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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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Moonje -

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Moonje -

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artist: cha_chya, artist: ibuki_satsuki, a sacred family portrait of exactly four adult angels, arranged as a living luminous altarpiece in a shadowed forest sanctuary at dawn, the four bodies form one tightly interwoven oval composition, their enormous white wings overlapping, crossing and folding around the group like the layered petals of a celestial flower, the angels are physically interacting with one another, not standing separately, not posing in a lineup, exactly four adult angels, no child, no fifth figure, all four faces visible, Angel One — lower-left foundation figure: an adult woman with deep ebony skin, warm undertones, short dense black curls, dark amber eyes, strong but gentle facial structure, she sits on an ancient carved stone fragment, one knee slightly raised, the other leg extending beneath flowing white cloth, a long white linen drape wraps around her hips and thighs, her upper torso covered by a concentrated warm ivory glow, the radiance preserving modesty while revealing the natural body silhouette, her left arm supports Angel Two's shoulders, her right hand gently holds Angel Two's wrist, one enormous pair of white feathered wings rises behind her, broad rounded primary feathers, warm ivory shadows between layers, every feather connected clearly to her back, Angel Two — reclining central figure: an adult woman with opalescent luminous skin, her body emitting a faint blue-white internal glow, waist-length straight silver hair, pale ice-blue eyes, delicate narrow face, she reclines diagonally across Angel One's lap, her head resting near Angel One's shoulder, one leg extending downward beneath translucent white silk, the other knee softly bent, thin wet-looking white silk drapes around her waist and legs, her chest and abdomen concealed by concentrated pearlescent light, her left hand resting over her own heart, her right hand reaching toward Angel Three, her immense translucent white wings open upward and outward, light passing through individual feather shafts, cool blue shadows within the wing layers, Angel Three — kneeling musical figure: an adult woman with warm bronze-brown skin, golden undertones, long copper-brown hair arranged into several thick braids, soft green-gray eyes, she kneels at lower-right, leaning toward the central reclining angel, a thin white silk robe slips from one shoulder, white-gold divine radiance covering the upper torso, long folds pooling around her knees, she holds a dark antique violin, left hand pressing the strings correctly, right hand drawing the bow, her gaze directed tenderly toward Angel Two, her huge white wings curve forward, one wing overlapping part of Angel One's wings, the other opening toward the right edge, each pair still traceable to her shoulder blades, Angel Four — upper protective figure: an adult woman with pale alabaster skin, soft rose undertones, long dark chestnut hair braided into a crown, violet-gray eyes, calm maternal expression, she leans downward from behind the other three, her torso forming the upper curve of the oval composition, one hand placed softly against Angel Two's forehead, the other hand lifting and separating the overlapping feathers of Angel Three's upper wing, a nearly transparent white chiffon veil falls from her hair and dissolves into light, her body concealed beneath layered white fabric and a pale violet-white radiance, her enormous wings rise above all four figures, arching inward from both sides to create a protective vaulted canopy, the four pairs of wings overlap in a deliberate hierarchy: foreground wings: crisp feather edges and visible barbs, middle wings: soft luminous layers with partial transparency, rear canopy wings: dissolving gently into mist and morning light, every wing pair visibly connected to the correct angel, no floating extra wings, no merged shoulder structures, each angel has a completely distinct: skin tone, face shape, eye color, hair color, hairstyle, body position, hand gesture, wing orientation, all clothing remains within the same unified palette: white linen, pearl silk, ivory chiffon, pale translucent gauze, no colored costumes, no transferred hairstyles, no duplicated faces, no skin-tone contamination, no merged hands or arms, each angel emits a subtly different sacred glow: Angel One: warm ivory-gold radiance, Angel Two: cold opal-blue radiance, Angel Three: soft honey-gold radiance, Angel Four: pale violet-white radiance, the four glows overlap gently but remain distinguishable around their own skin and feathers, dark forest background, deep moss artist: cha_chya, ibuki_satsuki
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พรอมต์ต้นฉบับ
artist: cha_chya, artist: ibuki_satsuki, a sacred family portrait of exactly four adult angels, arranged as a living luminous altarpiece in a shadowed forest sanctuary at dawn, the four bodies form one tightly interwoven oval composition, their enormous white wings overlapping, crossing and folding around the group like the layered petals of a celestial flower, the angels are physically interacting with one another, not standing separately, not posing in a lineup, exactly four adult angels, no child, no fifth figure, all four faces visible, Angel One — lower-left foundation figure: an adult woman with deep ebony skin, warm undertones, short dense black curls, dark amber eyes, strong but gentle facial structure, she sits on an ancient carved stone fragment, one knee slightly raised, the other leg extending beneath flowing white cloth, a long white linen drape wraps around her hips and thighs, her upper torso covered by a concentrated warm ivory glow, the radiance preserving modesty while revealing the natural body silhouette, her left arm supports Angel Two's shoulders, her right hand gently holds Angel Two's wrist, one enormous pair of white feathered wings rises behind her, broad rounded primary feathers, warm ivory shadows between layers, every feather connected clearly to her back, Angel Two — reclining central figure: an adult woman with opalescent luminous skin, her body emitting a faint blue-white internal glow, waist-length straight silver hair, pale ice-blue eyes, delicate narrow face, she reclines diagonally across Angel One's lap, her head resting near Angel One's shoulder, one leg extending downward beneath translucent white silk, the other knee softly bent, thin wet-looking white silk drapes around her waist and legs, her chest and abdomen concealed by concentrated pearlescent light, her left hand resting over her own heart, her right hand reaching toward Angel Three, her immense translucent white wings open upward and outward, light passing through individual feather shafts, cool blue shadows within the wing layers, Angel Three — kneeling musical figure: an adult woman with warm bronze-brown skin, golden undertones, long copper-brown hair arranged into several thick braids, soft green-gray eyes, she kneels at lower-right, leaning toward the central reclining angel, a thin white silk robe slips from one shoulder, white-gold divine radiance covering the upper torso, long folds pooling around her knees, she holds a dark antique violin, left hand pressing the strings correctly, right hand drawing the bow, her gaze directed tenderly toward Angel Two, her huge white wings curve forward, one wing overlapping part of Angel One's wings, the other opening toward the right edge, each pair still traceable to her shoulder blades, Angel Four — upper protective figure: an adult woman with pale alabaster skin, soft rose undertones, long dark chestnut hair braided into a crown, violet-gray eyes, calm maternal expression, she leans downward from behind the other three, her torso forming the upper curve of the oval composition, one hand placed softly against Angel Two's forehead, the other hand lifting and separating the overlapping feathers of Angel Three's upper wing, a nearly transparent white chiffon veil falls from her hair and dissolves into light, her body concealed beneath layered white fabric and a pale violet-white radiance, her enormous wings rise above all four figures, arching inward from both sides to create a protective vaulted canopy, the four pairs of wings overlap in a deliberate hierarchy: foreground wings: crisp feather edges and visible barbs, middle wings: soft luminous layers with partial transparency, rear canopy wings: dissolving gently into mist and morning light, every wing pair visibly connected to the correct angel, no floating extra wings, no merged shoulder structures, each angel has a completely distinct: skin tone, face shape, eye color, hair color, hairstyle, body position, hand gesture, wing orientation, all clothing remains within the same unified palette: white linen, pearl silk, ivory chiffon, pale translucent gauze, no colored costumes, no transferred hairstyles, no duplicated faces, no skin-tone contamination, no merged hands or arms, each angel emits a subtly different sacred glow: Angel One: warm ivory-gold radiance, Angel Two: cold opal-blue radiance, Angel Three: soft honey-gold radiance, Angel Four: pale violet-white radiance, the four glows overlap gently but remain distinguishable around their own skin and feathers, dark forest background, deep moss green and black foliage, small white flowers, broken antique marble, almost no visible sky, one celestial beam descending through the trees from upper-left, soft volumetric mist, tiny golden particles, the angels themselves serving as secondary light sources, late nineteenth-century academic religious painting fused with ethereal fantasy anime illustration, delicate oil glazing across skin, rich impasto on fabric folds and stone, extremely fine feather brushwork, soft oil-pastel transitions, fine gold disappearing contours, subtle cross-hatching, visible canvas texture, gentle analog grain, luminous bloom around skin and wings, white, pearl, ivory, muted gold, deep forest green and faint opal blue palette, tender, sacred, intimate and monumental, the wings forming the dominant visual mass, a divine family united as one living sculpture, not four separate fantasy characters
โหมด
ultra
ขนาด
1104 x 1840
ไม่ต้องการ
worst quality, photorealistic, bad anatomy, blur, low resolution

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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.25k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of cody69
1girl, solo, angel, celestial being, single figure, elegant, composed, quietly compassionate, serene expression, downcast eyes, half-closed eyes, soft gaze, looking down, standing, hands folded, hands clasped at waist, long white hair, very long hair, hair flowing in slow air current, pale skin, tall slender build, white feathered wings, large wings, wings folded, wings half-spread, white and gold palette, white high-necked gown, long flowing robe, gold trim, sheer layered fabric, bare feet, from side, profile, three-quarter view, low angle, from below, medium shot, tall vertical composition, minimal background, deep twilight sky, soft clouds, single distant star, faint drifting feathers The view is a low three-quarter profile from below, so the figure rises against the sky and the whole upper frame belongs to open air. She stands alone, weight settled on her left leg with the right foot slightly forward and the right hip dropped, bare toes resting on nothing at all — she is not touching ground the frame shows, and no floor plane is drawn under her. Her hands are folded together at her waist, right hand laid over the left, fingers interlaced but loose, the cuffs of her sleeves falling back from her wrists. Her head is tipped slightly down and turned in profile away from the camera, chin lowered, lashes half-lowered over eyes that look down and out of frame toward something small and unseen below the bottom edge — her attention is entirely on that point, not on the viewer, and the tiny downward curve at one corner of her mouth is the only movement in her face. Her long white hair lifts and trails sideways in a slow air current, individual strands separating from the mass and crossing the sky behind her; the fabric of the gown's skirt and sleeve hems drifts in the same direction, so both read as answering one steady, upward-rising wind. Her wings are half-unfurled behind her shoulders, the near wing sweeping forward past her right arm so that its leading edge crosses in front of her sleeve, the far wing folded and mostly hidden behind her back — the coverts near the shoulder lie smooth and closed, and only the long primaries at the outer tip splay apart, each feather edge lit individually. The light comes from one source: a low, cold glow far behind and below her, so her front is in soft shadow, the wing edges and the loose hair strands glow bright where they thin against it, and a faint warm rim of light runs down the profile of her cheek, throat, and the ridge of her folded hands. The sky is deep indigo at the top of the frame grading to a pale luminous grey-gold at the bottom, where the light originates; no stars but one, small and steady, high in the upper left. The palette holds to white, ivory, pale gold and deep twilight blue, with the only warmth in the skin and the gold trim. Loose feathers drift slowly upward around her rather than falling, curling at their tips — they rise because the air is rising, and the light shows through them only at their thin edges. Quiet, luminous, tender.
cody69

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#สาวน้อยเวทมนตร์ มาโดกะ#คานาเมะ มาโดกะ#สาวน้อยเวทมนตร์ มาโดกะ
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