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AI art "Lamia Girl's Sweet Potato Harvest"
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Lamia Girl's Sweet Potato Harvest

#หูสัตว์#หูแมว#หาง#กลางแจ้ง#ผมยาว#สาวมอนสเตอร์#ผมสีขาว#ยิ้ม#ลาเมีย#ตาสีฟ้า#แขนยาว#มองมาที่ผู้ชม#ผู้หญิง 1 คน#มันเทศ#กลางวัน
ดูเพิ่มเติม

คอมเมนต์

A full body shot from a front view shows a (((young child))) lamia girl standing vertically in a sunny field. She has long white hair, cat ears, and large, anime-style blue eyes, laughing with her mouth open. She wears a cream-colored thin long-sleeved shirt, a brown pleated skirt, and white cotton gloves stained with soil. Her lower body is a single, very thick, long light-blue snake tail that extends to the ground, with the tip clearly visible and no fur or branching. She holds up a solid reddish-purple sweet potato with no leaves, showing it to the viewer. The scene is set during the day in a field. The visual style is (((flat color))) with cell shading and (((minimal gradients))), utilizing a vibrant color palette in a classic anime style.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
一人のラミアの幼い少女は畑の中にいます。そのラミアはクリーム色で薄手の長袖シャツを着ています。茶色のひだ付きスカートを着ています。ラミアは長い白色の髪の毛をしています。頭には猫耳がついています。人間の耳は描かないでください。とがった耳は描かないでください。ラミアの蛇部分は水色をしています。蛇部分はとても太いです。蛇部分は長いです。彼女以外の尻尾は描かないでください。下半身は人間の足を描かずに蛇の身体のみを描いてください。彼女は口を開けて笑っています。時刻は昼です。ラミアの目はアニメのような青色の大きな瞳をしています。蛇の尻尾を含む全身が収まるように描いてください。尻尾の先が見えるように描いてください。尻尾の先の毛は描かないでください。蛇部分は分岐せずに一本の蛇の身体を描いてください。ラミアは白色の軍手をしています。軍手は土がついています。ラミアは蛇部分を垂直して立っています。ラミアは土付きのサツマイモを持っています。持っているサツマイモは赤紫一色で葉はありません。視聴者にサツマイモを見せつけています。
โหมด
standard
สไตล์
(((young children))), anime, anime style, (((flat color))), cell shading, (((minimal gradients))), vibrant color
ขนาด
768 x 1280

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ดูเพิ่มเติม

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ที่คุณอาจชอบ

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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