戰鬥 咬牙 耳環
Aozora -
yui111
ดูพารามิเตอร์
- พรอมต์ต้นฉบับ
- (finished printed manga page, clean inked lineart, screentone shading, one single confident contour per edge, professional print quality:1.4), black and white battle manga, 6 panel page layout, clear panel gutters, Character A: dark messy hair with a small low ponytail, rugged and muscular, punk style clothing, holding a huge-bladed weapon in a reverse grip. Character B: elegant handsome youth, light-colored hair, light-colored clothes with a half-cape, serious expression, holding a cross-shaped longsword, panels 1, 2 and 3, small frames across the top: three shots from different angles of A and B clashing at high speed, extreme foreshortened perspective, (figures reduced to motion afterimages, speed lines confined inside these three panels:1.2), small onomatopoeia, panel 4, large close-up occupying two thirds of the page: extreme foreshortened perspective, the two weapons locked and grinding against each other at the center, A and B staring each other down, A gritting his teeth and laughing wildly, B calm and serious, (radiating impact lines from the blade contact point:1.3), heavy black shadow against blown white highlight, large onomatopoeia "キーン！", panel 5, small frame: A swings the weapon horizontally and knocks B back, B lands in a backflip, (horizontal directional speed lines behind B only:1.2), panel 6, small frame: extreme foreshortened perspective, B's back fills the foreground in sharp silhouette, A standing small in the distance, dialogue balloon reading "どこまでも愚かな...", sharp crisp inking, deep solid blacks, clear silhouette separation in every panel
- Mode
- pro
- ขนาด
- 1104 x 1840
- ไม่ต้องการ
- lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark
ตัวช่วยพรอมต์
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติม
y1
(finished printed manga page, clean inked lineart, screentone shading, one single confident contour per edge, professional print quality:1.4), black and white battle manga, 6 panel page layout, clear panel gutters,
Character A: dark messy hair with a small low ponytail, rugged and muscular, punk style clothing, holding a huge-bladed weapon in a reverse grip. Character B: elegant handsome youth, light-colored hair, light-colored clothes with a half-cape, serious expression, holding a cross-shaped longsword,
panels 1, 2 and 3, small frames across the top: three shots from different angles of A and B clashing at high speed, extreme foreshortened perspective, (figures reduced to motion afterimages, speed lines confined inside these three panels:1.2), small onomatopoeia,
panel 4, large close-up occupying two thirds of the page: extreme foreshortened perspective, the two weapons locked and grinding against each other at the center, A and B staring each other down, A gritting his teeth and laughing wildly, B calm and serious, (radiating impact lines from the blade contact point:1.3), heavy black shadow against blown white highlight, large onomatopoeia "キーン！",
panel 5, small frame: A swings the weapon horizontally and knocks B back, B lands in a backflip, (horizontal directional speed lines behind B only:1.2),
panel 6, small frame: extreme foreshortened perspective, B's back fills the foreground in sharp silhouette, A standing small in the distance, dialogue balloon reading "どこまでも愚かな...",
sharp crisp inking, deep solid blacks, clear silhouette separation in every panel
yui111
er
ちゃんと切っている……何処を?
ERonMT
y1
A high-fidelity black-and-white Japanese manga page, single vertical manga page layout, highly polished professional manga rendering, dramatic action-combat scene, dynamic cinematic composition, dense but clean inkwork, expressive character acting, detailed line art, controlled screentone shading, strong black-and-white contrast, sharp silhouettes, energetic motion lines, speed effects, impact effects, hand-drawn manga texture.
PAGE COMPOSITION:
A vertically oriented manga page divided into two major sections.
UPPER LARGE PANEL:
A large, dramatic action panel occupying roughly the upper 70% of the manga page.
The scene depicts a female swordswoman launching a powerful downward sword slash toward a young male character. There is NO motorcycle, NO vehicle, and NO mechanical riding equipment.
The female character is positioned in the upper-right portion of the panel, captured in mid-air during an aggressive sword attack. Her body is leaning forward and downward with strong foreshortening. She is gripping a sword firmly with both hands and swinging the blade diagonally downward toward the male character below. Her arms, shoulders, torso, and legs form a powerful dynamic motion line. Her long hair and loose clothing stream dramatically backward due to the speed of the attack.
The sword is clearly visible and is the central action element. The blade travels rapidly through the air toward the male character, producing a huge sweeping slash trail / blade arc. The slash effect should look like a sharp, luminous white cutting path surrounded by dense black speed lines and fragmented ink strokes. The air itself appears to be torn apart along the trajectory of the sword.
The sword slash creates a dramatic crescent-shaped or diagonal blade-wave effect extending from the sword toward the lower-left area of the panel. Use strong parallel motion lines, sharp triangular speed streaks, white negative-space cutting trails, flying fragments, and explosive ink bursts around the slash trajectory.
The young male character stands in the lower-left foreground, seen mostly from behind and slightly from the side. He is looking upward toward the attacking female character. His short, tousled light-colored hair is clearly visible. He wears a loose flowing cloak or long coat, with the fabric extending downward and outward behind him. His body is much closer to the viewer than the female attacker, creating strong foreground-background depth.
The composition should make it immediately clear that the female character is attacking the male character with a sword. The sword is directed toward him, and the slash trajectory visually connects the female attacker and the male character.
The female character should appear physically elevated above the male character, creating a strong vertical depth relationship. Use extreme perspective and foreshortening: the female attacker is farther away and higher in the frame, while the male character occupies the lower-left foreground.
Behind the characters, use a minimal abstract architectural / geometric background with large angular structural lines and perspective shapes. Keep the background secondary to the action. Use screentones and perspective lines rather than detailed scenery.
Add a large dramatic Japanese manga sound effect near the slash trajectory:
「シュッ」
The sound effect should feel like a fast rushing / sliding motion, with elongated lettering and strong visual weight.
LOWER SECTION:
The lower portion of the page is divided into two adjacent close-up panels with an irregular diagonal separation.
LEFT LOWER PANEL:
Extreme close-up of the female character's face. Her face fills most of the panel. Show sharp expressive eyes, detailed eyelashes, strands of hair crossing the forehead, subtle facial shading, and a tense irritated expression. Her mouth is slightly open as if reacting to the situation. Add light screentone around the face and hair, with small ink marks and subtle motion/debris fragments around her.
Place a jagged speech bubble near the upper-right portion of this panel containing:
「チッ！」
RIGHT LOWER PANEL:
Close-up portrait of the young male character's face and upper shoulders. His light tousled hair falls over his forehead and partially frames his eyes. He has a calm, confident, slightly mischievous expression with a subtle smirk. His eyes are narrow and expressive. His clothing is darker than the upper panel, with visible collar and decorative details. Use dense black shadows around the clothing and selective screentone on the face and hair.
The lower-right portrait should contrast with the female character's irritated expression: she looks tense and annoyed, while he looks composed and faintly amused.
MANGA ART STYLE:
Professional Japanese action manga aesthetic, mature shonen/seinen manga visual language, extremely clean and confident black ink linework, varied line weight, precise contour lines, delicate facial linework, detailed hair strands, dramatic solid blacks, fine cross-hatching, traditional manga screentones, halftone dot patterns, white negative space, hand-drawn ink texture, subtle roughness in the linework, detailed mechanical rendering, convincing fabric folds, cinematic perspective, strong foreshortening, dynamic anatomy, expressive faces, high visual clarity, polished finished manga page.
Use a combination of thin precise lines for faces and hair, heavier black outlines for important silhouettes, dense blacks for clothing and mechanical parts, and fine screentone gradients for atmospheric depth. Avoid excessive rendering that would make the page muddy.
PANEL DESIGN:
Irregular manga panel borders, strong diagonal divisions, varied panel sizes, large action panel dominating the page, smaller facial close-ups at the bottom, intentional negative space, clear visual hierarchy, cinematic flow from the large action scene into the emotional close-ups. The page should feel like a professionally typeset manga page rather than a collection of separate illustrations.
CAMERA AND PERSPECTIVE:
Extreme dynamic perspective, strong depth separation, wide-angle cinematic feeling, dramatic foreshortening, diagonal composition, foreground-background scale contrast, low-to-mid camera perspective, exaggerated perspective on the motorcycle and wheels, character positioned at different depths, strong sense of motion and spatial continuity.
QUALITY:
masterpiece-level manga page, exceptionally high detail, coherent anatomy, accurate hands and limbs, detailed motorcycle mechanics, clean panel borders, consistent character proportions, sophisticated screentone placement, professional ink density, crisp black-and-white reproduction, high-resolution manga print quality, finished commercial manga page, visually dramatic and highly readable.
COLOR:
Pure monochrome black and white only, grayscale created exclusively through manga screentones and ink density, no color, no colored lighting.
TEXT:
All dialogue and sound-effect text must be Japanese manga lettering. Do not use English dialogue. Keep text integrated naturally into the panel composition. No random text, no watermark, no signature, no logo, no modern UI elements.
yui111
