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AI art "TsubakiV3 test"

TsubakiV3 test

#Honkai Series#Honkai: Star Rail#Acheron#Black Swan#Sparkle#Robin#Firefly#Gallagher#Aventurine#Sunday#Sunday (Sacerdos' Relived Ordeal)
Published on Aug 25, 2026
Avatar image of 繭 Mayu
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繭 Mayu

ดูเพิ่มเติม
Aspect ratio: 4:5, vertical composition. A lively ensemble illustration featuring eight Honkai: Star Rail characters together in Golden Hour, Penacony. Characters: Aventurine, Black Swan, Sparkle, Robin, Firefly, Misha, Gallagher, Acheron. Clearly preserve the distinctive appearance of every character, including hairstyle, hair color, eyes, facial features, clothing, accessories, body proportions and silhouette. The main purpose of the illustration is to show eight clearly recognizable characters naturally sharing the same space while each character is doing something different. The characters are much more important than the background. Keep the group within a compact shared area so the characters remain large and recognizable. EXTREME FOREGROUND Place one character extremely close to the viewer. Show this character approximately from the shoulders upward. Position this character slightly to the left or right of the vertical center rather than directly in the middle. Partially crop the character with the edge of the image. The character is large, detailed and highly recognizable. Give this character an active pose and a distinctive facial expression rather than a static portrait. The character may lean forward, turn toward something nearby, look past the viewer, or react to something happening elsewhere in the scene. FOREGROUND MIDDLE LAYER Immediately behind the extreme foreground character, place three or four characters shown approximately from the waist upward. Keep them large and clearly recognizable. Arrange them at different depths and slightly different heights. Do not place them in a straight row. Use natural overlapping while keeping every face clearly visible. Each character has a different posture, expression and gaze direction. Some are standing, some are leaning, some are turning, and some are interacting with something nearby. They should not all face the viewer. REAR CHARACTER LAYER Place the remaining characters behind the waist-up group. Show them approximately from the knees upward. Keep them close enough that their faces and distinctive character designs remain clearly recognizable. Do not make them tiny distant figures. Do not place any main character farther away than this layer. Use differences in height, overlap and body orientation to create depth. INDIVIDUAL CHARACTER ACTIVITY Aventurine is casually engaged with something in his surroundings, wearing a confident and playful expression. Black Swan is calmly observing something nearby with an elegant and composed expression. Sparkle is caught in a lively, playful movement with an energetic expression. Robin is naturally interacting with the surrounding festive environment with a graceful and warm expression. Firefly is focused on something nearby, with a gentle and attentive expression. Misha is occupied with a small task involving something in the environment, appearing focused and earnest. Gallagher is relaxed and casually observing the surrounding activity, with his characteristic laid-back demeanor. Acheron is slightly apart in posture but still physically close to the group, quietly looking toward something outside the immediate center of the scene. Do not make the characters perform identical poses. Do not make everyone stand upright. POSE AND GAZE VARIATION Create strong natural variation in body posture. Mix standing, leaning forward, turning, reaching, looking around, interacting with nearby objects and subtle movement. Vary the direction of every character's gaze. Some characters look toward another character. Some look toward something nearby. Some look toward the background. Some look toward the side of the frame. Some look downward. Not everyone looks toward the viewer. The different gaze directions should make the scene feel like several small events are happening simultaneously. GROUP COHERENCE The eight characters should feel like they genuinely occupy the same location. They should not look like eight separate character portraits placed next to one another. Nearby characters may react to one another through their gaze, body direction or facial expressions. Some characters are interacting directly. Others are absorbed in their own activity. The overall scene should feel spontaneous and alive. COMPOSITION Use an asymmetrical vertical composition. The extreme foreground character is slightly off-center. The waist-up characters form the main visual mass. The knee-up characters form the final recognizable depth layer. Use natural overlaps and partial cropping. Do not arrange the characters as a formal group photograph. Do not distribute the characters evenly from top to bottom. Do not leave large empty spaces between the character layers. The composition should feel like the viewer has stepped into the middle of a lively moment in Golden Hour. Keep the background relatively simple and secondary. Use only enough Penacony and Golden Hour environmental detail to establish the setting. Japanese anime-style illustration with clean detailed linework, expressive faces, polished character rendering, varied poses, clear silhouettes and strong character individuality. No dialogue, no speech bubbles, no text. character: aventurine_(honkai:_star_rail), black_swan_(honkai:_star_rail), sparkle_(honkai:_star_rail), robin_(honkai:_star_rail), firefly_(honkai:_star_rail), misha_(honkai:_star_rail), gallagher_(honkai:_star_rail), acheron_(honkai:_star_rail), copyright: honkai:_star_rail
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
Aspect ratio: 4:5, vertical composition. A lively ensemble illustration featuring eight Honkai: Star Rail characters together in Golden Hour, Penacony. Characters: Aventurine, Black Swan, Sparkle, Robin, Firefly, Misha, Gallagher, Acheron. Clearly preserve the distinctive appearance of every character, including hairstyle, hair color, eyes, facial features, clothing, accessories, body proportions and silhouette. The main purpose of the illustration is to show eight clearly recognizable characters naturally sharing the same space while each character is doing something different. The characters are much more important than the background. Keep the group within a compact shared area so the characters remain large and recognizable. EXTREME FOREGROUND Place one character extremely close to the viewer. Show this character approximately from the shoulders upward. Position this character slightly to the left or right of the vertical center rather than directly in the middle. Partially crop the character with the edge of the image. The character is large, detailed and highly recognizable. Give this character an active pose and a distinctive facial expression rather than a static portrait. The character may lean forward, turn toward something nearby, look past the viewer, or react to something happening elsewhere in the scene. FOREGROUND MIDDLE LAYER Immediately behind the extreme foreground character, place three or four characters shown approximately from the waist upward. Keep them large and clearly recognizable. Arrange them at different depths and slightly different heights. Do not place them in a straight row. Use natural overlapping while keeping every face clearly visible. Each character has a different posture, expression and gaze direction. Some are standing, some are leaning, some are turning, and some are interacting with something nearby. They should not all face the viewer. REAR CHARACTER LAYER Place the remaining characters behind the waist-up group. Show them approximately from the knees upward. Keep them close enough that their faces and distinctive character designs remain clearly recognizable. Do not make them tiny distant figures. Do not place any main character farther away than this layer. Use differences in height, overlap and body orientation to create depth. INDIVIDUAL CHARACTER ACTIVITY Aventurine is casually engaged with something in his surroundings, wearing a confident and playful expression. Black Swan is calmly observing something nearby with an elegant and composed expression. Sparkle is caught in a lively, playful movement with an energetic expression. Robin is naturally interacting with the surrounding festive environment with a graceful and warm expression. Firefly is focused on something nearby, with a gentle and attentive expression. Misha is occupied with a small task involving something in the environment, appearing focused and earnest. Gallagher is relaxed and casually observing the surrounding activity, with his characteristic laid-back demeanor. Acheron is slightly apart in posture but still physically close to the group, quietly looking toward something outside the immediate center of the scene. Do not make the characters perform identical poses. Do not make everyone stand upright. POSE AND GAZE VARIATION Create strong natural variation in body posture. Mix standing, leaning forward, turning, reaching, looking around, interacting with nearby objects and subtle movement. Vary the direction of every character's gaze. Some characters look toward another character. Some look toward something nearby. Some look toward the background. Some look toward the side of the frame. Some look downward. Not everyone looks toward the viewer. The different gaze directions should make the scene feel like several small events are happening simultaneously. GROUP COHERENCE The eight characters should feel like they genuinely occupy the same location. They should not look like eight separate character portraits placed next to one another. Nearby characters may react to one another through their gaze, body direction or facial expressions. Some characters are interacting directly. Others are absorbed in their own activity. The overall scene should feel spontaneous and alive. COMPOSITION Use an asymmetrical vertical composition. The extreme foreground character is slightly off-center. The waist-up characters form the main visual mass. The knee-up characters form the final recognizable depth layer. Use natural overlaps and partial cropping. Do not arrange the characters as a formal group photograph. Do not distribute the characters evenly from top to bottom. Do not leave large empty spaces between the character layers. The composition should feel like the viewer has stepped into the middle of a lively moment in Golden Hour. Keep the background relatively simple and secondary. Use only enough Penacony and Golden Hour environmental detail to establish the setting. Japanese anime-style illustration with clean detailed linework, expressive faces, polished character rendering, varied poses, clear silhouettes and strong character individuality. No dialogue, no speech bubbles, no text.
Mode
ultra
ขนาด
1536 x 2048
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark
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ดูเพิ่มเติม
AI art "TsubakiV3 test"
Avatar image of 繭 Mayu
TsubakiV3 test
繭 Mayu
AI art "TsubakiV3 test"
Avatar image of 繭 Mayu
TsubakiV3 test
繭 Mayu
AI art "TsubakiV3 test"
Avatar image of 繭 Mayu
TsubakiV3 test
繭 Mayu
AI art "Firefly's family and friends"
fs
Firefly's family and friends
FlashSentry FR

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