Parkour #10
Tsubaki.3をいじくりまわす / Tinkering with Tsubaki.3
ดูพารามิเตอร์
- พรอมต์ต้นฉบับ
- year_2024, year_2025, (Quality Meta): high quality, (Style Information): 8K, a hybrid animation and live-action composite, a 2D anime character integrated into a live-action park setting, (Character - Ruri): Ruri_thoc, jet black hair, long hair, blue eyes, deep blue eyes, tsurime, A single white straight bar-shaped hairpin is clipped to the side of her hair, medium breasts, a fitted black short-sleeved athletic shirt, thin blue piping along the shoulders and bright blue side panels, charcoal cropped cargo joggers with articulated knees, subtle utility pockets, blue accent strips and gathered cuffs, black low-top running shoes with blue trim, dark laces, reinforced toe caps and textured rubber soles, (Object - Takeoff Wall): a tall vertical concrete wall along the left edge of the image, pale gray weathered concrete, fine pores, subtle stains and straight panel seams, a continuous wall face extending beyond the frame, open sky to the right of the wall, (Environment - Urban Parkour Park): a clear summer day, an upward view beside a tall parkour wall, sunlight entering from the upper left, consistent sunlight direction across both layers, maintaining each character's distinct colors, (S-V-O-A Narrative - Wall Flip with Arms Following the Overhead Swing): Layer 1 (Foreground - Ruri and the Takeoff Wall): Ruri is rendered as a clean anime character. The wall retains its natural photographic concrete texture. The camera observes Ruri's backward somersault from the side, looking slightly upward. Her body is shown in a clear side profile, with the rotation unfolding across the image. The wall forms a narrow vertical strip on the left. Ruri occupies the open sky at the center and right. Her entire figure, both hands, both shoes and the flowing ends of her hair remain inside the square frame. Ruri performs a `parkour` wall flip, captured in an inverted airborne moment after pushing upward and backward away from the wall. Her legs are folding inward, while her arms retain the extended overhead position from the upward takeoff swing. A clearly visible band of sky separates her entire body from the concrete. Both shoes are airborne. Her body continues moving into the open space to the right of the wall. Her pelvis is high in the image. Her shoulders lie below her hips, and her head lies below her shoulders. The crown of her head points toward the bottom of the image. Her face appears in an inverted side profile, with her nose pointing toward the right. Both knees are bent, and her thighs draw toward her abdomen. Her lower legs fold back toward her thighs. The nearer and farther legs are slightly offset, allowing both shoes and the bends of both knees to remain readable. Her hips, knees, ankles and shoes form continuous, naturally connected limbs. Her shoulders and pelvis remain in the same side-facing plane. Her torso follows a smooth curve through the backward rotation. Her neck continues the line of her upper body, with her chin gently drawn inward. Both upper arms extend beside her ears toward the crown of her inverted head. Her elbows are softly bent. Her forearms continue beyond her head into the open sky below it. Because she is upside down, both hands appear lower in the image than the crown of her head. The arms form a loose, elongated overhead V relative to her own body. Her shoulders, elbows and wrists follow smooth continuous lines. The nearer arm is clearly outlined against the sky. The farther arm is slightly offset, so both hands remain individually readable. Her forearms frame her head with open space around her face. Her hands remain well separated from her knees and trousers. Her wrists are relaxed. Her fingers are loosely grouped and gently curved, with each thumb resting naturally beside its index finger. The hands follow the sweeping motion of her arms. Her visible blue eye remains clear beneath her bangs. She wears a focused, confident `closed mouth` smile. Her face stays in profile, following the orientation of her inverted torso. Her long black hair sweeps outward toward the left, forming a broad curved fan behind her head. The hair occupies the wall-facing side of her silhouette, while her forearms and hands remain readable against the open sky. Individual trailing strands suggest continued rotation. Her shirt follows the curve of her torso, with the blue side panel visible in profile. Fabric folds gather around her hips and bent knees. Sunlight catches the edges of her shoes, trousers and forearms. Soft shading separates the overlapping limbs. Her elevated hips, inverted head and folded legs show the backward somersault in progress. Her extended arms preserve the visual continuity of the upward overhead swing from takeoff. The wall and the open gap beside her establish that she has already pushed away into the air. Layer 2 (Background - Open Sky): This entire layer is rendered as a realistic outdoor photograph. Blue sky and scattered white summer clouds fill the space behind and beneath Ruri. Small distant treetops appear only at the bottom edge. The upward framing keeps the pavement, landing area and base of the wall outside the image. Generous open sky remains below her hands, preserving the impression of height. The clouds and distant foliage share natural daylight and photographic detail.
- โหมด
- pro
- ขนาด
- 992 x 992
- ค่า Seed
- 2978040988228193
- ไม่ต้องการ
- lowres, worst quality, low quality, bad anatomy, explicit
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ผู้ใช้แนะนำ
ที่คุณอาจชอบ
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ゚◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
1
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).。*♡ 🍁 ☕
(mai)
คอมเมนต์6