A man with black hair, center-parted wolf cut, wearing China-style clothing, sitting on the floor in the same pose as the original rough sketch.
The person is positioned from the center to the right side of the screen, sitting in a nearly side-facing position. One leg is deeply bent and drawn close to the body, with the knee pointing toward the upper right of the screen. Both arms are naturally resting near the knee of that bent leg, with the face leaning on the arms. The face is located in the upper right, cheek resting on the arm in a relaxed manner. The head is slightly turned, with only the face facing toward the right side of the screen relative to the body.
The other leg is extended from the body toward the front-left lower direction of the screen. This foreground leg is made to look large through perspective, with the thigh, knee, shin, and toes positioned prominently at the bottom of the screen. Strong perspective is applied so that the foreground leg appears largest in the image.
A high camera angle looking down from diagonally above, not directly from overhead. A composition with depth where the head and bent leg are in the background and the extended leg is in the foreground. A dynamic silhouette where the entire body flows diagonally. The positional relationship between the head, arms, bent leg, and extended foreground leg is maintained as in the original rough sketch. The full body is contained within the screen, with both legs and toes clearly depicted.
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あおい
