Robin 午餐~

Contest Entry

PixAI Tsubaki.3 Creation Contest Now Open

#Honkai Series #Honkai: Star Rail #Robin

เผยแพร่เมื่อ 5 days ago

สร้างงานศิลปะใหม่

Yifang

ดูเพิ่มเติม

สร้างงานศิลปะใหม่

character: robin_(honkai:_star_rail), copyright: honkai:_star_rail, honkai_(series) A three-layer mixed-media banner, horizontal 4:3 landscape composition, built as three physically stacked depth layers, each printed in a completely different visual language. BACK LAYER — a plain warm off-white mount board: clean matte paper with a barely visible fibre grain, completely empty, no pattern, no print, no drawing, no marks. This board is the furthest thing from the camera and reads as the substrate everything else rests on. MIDDLE LAYER — one rectangular photographic print resting on that white board, positioned slightly off-centre and rotated less than two degrees off square, leaving a generous white margin visible on all four sides of it. Everything inside this rectangle is a genuine photorealistic photograph: real camera optics, 35mm lens rendering, true natural depth of field with soft bokeh falling away in the distance, honest material texture, visible film grain, mild vignetting, real light falloff into the corners, and colours exactly the way a real camera records them in a real room. This rectangle is emphatically NOT illustrated — no lineart, no cel shading, no drawn outlines, no flat fills anywhere inside it. The print sits physically above the white board: its paper edge stays crisp, and the print casts a small soft drop shadow onto the board beneath it, so the board clearly reads as the layer furthest back. FRONT LAYER — exactly one 2D anime character, drawn in crisp clean lineart, sharp outlines, flat cel shading, clean restrained colouring, defined anatomy, visible graphic form. She floats above everything else in the image: her silhouette overlaps the photographic print, crosses its edge, and continues out onto the bare white board. She stays perfectly flat and purely two-dimensional, razor sharp, with no photographic grain, no blur, no depth-of-field and no 3D rendering — she is completely unaffected by the photographic blur and film grain of the print behind her, and her lineart edge reads crisply against both the photograph and the white board. The crisp flat 2D character standing against the photorealistic printed photograph behind her is the entire point of the image: a two-dimensional girl stepping out of a three-dimensional world. Sharp focus on the character, soft natural focus inside the photograph, empty matte white behind. INSIDE THE PHOTOGRAPH — a genuinely photographed open-plan Japanese office at lunchtime on an ordinary working day: rows of grey-blue desks, a low partition between workstations, a filing cabinet, a whiteboard holding faint out-of-focus notes, a wall clock, a small break counter with a water dispenser and a stack of paper cups, tall windows on the right letting in flat midday daylight that mixes with the cool overhead fluorescent tubes, a slightly green cast from the lighting, everything a little worn and completely real. Most desks are empty because it is lunch break. Photographed with a 35mm lens at f/2.2, mixed fluorescent-and-daylight white balance, faint motion blur on a passing figure far in the background. scenery, no people in focus, no characters anywhere in the photograph. Robin-A (Honkai: Star Rail), solo, exactly one character, seated in the front layer: a gentle luminous young woman with an extremely long flowing mane of hair — a soft gradation from pale silver-grey at the crown through clear aqua blue into a faint lavender-purple at the tips — a few loose strands falling between her eyes and one long strand sweeping across her cheek. Large clear aqua eyes with a green-blue undertone catching a small soft highlight. A tiny jewel set into the skin just beneath her left eye. A delicate golden halo ring floating above the back of her head, and small white feathered wing ornaments framing both sides of her head. A pair of large white feathered wings folded at her back, layered primary feathers cleanly defined. Small dangling earrings, a slim choker at her throat, a thin bracelet at one wrist, fine gold chain ornaments and small gem accents. Preserve her original character design, facial features, hairstyle, hair colour, eye colour, jewellery, halo and wings exactly. Robin-A is wearing a young office lady's uniform: a neatly fitted navy blazer with a small round lapel pin, a crisp white blouse buttoned to the collar, a slim coral-red neck ribbon tied in a soft knot, a modest grey pleated knee-length skirt, plain black tights and low black pumps, a slim wristwatch on her left wrist, and a company ID lanyard looped but pulled down and resting on the desk. Her hair is tied back in a low, neat ponytail with two strands left loose at the sides. Pose and action: she is sitting alone at her desk in the lower left of the frame, turned three-quarters toward the viewer, elbows resting on the desk, chopsticks held lightly in her right hand above an open cloth-wrapped bento box — the box contains small neat compartments of rolled omelette, a rice ball, glazed chicken, blanched greens and a cherry tomato, with the cloth wrap, a thermos lid of tea and a pair of chopsticks resting on a small cloth beside it. Her left hand supports her cheek, her gaze is lowered toward the bento with a quiet, self-contained expression, a small tired smile. Her body is cropped at mid-thigh by the bottom edge of the canvas, head just short of the top edge, anchored to the lower left of the frame. One single light source governs the whole image: flat cool overhead office lighting with hard daylight falling in from the windows on the right, cool white, low contrast, subtle green-cyan cast. The character's cel shading follows exactly that same light direction, and her cast shadow falls across the photographic print and onto the white board on the left, so the composite still reads as one physically consistent lit scene even though the character is drawn flat. Highlights, core shadows and the cast shadow all belong to that one source. Layout: the photographic print occupies roughly three quarters of the frame, held slightly off-centre toward the upper right so the white margin reads widest along the left edge and along the bottom. The character is anchored to the lower left of the frame, cropped at mid-thigh by the bottom edge of the canvas, her head just short of the top edge. Nothing is centred, nothing is mirrored, the composition stays asymmetric and calm. Generous clean negative space in the white margin, no clutter. textless, no text anywhere in the image, no letters, no numbers, no captions, no labels, no signage text, no logo, no watermark, no signature, no frame lines. Hyper-detailed anime illustration, sophisticated 2D anime / web-manga style, sharp delicate lineart, clean coloring, restrained cel shading, cinematic depth, subtle realistic texture, sharp focus, masterpiece, best quality, amazing quality, highres, absurdres, 1girl, solo.

ดูพารามิเตอร์

พรอมต์ต้นฉบับ: A three-layer mixed-media banner, horizontal 4:3 landscape composition, built as three physically stacked depth layers, each printed in a completely different visual language. BACK LAYER — a plain warm off-white mount board: clean matte paper with a barely visible fibre grain, completely empty, no pattern, no print, no drawing, no marks. This board is the furthest thing from the camera and reads as the substrate everything else rests on. MIDDLE LAYER — one rectangular photographic print resting on that white board, positioned slightly off-centre and rotated less than two degrees off square, leaving a generous white margin visible on all four sides of it. Everything inside this rectangle is a genuine photorealistic photograph: real camera optics, 35mm lens rendering, true natural depth of field with soft bokeh falling away in the distance, honest material texture, visible film grain, mild vignetting, real light falloff into the corners, and colours exactly the way a real camera records them in a real room. This rectangle is emphatically NOT illustrated — no lineart, no cel shading, no drawn outlines, no flat fills anywhere inside it. The print sits physically above the white board: its paper edge stays crisp, and the print casts a small soft drop shadow onto the board beneath it, so the board clearly reads as the layer furthest back. FRONT LAYER — exactly one 2D anime character, drawn in crisp clean lineart, sharp outlines, flat cel shading, clean restrained colouring, defined anatomy, visible graphic form. She floats above everything else in the image: her silhouette overlaps the photographic print, crosses its edge, and continues out onto the bare white board. She stays perfectly flat and purely two-dimensional, razor sharp, with no photographic grain, no blur, no depth-of-field and no 3D rendering — she is completely unaffected by the photographic blur and film grain of the print behind her, and her lineart edge reads crisply against both the photograph and the white board. The crisp flat 2D character standing against the photorealistic printed photograph behind her is the entire point of the image: a two-dimensional girl stepping out of a three-dimensional world. Sharp focus on the character, soft natural focus inside the photograph, empty matte white behind. INSIDE THE PHOTOGRAPH — a genuinely photographed open-plan Japanese office at lunchtime on an ordinary working day: rows of grey-blue desks, a low partition between workstations, a filing cabinet, a whiteboard holding faint out-of-focus notes, a wall clock, a small break counter with a water dispenser and a stack of paper cups, tall windows on the right letting in flat midday daylight that mixes with the cool overhead fluorescent tubes, a slightly green cast from the lighting, everything a little worn and completely real. Most desks are empty because it is lunch break. Photographed with a 35mm lens at f/2.2, mixed fluorescent-and-daylight white balance, faint motion blur on a passing figure far in the background. scenery, no people in focus, no characters anywhere in the photograph. Robin-A (Honkai: Star Rail), solo, exactly one character, seated in the front layer: a gentle luminous young woman with an extremely long flowing mane of hair — a soft gradation from pale silver-grey at the crown through clear aqua blue into a faint lavender-purple at the tips — a few loose strands falling between her eyes and one long strand sweeping across her cheek. Large clear aqua eyes with a green-blue undertone catching a small soft highlight. A tiny jewel set into the skin just beneath her left eye. A delicate golden halo ring floating above the back of her head, and small white feathered wing ornaments framing both sides of her head. A pair of large white feathered wings folded at her back, layered primary feathers cleanly defined. Small dangling earrings, a slim choker at her throat, a thin bracelet at one wrist, fine gold chain ornaments and small gem accents. Preserve her original character design, facial features, hairstyle, hair colour, eye colour, jewellery, halo and wings exactly. Robin-A is wearing a young office lady's uniform: a neatly fitted navy blazer with a small round lapel pin, a crisp white blouse buttoned to the collar, a slim coral-red neck ribbon tied in a soft knot, a modest grey pleated knee-length skirt, plain black tights and low black pumps, a slim wristwatch on her left wrist, and a company ID lanyard looped but pulled down and resting on the desk. Her hair is tied back in a low, neat ponytail with two strands left loose at the sides. Pose and action: she is sitting alone at her desk in the lower left of the frame, turned three-quarters toward the viewer, elbows resting on the desk, chopsticks held lightly in her right hand above an open cloth-wrapped bento box — the box contains small neat compartments of rolled omelette, a rice ball, glazed chicken, blanched greens and a cherry tomato, with the cloth wrap, a thermos lid of tea and a pair of chopsticks resting on a small cloth beside it. Her left hand supports her cheek, her gaze is lowered toward the bento with a quiet, self-contained expression, a small tired smile. Her body is cropped at mid-thigh by the bottom edge of the canvas, head just short of the top edge, anchored to the lower left of the frame. One single light source governs the whole image: flat cool overhead office lighting with hard daylight falling in from the windows on the right, cool white, low contrast, subtle green-cyan cast. The character's cel shading follows exactly that same light direction, and her cast shadow falls across the photographic print and onto the white board on the left, so the composite still reads as one physically consistent lit scene even though the character is drawn flat. Highlights, core shadows and the cast shadow all belong to that one source. Layout: the photographic print occupies roughly three quarters of the frame, held slightly off-centre toward the upper right so the white margin reads widest along the left edge and along the bottom. The character is anchored to the lower left of the frame, cropped at mid-thigh by the bottom edge of the canvas, her head just short of the top edge. Nothing is centred, nothing is mirrored, the composition stays asymmetric and calm. Generous clean negative space in the white margin, no clutter. textless, no text anywhere in the image, no letters, no numbers, no captions, no labels, no signage text, no logo, no watermark, no signature, no frame lines. Hyper-detailed anime illustration, sophisticated 2D anime / web-manga style, sharp delicate lineart, clean coloring, restrained cel shading, cinematic depth, subtle realistic texture, sharp focus, masterpiece, best quality, amazing quality, highres, absurdres, 1girl, solo.
โหมด: ultra
ขนาด: 2048 x 1536
ไม่ต้องการ: lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark