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AI art "斬雨" featuring #ชุดญี่ปุ่นดั้งเดิม, #ดาบคาตานะ and #การดวล
สร้างฟรี

斬雨

「きりさめ」と読ませるのですかなー……?

#ชุดญี่ปุ่นดั้งเดิม#ดาบคาตานะ#การดวล
ดูเพิ่มเติม

คอมเมนต์

2men, movie poster, vintage, retro artstyle, 1960s (style), lithograph (medium), traditional media (artwork), dramatic low angle, wide shot, samurai, katana, holding sword, slashing, lunge, dynamic pose, vermilion haori, flaring clothes, kimono, hakama, chonmage, fierce expression, bared teeth, facing another, distance, rival, standoff, edo period, japanese clothes, rain, wet, splashing, puddles, paper lantern, glowing, wooden building, night, sepia, charcoal, monochrome with color accent, film grain, film scratches, paper texture, torn edges, empty bottom border, blank text space A vintage hand-painted Japanese chambara movie poster composed from a dramatic low angle with wide cinematic framing. In the immediate foreground, a fierce samurai swordsman lunges violently forward in a deep combat stance, his left knee sharply bent and his right foot driving off the rain-soaked ground. Both hands grip the tsuka of his katana, sweeping the steel in a vicious diagonal swing that produces an intense, blinding metallic flash across the honed edge; the rushing blade throws off a fine arc of displaced raindrops slicing through the air. His broad-sleeved haori billows and flares wildly behind his shoulders with explosive secondary motion, rendered in a bold, striking vermilion wash that serves as the single vibrant colour accent across the entire image. His face is twisted in a ferocious battle grimace with clenched bared teeth and wild, narrowed eyes locked onto his opponent in the distance, dark strands of wet hair escaping his traditional chonmage topknot. At the far end of the receding street, perfectly framed by the converging perspective of weathered timber machiya buildings, the rival swordsman stands braced in a balanced defensive guard, holding his drawn katana leveled forward. Between them, the narrow Edo-period lane is slick with mud and reflective puddles that catch the diffuse, glowing halos of spherical paper chochin lanterns hanging beneath dripping wooden eaves. Dense, diagonal rain streaks through the night air, softening distant silhouettes into layered charcoal tones. The image is rendered in an authentic 1950s-1960s Japanese lithograph film poster style, defined by expressive dry-brush strokes, heavy sumi-e ink washes, a disciplined palette of aged sepia and deep charcoal, prominent paper grain, deliberate vertical film scratches, and worn, torn paper edges. Across the upper right corner, a vertical hand-brushed display title in distressed black calligraphy reads "斬雨". Spanning the entire lower edge of the frame is a wide, continuous horizontal band of blank, unprinted antique sepia paper, completely empty of lettering and reserved for credits typography. Desperate ferocity.
ดูพารามิเตอร์
โหมด
flash
ขนาด
1536 x 1024

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
t2
1boy, solo, samurai, ronin, katana, katana in sheath, traditional japanese clothing, kimono, hakama, straw rain hat, ajirogasa, heavy rain, stylized rain, rain streaks, pine tree, gnarled tree, moody, dark atmosphere, muted colors, indigo, charcoal, weathered paper, woodgrain texture, strong outlines, asymmetrical composition, cinematic lighting, highres, ukiyo-e, woodblock print, from side, profile, looking to the side, walking, leaning forward, hand on sword, wide shot, low angle. A low, side-on view of a lone ronin walking left to right beneath a downpour. His body is turned three-quarters away, head bowed under a wide woven straw rain hat secured by a knotted cord under the chin; only a sliver of his jaw and the dark line of a closed mouth show beneath the brim. He wears a charcoal-grey cotton kimono whose collar is pulled tight at the throat, and wide dark hakama trousers that bell and cling as the rain soaks the hem. His right hand rests on the mouth of a long katana sheathed in black lacquer and thrust through his indigo sash; the left hand hangs low, fingers loose. His sandals sink into the muddy path, weight on the forward foot, the back heel lifting. To the right, a gnarled pine leans over the path, its trunk twisted like rope, needles bent by the wind and shedding fat drops. The rain falls in long slanting strokes, indigo and charcoal lines that break and stutter against the tree and his shoulders, and the ground is a wet mirror in which the figure is smeared and darker than its source. The background is a wash of muted indigo mist suggesting distant hills. The lighting is cinematic, cold and sourceless above, deepening the indigo shadows under the hat brim and along the folds of the kimono; the only bright notes are the pale woodblock outlines and the white rain streaks. The whole image is printed on weathered paper with visible fiber grain and woodgrain texture in the sky, strong outlines everywhere, colors restricted to indigo, charcoal, off-white paper and a faint mud brown. Moody, cinematic, quietly resolute.
Tigeroo2
AI artwork
t2
1boy, solo, samurai, ronin, katana, katana in sheath, traditional japanese clothing, kimono, hakama, straw rain hat, ajirogasa, heavy rain, stylized rain, rain streaks, pine tree, gnarled tree, moody, dark atmosphere, muted colors, indigo, charcoal, weathered paper, woodgrain texture, strong outlines, asymmetrical composition, cinematic lighting, highres, ukiyo-e, woodblock print, from side, profile, looking to the side, walking, leaning forward, hand on sword, wide shot, low angle. A low, side-on view of a lone ronin walking left to right beneath a downpour. His body is turned three-quarters away, head bowed under a wide woven straw rain hat secured by a knotted cord under the chin; only a sliver of his jaw and the dark line of a closed mouth show beneath the brim. He wears a charcoal-grey cotton kimono whose collar is pulled tight at the throat, and wide dark hakama trousers that bell and cling as the rain soaks the hem. His right hand rests on the mouth of a long katana sheathed in black lacquer and thrust through his indigo sash; the left hand hangs low, fingers loose. His sandals sink into the muddy path, weight on the forward foot, the back heel lifting. To the right, a gnarled pine leans over the path, its trunk twisted like rope, needles bent by the wind and shedding fat drops. The rain falls in long slanting strokes, indigo and charcoal lines that break and stutter against the tree and his shoulders, and the ground is a wet mirror in which the figure is smeared and darker than its source. The background is a wash of muted indigo mist suggesting distant hills. The lighting is cinematic, cold and sourceless above, deepening the indigo shadows under the hat brim and along the folds of the kimono; the only bright notes are the pale woodblock outlines and the white rain streaks. The whole image is printed on weathered paper with visible fiber grain and woodgrain texture in the sky, strong outlines everywhere, colors restricted to indigo, charcoal, off-white paper and a faint mud brown. Moody, cinematic, quietly resolute.
Tigeroo2
AI artwork
t2
1boy, solo, samurai, ronin, katana, katana in sheath, traditional japanese clothing, kimono, hakama, straw rain hat, ajirogasa, heavy rain, stylized rain, rain streaks, pine tree, gnarled tree, moody, dark atmosphere, muted colors, indigo, charcoal, weathered paper, woodgrain texture, strong outlines, asymmetrical composition, cinematic lighting, highres, ukiyo-e, woodblock print, from side, profile, looking to the side, walking, leaning forward, hand on sword, wide shot, low angle. A low, side-on view of a lone ronin walking left to right beneath a downpour. His body is turned three-quarters away, head bowed under a wide woven straw rain hat secured by a knotted cord under the chin; only a sliver of his jaw and the dark line of a closed mouth show beneath the brim. He wears a charcoal-grey cotton kimono whose collar is pulled tight at the throat, and wide dark hakama trousers that bell and cling as the rain soaks the hem. His right hand rests on the mouth of a long katana sheathed in black lacquer and thrust through his indigo sash; the left hand hangs low, fingers loose. His sandals sink into the muddy path, weight on the forward foot, the back heel lifting. To the right, a gnarled pine leans over the path, its trunk twisted like rope, needles bent by the wind and shedding fat drops. The rain falls in long slanting strokes, indigo and charcoal lines that break and stutter against the tree and his shoulders, and the ground is a wet mirror in which the figure is smeared and darker than its source. The background is a wash of muted indigo mist suggesting distant hills. The lighting is cinematic, cold and sourceless above, deepening the indigo shadows under the hat brim and along the folds of the kimono; the only bright notes are the pale woodblock outlines and the white rain streaks. The whole image is printed on weathered paper with visible fiber grain and woodgrain texture in the sky, strong outlines everywhere, colors restricted to indigo, charcoal, off-white paper and a faint mud brown. Moody, cinematic, quietly resolute.
Tigeroo2

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