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AI art "Sadako Yamamura" featuring #ซาดาโกะ ยามามูระ
สร้างฟรี

Sadako Yamamura

#ซาดาโกะ ยามามูระ
Avatar image of Ixtab maxin
avatar-frame

Ixtab maxin

ดูเพิ่มเติม

คอมเมนต์4

((SADAKO YAMAMURA INSPIRED:8.5)), ((ICONIC SADAKO IDENTITY:8.0)), ((UNMISTAKABLE SADAKO APPEARANCE:7.5)), adult Japanese supernatural woman, classic Japanese yurei and onryo appearance, hauntingly beautiful yet unsettling, elegant supernatural femininity, distinctly Japanese mature facial structure. ((MATURE ADULT WOMAN:7.0)), approximately 50 years old, clearly mature adult appearance, refined mature feminine facial structure, defined cheekbones, subtly mature jawline, realistic age-appropriate facial proportions, natural signs of maturity, sophisticated haunting beauty, absolutely no youthful or teenage appearance. ((EXTREMELY LONG STRAIGHT JET-BLACK HAIR:8.0)), dense heavy black hair extending far below the waist, enormous curtain of hair surrounding the body, naturally disheveled strands, uneven realistic ends, realistic hair clumping, individual strands visible, subtle supernatural movement. Thick hair falls heavily across the forehead and most of the face. The face is partially concealed, but a clearly visible section reveals one eye, part of the cheek, nose and one side of the mouth. The visible features must unmistakably belong to a mature Japanese woman around 50 years old. Pale cool ivory-white skin, subtle blue-gray undertones, realistic mature skin texture, restrained dark circles beneath the visible eye, dark expressive eye, pale lips, calm haunting supernatural expression. ((SLENDER MATURE FEMININE PHYSIQUE:6.5)), slender elongated adult body, narrow waist, narrow hips, slim pelvis, slim torso, slender shoulders and arms, long lean legs, graceful natural curves, ((FULL GENEROUS MATURE BUST:7.0)), ((PROMINENT NATURAL BREAST VOLUME:6.5)), mature full rounded breasts with generous natural volume, feminine upper-body fullness, balanced bust-to-waist proportions, natural breast weight and realistic anatomical placement, softly rounded natural shape, subtle natural cleavage, breasts integrated harmoniously with the slender torso, realistic gravity and fabric interaction, clearly feminine but anatomically believable, not exaggerated, not artificial, not disproportionate, long lean legs, graceful natural curves, balanced realistic proportions, natural body weight, realistic human anatomy, anatomically correct joints, realistic hands, fingers, knees, spine and feet. Elegant red lace ultra micro lingerie, fitted red lace ultra micro bra with delicate narrow straps, matching red lace underwear with narrow sides, subtle deep-crimson satin trim, restrained silver details, intricate realistic lace texture, realistic stitching and fabric tension, sophisticated dark-romantic gothic aesthetic. ((REFERENCE POSE:8.0)), Sadako sitting directly on the dark supernatural floor, upright seated posture with her pelvis firmly supported by the surface. Her torso remains mostly vertical with a slight natural backward lean, shoulders relaxed and chest naturally lifted. Both legs are positioned forward and outward from her pelvis in a wide symmetrical seated stance. Both knees are strongly bent and separated, creating a clear open triangular seated composition. Her thighs extend diagonally outward from the pelvis toward the lower left and lower right foreground. Both calves angle forward and inward slightly from the knees toward the floor. Both feet remain fully visible, planted naturally on the surface in the foreground, with realistic ankle alignment and natural weight distribution. Her hips remain centered between the two separated thighs. Both knees stay clearly visible and anatomically connected to the legs. The pelvis, thighs, knees, calves and feet form one continuous believable anatomical structure. The seated pose must look physically supported by the floor, with natural compression and weight at the hips. One arm rests naturally beside her body with the hand relaxed near the floor. The opposite arm bends naturally at the elbow, with the forearm positioned comfortably near the upper body and the hand relaxed. Shoulders remain level and anatomically natural. Hands remain fully formed with five realistic fingers. ((POSE GEOMETRY:7.5)), centered seated composition, pelvis positioned near the center of the frame, torso rising vertically from the hips, both thighs spreading diagonally toward opposite lower corners, knees widely separated, lower legs extending forward, both feet visible in the foreground. Strong symmetrical triangular leg geometry, balanced seated silhouette, natural human posture, no twisting of the pelvis or spine. ((CAMERA POSITION:7.5)), low camera positioned several feet in front of Sadako, approximately floor level and slightly below hip height, looking slightly upward toward her seated figure. Low three-quarter frontal perspective matching the reference composition. Legs and feet occupy the closer foreground while the torso and head remain farther from the camera. Natural photographic perspective, realistic depth, full body visible from hair to feet, no cropping, no fisheye distortion, no extreme wide-angle distortion. Her extremely long black hair spreads across the dark surface behind and around her body, cascading from her head over her shoulders and continuing around her hips and onto the floor. Large organic black hair silhouette contrasting strongly against her pale skin and black lingerie. Individual strands remain visible and naturally layered. Several small vintage CRT televisions float weightlessly throughout the dark environment. Compact box-shaped bodies, thick dark bezels, rounded glass screens and analog controls. Each screen displays a different distorted apparition of Sadako, pale face and impossibly long black hair emerging through ghostly VHS static, scanlines and analog interference. Soft white, crimson and violet light emitted from the screens. Long fluorescent neon-purple magnetic tape physically emerges from several CRT televisions. The tape is continuous reflective plastic film, twisting, curling, looping and drifting through the air around Sadako. Visible tape texture and perforations, ultraviolet-purple luminous edges, subtle electromagnetic glow, supernatural VHS energy. The tape behaves like physical magnetic film, not digital ribbons or energy beams. Dark haunted supernatural environment, deep black surroundings, faint cold mist, subtle paranormal distortion, violet electromagnetic illumination, restrained crimson reflections, cinematic Japanese supernatural horror, elegant dark romantic atmosphere, polished semi-realistic digital illustration, cinematic lighting, refined realistic textures, smooth tonal transitions, atmospheric depth. ((ANATOMICAL INTEGRITY:6.5)), ((CORRECT HUMAN ANATOMY:6.5)), ((NATURAL BODY PROPORTIONS:6.0)), ((REALISTIC BODY WEIGHT:5.5)), anatomically coherent pelvis and hips, believable surface contact, natural joints, realistic hands and feet, consistent perspective, complete adult female figure.
ดูพารามิเตอร์
โหมด
pro
ขนาด
1408 x 1408
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit

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รูปภาพคล้ายกัน

ดูเพิ่มเติม
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mm
yamamura_sadako, a character from The Ring, is portrayed in a soft anime waifu style with a mature, sexy physique. She has very long black hair that falls over one eye and large, soft breasts with a plunging neckline. Her figure is curvy with wide hips and a slender waist, complemented by wide thighs. Her expression is slightly lonely, conveying a deep yearning for love, acceptance, and a gentle blush on her cheeks. The overall atmosphere evokes an emotional desire for connection and understanding, depicted with a romantic tone that highlights her vulnerability and soft, pale skin.
Me Myself
AI artwork
ft
copyright: wangzhe_rongyao blood queen, 1girl, solo, long black hair, very long hair, straight hair, hair ornaments, gold hairpiece, red eyes, makeup, red eyeshadow, pale skin, mature female, tall, curvy, large breasts, bare shoulders, strapless, black dress, red dress, gradient dress, long dress, high slit, gold trim, gold embroidery, detached sleeves, armlet, gold bracelet, facial mark, forehead mark, from below, dutch angle, looking down at viewer, half-closed eyes, smug, light smile, head tilt, hand on own hip, crossed legs, standing, weight on one leg, bare legs, bare feet, dark background, red light, dramatic lighting, single light source, Low-angle dutch-angle shot tilted a few degrees off level, the camera below hip height and tipped upward, so the woman fills the frame from bare feet to the crown of her head, the verticals of her silhouette converging slightly toward the top edge. She stands in a seamless black void with no floor line and no horizon, balanced on her left leg with the right leg crossed loosely in front of it, toes pointed and resting on the unseen ground, the right hip pushed out and the shoulders counter-tilted so her whole body describes a long S-curve. Her right hand rests flat on her right hip, fingers spread over the fabric at the high slit; her left arm hangs free, the long detached sleeve sliding down the forearm away from the elbow, its gold hem hanging in loose folds. Her head tilts down and slightly to her left, chin drawn in, so that from the low camera she looks down along the line of her nose at the viewer, lids half lowered, one brow faintly raised, lips closed in a lopsided smile that shows more on the right corner than the left. Her eyes are a flat saturated red, ringed by the deep crimson shadow swept out past the outer corners, and a small dark ornamental mark sits centered on her forehead above the brow. Her very long straight black hair is parted low and falls in a dense heavy curtain behind her shoulders, its ends drifting a little to her left as if displaced by a slow air current; a gold hairpiece with hanging pendant tassels is pinned into the left side of it, and the tassels swing subtly forward against the fall of the hair. Her strapless dress is a black-to-crimson vertical gradient, deepest at the bust and brightening to a live ember red toward the hem, with gold trim banding the top edge and gold embroidered coils worked down the bodice and along the slit's edge; the slit opens from her right hip down, and the fabric there hangs in a straight fold rather than blowing. Her shoulders, collarbones and arms are bare apart from the detached sleeves and a gold armlet banding the upper left arm; a heavy gold bracelet circles the left wrist. The single light source is a hard red key from below and to the right of frame, out of shot: it throws a hot rim up the outside of her right leg, the underside of her chin and jaw, and the inner edge of the slit, while the top of her head, the outer shoulders and the far side of the dress sink into the black. Her cast shadow spills up and away behind her on the void rather than pooling at her feet, and the gold trim and armlet catch pinpoint speculars that the matte black fabric swallows entirely. Palette is restricted to black, crimson, ember red and gold, with her pale skin as the only neutral. Full-body emphasis on the sweep of the dress, the contact of toes with the unseen floor, and the gold working against the dark; haughty, opulent.
Frank Tuzzolo

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