誰がなんといおうと男判定
「AI判別困難」コンテスト用にと思ったんですが、あらためて要件見ると「女の子」が入っている必要があるじゃないですか。 ということでお蔵入りしたイラストです。 提案タグも「男性」「男の子」が推されているので、女の子と言い張ることはできませんね……
ดูพารามิเตอร์
- โหมด
- lite
- ขนาด
- 1152 x 1536
โมเดลและ LoRA ที่ใช้
Creation Assistant
Agent
Mio.2
Minimal input, professional output
รูปภาพคล้ายกัน
ดูเพิ่มเติม
traditional media (artwork), ink (medium), sumi-e, traditional chinese ink painting, east asian dragon, mythological creature, monochrome, greyscale, expressive brush strokes, bold ink strokes, dry brush, feibai, wet ink bleeding, ink wash, layered ink washes, soft edges, ink diffusion, rice paper texture, washi paper, paper tooth, expansive negative space, liubai, minimalist background, atmospheric perspective, vertical composition, dynamic angle, serpentine, clouds, whiskers, antlers, talons, claws, majestic
A dynamic vertical composition viewed from a low angle looking upward, capturing an immense East Asian dragon coiling sinuously across an expansive field of unpainted ivory rice paper. The creature's serpentine body weaves through translucent, layered ink washes suggesting mountain mist and churning storm clouds. Its formidable head thrusts forward in a three-quarter turn, framed by sweeping swept-back antlers rendered in dense charcoal ink and long flowing whiskers executed with supple, calligraphic brushstrokes. The eyes gleam with sharp concentrated soot-black pupils fixed forward, surrounded by rhythmic dabs of diluted grey wash defining the ridge of the snout and flared nostrils. Along the spine, bristling mane hairs and dorsal ridges whip laterally in sudden, vigorous dry-brush strokes where individual bristle marks split and skip across the paper's visible fibrous grain, creating striking flying-white texture. One powerful four-toed talon emerges from a damp swathe of diffused ink, claws flexed and gripping empty air, while the lower coils recede into the distance through diminishing ink density and soft-edged atmospheric washes. Pure black carbon ink and subtle smoky gradients contrast against the natural warm off-white tooth of the textured handmade xuan paper, with deliberate feathering and ink bleeding along wet-on-wet contours, anchored by balanced, deliberate negative space. Ancient majesty.
黒凪
traditional media (artwork), ink (medium), sumi-e, traditional chinese ink painting, east asian dragon, mythological creature, monochrome, greyscale, expressive brush strokes, bold ink strokes, dry brush, feibai, wet ink bleeding, ink wash, layered ink washes, soft edges, ink diffusion, rice paper texture, washi paper, paper tooth, expansive negative space, liubai, minimalist background, atmospheric perspective, vertical composition, dynamic angle, serpentine, clouds, whiskers, antlers, talons, claws, majestic
A dynamic vertical composition viewed from a low angle looking upward, capturing an immense East Asian dragon coiling sinuously across an expansive field of unpainted ivory rice paper. The creature's serpentine body weaves through translucent, layered ink washes suggesting mountain mist and churning storm clouds. Its formidable head thrusts forward in a three-quarter turn, framed by sweeping swept-back antlers rendered in dense charcoal ink and long flowing whiskers executed with supple, calligraphic brushstrokes. The eyes gleam with sharp concentrated soot-black pupils fixed forward, surrounded by rhythmic dabs of diluted grey wash defining the ridge of the snout and flared nostrils. Along the spine, bristling mane hairs and dorsal ridges whip laterally in sudden, vigorous dry-brush strokes where individual bristle marks split and skip across the paper's visible fibrous grain, creating striking flying-white texture. One powerful four-toed talon emerges from a damp swathe of diffused ink, claws flexed and gripping empty air, while the lower coils recede into the distance through diminishing ink density and soft-edged atmospheric washes. Pure black carbon ink and subtle smoky gradients contrast against the natural warm off-white tooth of the textured handmade xuan paper, with deliberate feathering and ink bleeding along wet-on-wet contours, anchored by balanced, deliberate negative space. Ancient majesty.
黒凪
traditional media (artwork), ink (medium), sumi-e, traditional chinese ink painting, east asian dragon, mythological creature, monochrome, greyscale, expressive brush strokes, bold ink strokes, dry brush, feibai, wet ink bleeding, ink wash, layered ink washes, soft edges, ink diffusion, rice paper texture, washi paper, paper tooth, expansive negative space, liubai, minimalist background, atmospheric perspective, vertical composition, dynamic angle, serpentine, clouds, whiskers, antlers, talons, claws, majestic
A dynamic vertical composition viewed from a low angle looking upward, capturing an immense East Asian dragon coiling sinuously across an expansive field of unpainted ivory rice paper. The creature's serpentine body weaves through translucent, layered ink washes suggesting mountain mist and churning storm clouds. Its formidable head thrusts forward in a three-quarter turn, framed by sweeping swept-back antlers rendered in dense charcoal ink and long flowing whiskers executed with supple, calligraphic brushstrokes. The eyes gleam with sharp concentrated soot-black pupils fixed forward, surrounded by rhythmic dabs of diluted grey wash defining the ridge of the snout and flared nostrils. Along the spine, bristling mane hairs and dorsal ridges whip laterally in sudden, vigorous dry-brush strokes where individual bristle marks split and skip across the paper's visible fibrous grain, creating striking flying-white texture. One powerful four-toed talon emerges from a damp swathe of diffused ink, claws flexed and gripping empty air, while the lower coils recede into the distance through diminishing ink density and soft-edged atmospheric washes. Pure black carbon ink and subtle smoky gradients contrast against the natural warm off-white tooth of the textured handmade xuan paper, with deliberate feathering and ink bleeding along wet-on-wet contours, anchored by balanced, deliberate negative space. Ancient majesty.
黒凪
traditional media (artwork), ink (medium), sumi-e, traditional chinese ink painting, east asian dragon, mythological creature, monochrome, greyscale, expressive brush strokes, bold ink strokes, dry brush, feibai, wet ink bleeding, ink wash, layered ink washes, soft edges, ink diffusion, rice paper texture, washi paper, paper tooth, expansive negative space, liubai, minimalist background, atmospheric perspective, vertical composition, dynamic angle, serpentine, clouds, whiskers, antlers, talons, claws, majestic
A dynamic vertical composition viewed from a low angle looking upward, capturing an immense East Asian dragon coiling sinuously across an expansive field of unpainted ivory rice paper. The creature's serpentine body weaves through translucent, layered ink washes suggesting mountain mist and churning storm clouds. Its formidable head thrusts forward in a three-quarter turn, framed by sweeping swept-back antlers rendered in dense charcoal ink and long flowing whiskers executed with supple, calligraphic brushstrokes. The eyes gleam with sharp concentrated soot-black pupils fixed forward, surrounded by rhythmic dabs of diluted grey wash defining the ridge of the snout and flared nostrils. Along the spine, bristling mane hairs and dorsal ridges whip laterally in sudden, vigorous dry-brush strokes where individual bristle marks split and skip across the paper's visible fibrous grain, creating striking flying-white texture. One powerful four-toed talon emerges from a damp swathe of diffused ink, claws flexed and gripping empty air, while the lower coils recede into the distance through diminishing ink density and soft-edged atmospheric washes. Pure black carbon ink and subtle smoky gradients contrast against the natural warm off-white tooth of the textured handmade xuan paper, with deliberate feathering and ink bleeding along wet-on-wet contours, anchored by balanced, deliberate negative space. Ancient majesty.
黒凪
คอมเมนต์