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AI art "Enigmatic Figure in Black Latex" featuring #บอดี้สูท, #ฝน, #ลาเท็กซ์, #หนัง, #ผู้หญิง 1 คน, #ในร่ม, #ถุงมือสีดำ and #ฮู้ด
สร้างฟรี

Enigmatic Figure in Black Latex

There's something truly captivating about the cold, atmospheric tension in this scene. I find myself drawn to the mysterious aura and the sleek texture of the black bodysuit against the bleak, rainy backdrop. If this piece resonates with you, please consider leaving a like and following for more moody art. I'd love to hear your thoughts in the comments below!

#บอดี้สูท#ฝน#ลาเท็กซ์#หนัง#ผู้หญิง 1 คน#ในร่ม#ถุงมือสีดำ#ฮู้ด
un

Unit No.55

ดูเพิ่มเติม

คอมเมนต์

บน PixAI พรอมต์จะเป็นสาธารณะโดยค่าเริ่มต้น แต่ผู้สร้างสามารถซ่อนพรอมต์ในผลงานที่เผยแพร่ได้ ผู้สร้างผลงานนี้เลือกที่จะซ่อนไว้ คำที่ใช้สร้างภาพนี้จึงเป็นส่วนตัวและมีเพียงผู้สร้างเท่านั้นที่เห็นได้ การซ่อนพรอมต์ไม่ได้เปลี่ยนสิ่งอื่นใด ผลงานยังคงเป็นสาธารณะ และคุณยังกดถูกใจ แสดงความคิดเห็น และแชร์ได้ตามปกติ
ซ่อนโดยผู้เขียน

โมเดลและ LoRA ที่ใช้

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.13k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of C9I
close-up, 1girl, patient, lying in hospital bed, supine, head propped on pillow, hospital gown replaced by bandages, body wrapped in white bandage strips, smiley faces drawn on bandages, yellow marker smiley faces, bandages loose and gaping, blackened necrotic flesh visible through gaps, exposed ribs, ribs showing through torn flesh, maggots, swarm of maggots, maggots crawling out of wounds, black rot, decay, perfect empty plastic smile, wide fixed smile, dead eyes, staring at viewer, head tilted toward camera, hospital room, sterile, bright, white tiles, IV stand, heart monitor, flatline on monitor, green smiley face on screen, chiaroscuro, harsh overhead light, deep black shadows, white and sickly green palette, film grain, body horror, psychological dread, toxic positivity, from above, close-up, dutch angle, masterpiece, hyperdetailed, The camera hangs above and slightly to the side of the bed, tipped a few degrees off level in a close-up that takes in the patient's head, shoulders and upper chest, with the heart monitor crowding in at the upper right of the frame. The patient lies supine on a pillow that dented under the back of the skull, the chin tipped toward the lens so the whole face is presented flat and frontal while the body recedes steeply away in foreshortening toward the hips. The face is smooth, taut, slightly too glossy — a plastic sheen with no pore, no crease, no micro-expression — and the smile is wide, symmetrical, and permanently the same: both corners lifted an identical amount, the eyes open and unstaring, aimed straight into the viewer and seeing nothing. The pale head rests against the pillow with the neck slightly extended, the crown of the head pushed back into the fabric. Around the torso the white bandage strips are wound in overlapping turns, some tight, some slack, and on every one of them cheerful smiley faces have been drawn in yellow marker — a yellow disc, two black dots, a black arc — inching along the curve of each bandage so the drawing bends with the cloth, one smiley face crossing the seam between two wraps and split by it. The dressings are not sealed. At the lower ribs a bandage turn has slid out of place and lifted; its edge stands away from the body, and the wound beneath is open. Underneath the cloth the flesh is black, wet, and sunken, its surface broken into necrotic crusts, the ribs stripped pale and bare through the rent and throwing hard thin highlights where the overhead light catches them. A burst at the flank has opened wider than the rest: a dense, glistening spill of white maggots boiling out over the bandage edge and down the sheet, some already crawling on the linen, the mass alive and writhing in place, tens of thousands of small bodies dividing the light into specks. The linen under them is soaked through in a dark ring that has not spread evenly but crept along the weave of the sheet. The heart monitor sits at the upper right, screen turned toward the camera. The trace runs flat and unbroken across the bright green screen, and above it a green smiley face glows — round, black dot eyes, black arcing mouth — its light spilling onto the metal rail of the bed and beading on the rim of the screen. Every light in the room comes from a single cold overhead panel directly above the bed; the ceiling beyond it is absolute shadow. That one source lays a hard white glare across the plastic brow, the pillow, the bandage tops and the tops of the maggots, while beneath the jaw, under the lifted bandage edge and inside the open wound the darkness is total, black rot reading as pure void against the clinical white. The wall tiles behind and above recede into that black. The palette admits three things only: the stark hospital white of linen, bandage cloth, tile and overhead glare; the sickly green of the monitor glow and its reflection; and the deep black of the necrotic flesh, the shadows and the void beyond. Yellow survives in the drawn smiley faces, and nothing else. The film grain sits over all of it, coarsening the flat white areas and softening the wet highlights. Nothing in the patient's face acknowledges the smell, the sound, the swarm, the flatline: the smile stays the exact same angle, the exact same softness, held like a stamp impression. Quiet, unbearable dread.
C9I

สำรวจเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
10#คางามิเนะ ริน#โวคาลอยด์#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
4#ผ่าพิภพไททัน#มิคาสะ อัคเคอร์แมน
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