Ultima

Published on Aug 9, 2026

Su Ng

A medium shot from a low-angle perspective features a towering man, 190cm tall, standing dominantly in the center of the frame. He has long, flowing black hair and striking eyes with triple pupils, wearing a white outfit consisting of a white shirt and long white trousers, draped in a tattered brown cloak with visible rips and frayed edges. He grips a menacing red and black sword with both hands, the blade of which is embedded with numerous blinking organic eyes. A thick, swirling aura of oppressive black energy erupts from his body, with several large, eerie eyes manifesting and peering out from within the dark void of the aura. The background is a desolate, neutral void that emphasizes the character's imposing presence. The lighting is high-contrast, with the dark energy casting deep shadows and the white clothing glowing faintly against the darkness. The color palette is dominated by stark whites, deep blacks, and blood-red accents, creating an ominous, supernatural, and powerful atmosphere in a high-quality anime illustration style.

ดูพารามิเตอร์

พรอมต์ต้นฉบับ: ผู้ชายตัวสูง190 มีพลังงานสีดำปล่อยออกมาพร้อมกับมีดวงตาโผล่ออกมาจากออร่า ผมสีดำยาวใส่ชุดสีขาวผ้าคลุมสีน้ำตาลมีรอยขาด กางเกงขายาวสีขาว มีรูม่านตาสามดวง และดาบสีแดงดำและมีดวงตาตามใบดาบ
Mode: lite
ขนาด: 768 x 1280

ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

A full body shot from a low-angle perspective features Jóðnagl Ámrburiz, the vampire known as the Dead Descendent Born of Darkness, standing centrally in a desolate, gothic cathedral. This male vampire possesses a pale, aristocratic complexion, sharp crimson eyes, and long, flowing midnight-black hair that cascades down his back. He is dressed in an ornate, high-collared black velvet frock coat with intricate silver embroidery along the hems, paired with a dark silk waistcoat and a crisp white cravat. His long fingers are adorned with silver rings, and his right hand rests elegantly on the pommel of a gothic rapier. The background is filled with crumbling stone pillars, shattered stained glass windows, and a floor covered in a thin layer of grey ash. The atmosphere is oppressive and melancholic, illuminated by a cold, ethereal moonlight filtering through the ruins, creating deep shadows and a stark, high-contrast visual style with a dominant palette of obsidian, silver, and blood-red.

Tyii Brown