canimals)
บน PixAI พรอมต์จะเป็นสาธารณะโดยค่าเริ่มต้น แต่ผู้สร้างสามารถซ่อนพรอมต์ในผลงานที่เผยแพร่ได้ ผู้สร้างผลงานนี้เลือกที่จะซ่อนไว้ คำที่ใช้สร้างภาพนี้จึงเป็นส่วนตัวและมีเพียงผู้สร้างเท่านั้นที่เห็นได้ การซ่อนพรอมต์ไม่ได้เปลี่ยนสิ่งอื่นใด ผลงานยังคงเป็นสาธารณะ และคุณยังกดถูกใจ แสดงความคิดเห็น และแชร์ได้ตามปกติ
ซ่อนโดยผู้เขียน
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติม
cc
character: kitagawa_marin
2girls, 1boy, kiss, kissing, lip contact, cherry blossom tree, sakura, falling petals, petals on hair, blonde hair, long hair, red eyes, white shirt, necktie, skirt, earrings, gyaru, black hair, short hair, glasses, school uniform, boy, girl, couple, romantic, from side, profile, cowboy shot, outdoors, spring, daytime, dappled sunlight, tree trunk support, leaning back, hand on shoulder, eyes closed, blush
The view is a side profile two-shot, the camera low and slightly below eye level so the trunk of the great cherry tree rises behind the pair and the canopy fills the top of the frame. Marin stands on the left of the frame, seen in profile facing right: tall, slim, blonde hair long and loose down her back, with one lock of it swinging forward past her jaw and stray petals caught in the strands. Both her hands are busy with him — the right hand rests flat on the boy's shoulder, fingers curled into the fabric of his dark school jacket, and the left hand grips the front of his collar, knuckles pushed up under his chin, thumb hooked into the cloth. Her weight is on her back foot, her front foot placed between his, the knee slightly bent, hips tilted so her skirt hangs at an angle and her pale legs angle forward. Her eyes are shut, lashes lowered, brows drawn faintly together; her chin is tipped up and her mouth meets his, one corner of the kiss pressed firmer than the other, and a single first-year's blush colours the tops of her cheeks. She is not looking at anything — the contact is the whole of her attention.
The boy faces her, profile turned left, and is a head shorter than she is; he has short dark hair with a straight fringe falling over his forehead, thin-rimmed glasses pushed slightly crooked by the angle of his face, and his eyes are closed behind them. His shoulders hunch up a little, the way a person's do when they are being kissed and haven't decided what to do with their hands: one arm hangs stiffly at his side, the other lifted halfway, fingers hovering open a few centimetres from her waist and not quite touching the white shirt. His tie hangs slightly loose from the collar she is holding. Where the two mouths meet, the lower lip of one presses into the upper lip of the other, softly compressed, and a small crescent of skin shows between their noses.
The environment: an old cherry tree with a trunk that leans a little to the left, its bark split into dark furrows with moss along the seams, the whole crown above them a mass of pale pink blossom in full bloom, branches dipping into the upper third of the frame. Behind them and slightly out of focus, other trees deepen into pink and then into greenish shade, and a low stone path runs across the background at hip height, its pavers dusted with fallen petals. The ground they stand on is already thick with loose petals, and the contact evidence is there: the grass around their shoes is pressed flat in two overlapping patches, and petals have been crushed at the edge of her heel.
Light: late-afternoon spring sun comes from the upper left, warm and low, raking through the blossom so the pair are lit in broken patches — the light strikes Marin's cheekbone, the white of her shirt at the shoulder and the glass of the boy's glasses, and everything beneath the canopy is held in soft pink-grey shade. The tree throws a mottled shadow across the path behind them, and their two shadows fuse into one on the grass, its edges blurred by the dappling. Petals fall throughout, but they do not fall anywhere: they land and catch only on upward-facing surfaces — the tops of his shoulders, the flat plane of her hair, the outside of her forearm — and the ones mid-air are lit brighter than the ones in shade. Where a petal crosses the gap between their faces it drifts edge-on and is briefly silhouetted.
Palette: pale blossom pink, cream and warm skin against the deep brown-black of the trunk and the dark uniform, with the green of the grass and moss held back and quiet; nothing else admitted. Drawn with clean cel line work, flat blocks of colour and a single soft shade tone per surface, rendered in a spring-soft register. A petal at the exact centre of their joined mouths has stopped dead in the air, held by the still pocket the two bodies make. Tender, and quietly breathheld.
CPTPTPTPPCPTTTPTP CPTPTPTPPCPTTTPTP
ann
Rina
Nico Perez
Alicia柚瑞
สำรวจเพิ่มเติม
ผู้ใช้แนะนำ
ที่คุณอาจชอบ
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
4
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
3
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
คอมเมนต์