花葬

#Bocchi the Rock!#Kita Ikuyo

เผยแพร่เมื่อ Aug 28, 2026

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mika pikazo, kita ikuyo, presented in a style blending experimental Japanese animation portraiture, automatic writing-style line art, and abstract botanical gouache collage. Use a vertical 3:5 aspect ratio with a high-angle close-up perspective and a slight sense of rotation. The subject is lying on their side or curled up in the center of the frame, with the head tilted horizontally and positioned in the upper half; the face is revealed through messy hair, flowers, leaves, and a collar, while the body and oversized sleeves extend toward the bottom left and gradually merge into negative space. One arm is tucked against the chest or resting beside the face, while the other hand and body contours are obscured by bouquets, fabric, and brushstrokes, creating a posture that is quiet, fragile, and slightly defensive. <Fluffy medium-length hair in an intertwining mix of grey-red, coral red, and dark rose, with curly, messy strands clinging to the cheeks and some locks piling up on the right side into petal-like silhouettes>. <Transparent iridescent eyes overlapping warm gold, ochre orange, and grey-green, with a wandering, tired, and pensive gaze>. Lips are slightly parted, and the facial features retain a sketch-like quality as if not fully finished. The subject wears oversized clothing in large areas of ivory white, light grey, and pale beige, rendered with sparse outline lines, extremely shallow shadows, and large areas of paper white; broken patterns in ochre yellow, grey-green, coral pink, and black are added only at the collar, cuffs, and body folds, resembling traditional textiles, ceramic patterns, or fragments of old frescoes. Let a large amount of plant stems, leaves, flowers, seed pods, fruits, and unknown organic forms grow from the edges of the frame toward the subject's face, using olive green, grey sage, ochre yellow, coral red, pale pink, milky white, grey-blue, and dark brown. Some plants are rendered as slender line drawings, while others are simplified into opaque color blocks, splattered dots, or casual scribbles; stems cross over the hair, eyes, cheeks, sleeves, and body, making the character and plants difficult to fully separate. In the bottom right, an abstract object evoking petals, plush toys, animal patterns, or ceramic vessels can be added, retaining only rounded contours, partial eye-like patterns, and multi-layered textures, making it look like a fragment of memory rather than a clear prop. The background establishes no specific space, using a warm creamy-white paper color as the base, with dense overlays of coral red, ochre yellow, grey-blue, olive green, and black plant silhouettes, coarse brushstrokes, dots, arcs, and liquid stains at the top and edges. Information is densest around the face, while the white sleeves in the lower half retain significant negative space, guiding the eye first to the eyes and then drifting downward along the plants and golden curves. Use a low-saturation warm color palette, primarily ivory white, grey-red, ochre yellow, and sage green, supplemented by pale pink, grey-blue, dark brown, and a small amount of pure black; colors should resemble old paper, dried flowers, and faded frescoes. Light has no clear direction, using high-key diffused light and extremely shallow shadows; skin tone remains a creamy peach, partially covered by transparent blocks of pink, olive green, and ochre yellow. Do not use realistic volumetric lighting, strong neon, or smooth digital gradients. Line art consists of fast hand-drawn lines in grey-black, ochre gold, and dark red, allowing for breaks, overlaps, overshooting, remaining construction lines, and multiple revisions; facial features and hair are locally detailed, while the rest of the body, clothing folds, and plants are intentionally left unfinished. Rendering blends transparent watercolor, thin gouache, colored pencils, oil pastels, dry brushing, inkjet dots, and flat animation color blocks, overlaid with paper fibers, scan grain, slight color registration offset, moiré patterns, and pigment leaks. Vertical 3:5 aspect ratio, face relatively clear, outer brushstrokes and plant edges naturally dissolving. The overall atmosphere is quiet, melancholic, private, poetic, and slightly chaotic, like unfinished animation cels, a botanical specimen book, and an emotional diary repeatedly overlaid on a single piece of old paper. character: kita_ikuyo, artist: mika_pikazo

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พรอมต์ต้นฉบับ: mika pikazo, kita ikuyo，以实验性日系动画肖像、自动书写式线稿与抽象植物水粉拼贴融合的风格呈现，采用竖幅约 3:5、略带旋转感的高位近景视角，主体侧躺或蜷缩在画面中央，头部横向倾斜并位于上半幅，脸庞从凌乱发丝、花叶和衣领之间显露，身体与宽大衣袖沿左下方延伸并逐渐融入留白；一只手臂收在胸前或枕于脸侧，另一只手和身体轮廓被花束、布料与笔触遮挡，姿态安静、脆弱而略带防御感。<拥有灰红、珊瑚红与暗玫瑰色交织的蓬松中长发，发丝卷曲、凌乱并贴近脸颊，部分发束向右侧堆叠成花瓣般的轮廓>，<拥有暖金、赭橙与灰绿色交叠的透明虹彩眼睛，眼神游离、疲惫而若有所思>，嘴唇轻启，五官保留未完全描完的草稿感。主体穿大面积象牙白、浅灰与淡米色的宽松衣物，衣料以稀疏轮廓线、极浅阴影和大片纸面留白表现，仅在领口、袖口和身体转折处加入赭黄、灰绿、珊瑚粉与黑色的断裂纹样，局部像传统织物、陶瓷花纹或旧壁画残片。让大量植物茎叶、花朵、种荚、果实和不明有机形态从画面四周向主体面部生长，使用橄榄绿、灰鼠尾草色、赭黄、珊瑚红、淡粉、乳白、灰蓝和深棕色；部分植物以纤细线描呈现，部分简化成不透明色块、泼洒圆点或随手涂抹，茎线跨过头发、眼睛、脸颊、衣袖与身体，使人物和植物难以完全分离。画面右下方可加入一团具有花瓣、毛绒玩偶、动物纹样或陶瓷器皿联想的抽象物体，只保留圆润轮廓、局部眼睛般图案与多层花纹，让其像记忆残片而非明确道具。背景不建立具体空间，以暖米白纸色为基底，上方和边缘密集叠加珊瑚红、赭黄、灰蓝、橄榄绿与黑色的植物剪影、粗笔刷、圆点、弧线和液态色斑；人物脸部周围信息最密集，下半部白色衣袖保留较大负空间，使视线先落在双眼，再沿植物与金色曲线向下游移。采用低饱和暖色体系，以象牙白、灰红、赭黄和鼠尾草绿为主，辅以淡粉、灰蓝、深棕与少量纯黑，色彩像旧纸张、干花和褪色壁画；光线不设明确方向，使用高调漫射光和极浅阴影，肤色保持奶油桃色，局部被粉红、橄榄绿和赭黄色透明色块覆盖，不使用真实体积光、强烈霓虹或光滑数字渐变。线稿由灰黑、赭金和暗红色的快速手绘线组成，允许断裂、重叠、越界、结构线残留与多次修改，五官和发丝局部精细，其余身体、衣褶和植物故意保持未完成；渲染融合透明水彩、稀薄水粉、彩色铅笔、油画棒、干刷、喷墨色点与平面动画色块，叠加纸张纤维、扫描颗粒、轻微套色偏移、摩尔纹和颜料渗漏。竖幅约 3:5，面部相对清晰，外围笔触与植物边缘自然溶解，整体气质安静、忧郁、私密、诗意而略显混乱，像未完成的动画原稿、植物标本册与情绪日记在同一张旧纸上反复覆盖。
โหมด: pro
ขนาด: 1536 x 2048
ไม่ต้องการ: lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark