イエーイ
ホッキョクギツネ大好き
Like Limit…. #RemoveTheLimit
Yeah I know everyone else has made posts like this but I also wanna say that I REALLY HATE IT!! This really makes me frustrated (even irl me is in this post) because some of my friends post later compared to my timezone so i can’t support them with likes because of the cap. You could argue that I should like less but I like a lot of posts in a day and it’s my way to give easy support to my friends and to lesser known smaller creators. Now PixAI is taking that away from me and everyone else. I heard the cap here is because of bots which in a way makes sense but cap shouldn’t be this low… If there really needs to be a cap please just raise it a lot. This is just ridiculous. So please don’t feel terrible if you’re not allowed to give likes to my artworks. I can live without some likes. Although I feel bad that I might not be allowed to give likes to you guys. I truly hope changes are coming to this. I encourage everyone to make a similar post so that this issue gets more seen and recognized. This just sucks… PixAI get your shit together… #RemoveTheLimit
บน PixAI พรอมต์จะเป็นสาธารณะโดยค่าเริ่มต้น แต่ผู้สร้างสามารถซ่อนพรอมต์ในผลงานที่เผยแพร่ได้ ผู้สร้างผลงานนี้เลือกที่จะซ่อนไว้ คำที่ใช้สร้างภาพนี้จึงเป็นส่วนตัวและมีเพียงผู้สร้างเท่านั้นที่เห็นได้ การซ่อนพรอมต์ไม่ได้เปลี่ยนสิ่งอื่นใด ผลงานยังคงเป็นสาธารณะ และคุณยังกดถูกใจ แสดงความคิดเห็น และแชร์ได้ตามปกติ
ซ่อนโดยผู้เขียน
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติม
A medium shot from a 3/4 view captures a creative filmmaker sitting at a sleek, dark workstation within a moody, high-tech studio. The filmmaker, a young adult of ambiguous ethnicity with a focused expression, is dressed in a minimalist dark sweater; they are reaching out with their right hand to drag a holographic video clip through the air, leaving a trail of glowing particles. Orbiting around them are multiple holographic floating video frames, each displaying hyper-detailed scenes of a snow-capped mountain landscape, a shimmering city skyline, and a crashing ocean wave. The environment is a dark, modern studio where the primary light sources are multiple monitors and electric purple and cool blue neon accents on the interface, casting a colorful glow across the filmmaker's face. The visual style is a high-quality anime illustration with photorealistic textures, featuring a shallow depth of field, subtle lens flares, and soft bokeh in the background to emphasize the cinematic and professional atmosphere.
RengoKu
fq
Boy with head phones
Finn Quan
無気力実況者。
おみそしる
