Ashley Pope - No Longer Average
Isaiah Cron
Aether Gear Vera the Luxamancer
A technician , One of the few surviving Luxamancers, wife of Jorren, mother of Jared. Escaped the cabal with baby Jared. Stayed with her friends Dai long and Gelina. Mysteriously disappeared when Jared was 7
บน PixAI พรอมต์จะเป็นสาธารณะโดยค่าเริ่มต้น แต่ผู้สร้างสามารถซ่อนพรอมต์ในผลงานที่เผยแพร่ได้ ผู้สร้างผลงานนี้เลือกที่จะซ่อนไว้ คำที่ใช้สร้างภาพนี้จึงเป็นส่วนตัวและมีเพียงผู้สร้างเท่านั้นที่เห็นได้ การซ่อนพรอมต์ไม่ได้เปลี่ยนสิ่งอื่นใด ผลงานยังคงเป็นสาธารณะ และคุณยังกดถูกใจ แสดงความคิดเห็น และแชร์ได้ตามปกติ
ซ่อนโดยผู้เขียน
โมเดลและ LoRA ที่ใช้
Creation Assistant
Agent
Mio.2
Minimal input, professional output
รูปภาพคล้ายกัน
ดูเพิ่มเติม
masterpiece, best quality, ultra detailed, cinematic horror atmosphere, sci-fi abandoned laboratory, anime style, realistic lighting, volumetric fog, dramatic shadows
A beautiful young woman with long, silky crimson-red hair, soft layered bangs, glowing amber-golden eyes, fair skin, and a mature feminine figure with graceful curves and a full bust. She wears a short futuristic sleep outfit consisting of a soft fitted pajama camisole with thin straps and matching short shorts in white and light gray with subtle technological details, slightly wrinkled as if she woke up suddenly. She is barefoot, emphasizing her vulnerability.
She stands inside a vast abandoned underground laboratory, frozen in fear. Her posture is tense, shoulders slightly raised, one hand instinctively held near her chest while the other reaches toward a nearby rusted console. Her wide eyes scan the darkness, lips slightly parted, breathing quick, clearly frightened by something she cannot yet see.
The laboratory is consumed by decades of abandonment: shattered glass containment chambers, overturned examination tables, broken medical pods, hanging electrical cables sparking intermittently, rusted machinery, cracked holographic monitors flickering with corrupted data, old warning lights casting dim crimson flashes across the room. Dust, condensation, and faint mist drift through the cold air while puddles reflect the occasional emergency light.
The environment suggests forgotten experiments and a tragic past. Massive reinforced blast doors remain partially open, revealing endless dark corridors. Broken specimen tanks, scattered research documents, cracked screens, abandoned robotic arms, and mysterious silhouettes hidden in the shadows create an overwhelming feeling that someone—or something—might still be inside.
The lighting comes primarily from weak emergency lamps, occasional electrical sparks, and pale moonlight filtering through damaged ceiling panels, creating strong cinematic contrasts across her face and hair.
Wide cinematic composition, full body, abandoned sci-fi horror aesthetic, detailed environmental storytelling, dramatic perspective, highly detailed textures, suspenseful atmosphere, realistic reflections, volumetric lighting, masterpiece, 8k.
Negative prompt: low quality, blurry, extra limbs, extra fingers, bad anatomy, deformed body, duplicate character, cropped, text, watermark, logo, nsfw, torn clothing, lingerie, exaggerated proportions, childlike appearance, cartoonish, poorly drawn face, poorly drawn hands.
Mila Oliveira
ca
An eye-level half-body shot framed via the rule-of-thirds captures the subject against a receding clutter. The dominant color palette merges warm amber and cool neon, bathed in cinematic, high-contrast lighting that carves deep shadows across the scene. The art style is a polished digital illustration with a gritty, anime aesthetic, emphasizing detailed mechanical elements and atmospheric haze.
The original character is a petite adult woman with a slim feminine body and a petite disk-shaped face. She features dark purple messy bob hair with side-swept bangs covering her forehead, revealing a sly playful smile, a small data port connected to cables on her neck beneath the side of her hair, and a tiny glowing connector on the back of her head. Her amber eyes carry a slightly tired, sharp, yet endearing gaze, her cheeks lightly flushed, and she bears a small bandaid and smudged oil stains on her face, accentuating her mischievous junk-shop owner and rough-but-caring big sister persona. Multiple ear piercings and a cybernetic jack behind her ear complete her look. She is dressed in practical workwear: a loose work shirt over a fitted gray tank top, with mechanic coveralls tied around her narrow waist, bare shoulders, and a fingerless glove. Her right arm is a self-made cybernetic jack, an exposed handmade prosthetic with delicate metal joints, visible wires, a mechanical rib plate beneath her engaged ribs, and worn metal parts. A tattoo marks the skin beneath her left breast, while a small cybernetic implant and a mechanical maintenance panel adorn her side torso and waist. Her cybernetic right hand, showing delicate mechanical joints and exposed mechanical fingers, firmly grips a wrench, intentionally cleaving an abyss of erotic cleavage.
The setting is a cluttered cyberpunk junk shop, a gritty but cozy workshop that feels lived-in and dense with wonder. Motorcycle parts and vintage circuit boards are scattered throughout the shadows, illuminated by the warm glow of a work lamp clashing with distant neon lights. The smoky atmosphere softens the background details, while the integrated lighting masterfully highlights her form against the dark, industrial interior.
chrome_a.t.
masterpiece, best quality, ultra detailed, cinematic horror atmosphere, sci-fi abandoned laboratory, anime style, realistic lighting, volumetric fog, dramatic shadows
A beautiful young woman with long, silky crimson-red hair, soft layered bangs, glowing amber-golden eyes, fair skin, and a mature feminine figure with graceful curves and a full bust. She wears a short futuristic sleep outfit consisting of a soft fitted pajama camisole with thin straps and matching short shorts in white and light gray with subtle technological details, slightly wrinkled as if she woke up suddenly. She is barefoot, emphasizing her vulnerability.
She stands inside a vast abandoned underground laboratory, frozen in fear. Her posture is tense, shoulders slightly raised, one hand instinctively held near her chest while the other reaches toward a nearby rusted console. Her wide eyes scan the darkness, lips slightly parted, breathing quick, clearly frightened by something she cannot yet see.
The laboratory is consumed by decades of abandonment: shattered glass containment chambers, overturned examination tables, broken medical pods, hanging electrical cables sparking intermittently, rusted machinery, cracked holographic monitors flickering with corrupted data, old warning lights casting dim crimson flashes across the room. Dust, condensation, and faint mist drift through the cold air while puddles reflect the occasional emergency light.
The environment suggests forgotten experiments and a tragic past. Massive reinforced blast doors remain partially open, revealing endless dark corridors. Broken specimen tanks, scattered research documents, cracked screens, abandoned robotic arms, and mysterious silhouettes hidden in the shadows create an overwhelming feeling that someone—or something—might still be inside.
The lighting comes primarily from weak emergency lamps, occasional electrical sparks, and pale moonlight filtering through damaged ceiling panels, creating strong cinematic contrasts across her face and hair.
Wide cinematic composition, full body, abandoned sci-fi horror aesthetic, detailed environmental storytelling, dramatic perspective, highly detailed textures, suspenseful atmosphere, realistic reflections, volumetric lighting, masterpiece, 8k.
Negative prompt: low quality, blurry, extra limbs, extra fingers, bad anatomy, deformed body, duplicate character, cropped, text, watermark, logo, nsfw, torn clothing, lingerie, exaggerated proportions, childlike appearance, cartoonish, poorly drawn face, poorly drawn hands.
Mila Oliveira