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AI art "O lo disfruto o se enojo" featuring #ชุดเดรส, #หน้าอกใหญ่, #มันผิดรึไงถ้าใจอยากจะพบรักในดันเจี้ยน, #ไอส์ วาเลนสไตน์, #เบล คราเนล and #PixAI Nasu
สร้างงานศิลปะใหม่สร้างฟรีสร้างฟรี

O lo disfruto o se enojo

Contest Entry
Nasu's Tokyo Journey
#ชุดเดรส#หน้าอกใหญ่#มันผิดรึไงถ้าใจอยากจะพบรักในดันเจี้ยน#ไอส์ วาเลนสไตน์#เบล คราเนล
Avatar image of Christian david hernandez flores
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Christian david hernandez flores

ดูเพิ่มเติม

คอมเมนต์

character: aiz_wallenstein, bell_cranel. A medium shot composition divided diagonally from the upper right to the lower left into two panels, depicting a tense encounter in an early 20th-century Japanese bathhouse. In the right panel, Bell Cranel, a boy with short grey hair and red eyes, is captured in a state of shock, blushing bright red as he accidentally climbs through an open window into the hot spring area. In the left panel, Aiz Wallenstein, a woman with long blonde hair and yellow eyes, has just entered the bath; she is wrapped only in a simple white bath towel and an obi, her curvy figure and large breasts highlighted. Aiz maintains an unflappable yet angry expression with a slight blush, while her obi sashes trail behind her like snakes. The background features traditional Japanese wooden architecture and the steaming atmosphere of a red-light district bathhouse. The visual style features clean linework, smooth and glossy skin tones, and gentle colors, conveying a mood of awkward tension and surprise.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
character: Aiz_Wallenstein_( Is It Wrong to Try to Pick Up Girls in a Dungeon?), character: Bell Cranel. Aiz is a curvy girl with massive breasts and a large rear, covered only by a bath towel and wearing an obi. Template type: 2 panels with a diagonal division from the upper right corner to the lower left corner, forming two large, equal panels, one left and one right. Scene: (Bell cranel's accidental entry into the hot springs of a red-light district in early 20th-century Japan as Aiz enters the bath covered only by her towel; no dialogue). The scene is set in an awkward silence due to Bell's unexpected entry into the bathhouse as Aiz enters to take a bath in a Japanese house in the red-light district. In the right-hand room, Bell enters through a window to infiltrate the residence, the only one open being the entrance to the hot spring bath. He is almost inside when he is surprised to see Aiz entering the bathhouse through the door, showing Bell in shock and blushing bright red. In the left panel, Aiz had entered the hot springs wrapped in a simple towel, her face an unflappable expression of anger and a slight blush, her obi sashes appearing on her back like snakes due to Bell's unexpected entrance. Both scenes should flow naturally, conveying the tension that something shouldn't have happened at that moment and that something is about to occur. The illustration must strictly adhere to the animation style, facial features, body proportions, and original design of each character according to their reference images. Their distinctive characteristics should not be altered; only their expressions and postures should be adapted to the described interaction, maintaining complete visual fidelity to the base models.
โหมด
lite
สไตล์
Classic Anime
ขนาด
1280 x 768
สไตล์: Classic Anime

โมเดลและ LoRA ที่ใช้

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.82k

รูปภาพคล้ายกัน

ดูเพิ่มเติม

สำรวจเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#ผ่าพิภพไททัน#มิคาสะ อัคเคอร์แมน
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