บน PixAI พรอมต์จะเป็นสาธารณะโดยค่าเริ่มต้น แต่ผู้สร้างสามารถซ่อนพรอมต์ในผลงานที่เผยแพร่ได้ ผู้สร้างผลงานนี้เลือกที่จะซ่อนไว้ คำที่ใช้สร้างภาพนี้จึงเป็นส่วนตัวและมีเพียงผู้สร้างเท่านั้นที่เห็นได้ การซ่อนพรอมต์ไม่ได้เปลี่ยนสิ่งอื่นใด ผลงานยังคงเป็นสาธารณะ และคุณยังกดถูกใจ แสดงความคิดเห็น และแชร์ได้ตามปกติ
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ดูเพิ่มเติม
The girl in the pottery workshop
Master Foolishly
n
A scene of pottery making using a potter's wheel.
Nantomo
character: yorita_yoshino, fujiwara_hajime, yokoyama_chika, copyright: idolmaster
3girls, multiple girls, pottery workshop, pottery wheel, shaping clay, clay, ceramics, workshop, high angle, from above, brown hair, short hair, shoulder-length hair, brown eyes, twintails, hair ribbon, open mouth, very long hair, blunt bangs, low ponytail, apron, rolled-up sleeves, clay on hands, smudge on cheek, kneeling, sitting, leaning forward, guiding hands, wooden shelves, pottery tools, water bowl, sponge, indoor, warm lighting, depth of field
From a three-quarters high angle looking down at a potter's wheel station, three girls gather closely together inside a sunlit ceramic workshop. The central girl sits on a low wooden stool, her shoulder-length dark brown hair tucked behind her ears and her warm brown eyes narrowed in a patient, instructional smile; she wears a cream linen cross-back apron over a white blouse with sleeves pushed past her elbows, her forearms and palms coated in slick, wet terracotta clay as she firmly and gently cups the smaller hands of the girl beside her. Leaning over the left flank of the wheel with her weight braced on one knee, the second girl has bouncy honey-brown twintails tied with ribbons, wide sparkling brown eyes, and an ecstatic open-mouthed grin, her small fingers touching the spinning clay while a moist grey-brown clay smudge dots her left cheek; her oversized bib apron crinkles over a short-sleeved pastel top as she stares transfixed at the vessel rising beneath her palms. The third girl kneels gracefully along the right bench edge, leaning forward with serene crescent-eyed affection; her very long, pale brown hair falls in a loose low side ponytail framed by neat blunt bangs, and her right hand delicately suspends a damp natural sea sponge over the spinning cylinder to drip water onto the surface, her left hand steadying a glazed stoneware bowl filled with cloudy slip. The older girl's gaze monitors the younger girl's thumb pressure, the younger girl watches the clay morph under their shared touch, and the kneeling girl smiles warmly at the two of them. In the background, floor-to-ceiling cedar shelves hold rows of drying bisque-fired bowls, trimmed vases, and unglazed teacups, while wire trimming tools, wooden shaping ribs, and damp towels rest on the grooved timber bench beside the wheel basin. Centrifugal force from the spinning wheel head casts a fine spray of clay slurry against the curved plastic splash guard, creating glossy, light-catching concentric rings across the wet, rotating clay body. Diffuse natural daylight pours through frosted workshop windows from the side, blending with a low-hanging warm incandescent pendant light overhead that gleams off slick, wet clay and moist fingertips amidst an earthy palette of terracotta, warm umber, weathered pine, and soft linen. Tender, joyful craftsmanship.
橫山育人
Arata
baronesu
คอมเมนต์