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AI artwork featuring #Reverse: 1999, #สูตรแตะครั้งเดียวครบรอบ 4 ปี PixAI and #Tsubaki.3
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Reverse: 1999, สูตรแตะครั้งเดียวครบรอบ 4 ปี PixAI

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#Reverse: 1999#สูตรแตะครั้งเดียวครบรอบ 4 ปี PixAI
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คอมเมนต์

บน PixAI พรอมต์จะเป็นสาธารณะโดยค่าเริ่มต้น แต่ผู้สร้างสามารถซ่อนพรอมต์ในผลงานที่เผยแพร่ได้ ผู้สร้างผลงานนี้เลือกที่จะซ่อนไว้ คำที่ใช้สร้างภาพนี้จึงเป็นส่วนตัวและมีเพียงผู้สร้างเท่านั้นที่เห็นได้ การซ่อนพรอมต์ไม่ได้เปลี่ยนสิ่งอื่นใด ผลงานยังคงเป็นสาธารณะ และคุณยังกดถูกใจ แสดงความคิดเห็น และแชร์ได้ตามปกติ
ซ่อนโดยผู้เขียน

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

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AI artwork
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(masterpiece best quality 1.2) ultra-detailed mysterious deity character design extreme low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1entity solo The Last Shape a god that is the final form of everything the body is not a specific shape the body is the CONCEPT of shape the god appears as a black SILHOUETTE — not a figure not a body but the OUTLINE of a figure the god is the border between presence and absence the god is the line that separates what is from what is not the silhouette is the god's entire body the interior of the silhouette is black the exterior of the silhouette is white the black interior and the white exterior are the god's two colors and the two colors are the god the black is what the god IS the white is what the god IS NOT the silhouette is the boundary the silhouette is the edge the silhouette is the LAST LINE and the last line is the god the silhouette is humanoid in the way that all silhouettes are humanoid — the suggestion of a head and shoulders and a torso and legs the silhouette has no features the silhouette has no face the silhouette has no detail the silhouette is SMOOTH the smoothness is the god's completeness the god is finished the god is the last thing to be finished the god is the end of design the god is what every shape eventually becomes when all details are removed and all features are stripped and all specifics are generalized into pure form the silhouette stands and the standing is the simplest possible posture the posture is the posture of a SHAPE the shape stands the shape does not move the shape does not gesture the shape does not emote the shape IS the shape is the god the god is the shape the god is the minimum viable deity the god is divinity reduced to its simplest expression the god is the word IF the god is the space between yes and no the god is the question that every shape asks the god is the border the god is the edge the god is the line and the line is the last the god has one RED MARK — a single red dot at the center of the silhouette where a heart would be the red dot is the god's only feature the red dot is the last detail the last specification the last thing that was not generalized the red dot is the god's PULSE the red dot beats the red dot is the heartbeat of the last shape the red dot is the last living thing about the last being the dot pulses red and the pulsing is the god's only motion and the motion is minimal and the minimal is the god the god's body language is MINIMAL the god does not have posture the god does not have stance the god does not have attitude the god has SHAPE the shape is the god the god stands as shape the god stands as the simplest possible representation of standing the god is a stick figure with mass the god is the diagram of a god the god is the TEMPLATE the god is what every other god was based on the god is the original the god is the first shape and the last shape and the first shape and the last shape are the same shape because there is only one shape and the shape is the god and the god is the shape environment shown as a white void — the environment is white the white is the exterior the white is what the god is not the white is everything else the white is the world the god is the black the black is the god the white and the black meet at the silhouette and the meeting is the god the god is the border between the world and the void the god is the edge of everything the god is where things stop rim light — none the silhouette has no rim light the silhouette is a PURE EDGE the edge does not catch light the edge IS light the edge is the boundary between light and dark the edge is the distinction the edge is the difference between something and nothing and the difference is the god and the god is the difference shadow — none the silhouette casts no shadow the silhouette IS shadow the silhouette is the shadow of everything compressed to a single form the silhouette is the last shadow and the last shadow is the god shadow last shape shadow with white void environment of pure exterior chi aroscuro mysterious divine lighting with white-void ambient and absolute-black silhouette-interior and red single-dot pulse as god's only living feature highly detailed 8K cinematic composition detailed Last Shape silhouette boundary deity texture
grim

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ