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AI art "鷹嶺ルイ・hololive" featuring #มองจากด้านหลัง, #ผมสีชมพู, #กางเกงยีนส์, #เสื้อครอป, #ผู้หญิง 1 คน, #วีทูบเบอร์, #โฮโลไลฟ์โปรดักชัน and #Takane Lui
สร้างงานศิลปะใหม่สร้างฟรีสร้างฟรี

鷹嶺ルイ・hololive

ホロライブの鷹嶺ルイさんを描きました。彼女のスマートでスタイリッシュな魅力が伝わるように、デニムの質感や自然な姿勢にこだわってみました。この一枚から彼女の新たな魅力を感じてもらえたら嬉しいです！気に入ったらいいねとフォローをお願いします。コメントでの感想も待っていますね。

#มองจากด้านหลัง#ผมสีชมพู#กางเกงยีนส์#เสื้อครอป#ผู้หญิง 1 คน#วีทูบเบอร์#โฮโลไลฟ์โปรดักชัน#Takane Lui
c
avatar-frame

chinatyu

ดูเพิ่มเติม

คอมเมนต์

character: takane_lui, copyright: hololive Subject: Hololive's Takane Lui standing between classroom desks, occupying about 70% of the screen, viewed from the back. Leaning her body forward, supporting herself with both hands on the desk in front, pushing her hips backward, the curve of her waist is clear, with the center of gravity on the hips. In front of her are neatly arranged light-colored desks. Person and Expression: Only the back of the head and the nape of the neck are visible, not looking at the lens. Healthy skin tone, natural gloss on the shoulders, neck, and sides of the waist. Hips are round and plump, the line of the buttocks in the back is clear, lower limbs are slender. Clothing and Props: Top is a beige short-sleeved short top, crew neck, the bottom edge is above the curve of the waist, exposing the entire lower back. Bottoms are light blue skinny jeans, half-crouched position, leg openings are small, material is elastic and tight-fitting on the hips and thighs, back pockets have clear heart-shaped stitching, the center seam is distinct. Do not change to wide-leg, straight, or short skirts. Both hands are empty. Background and Lighting: University classroom, light-colored desks neatly arranged, dark-colored desk legs extending backwards. Whiteboard on the left wall, projector screen on the right, university logo and text on the screen (do not write a specific brand). Main light source is overhead indoor lighting, uniform, neutral color temperature, shadows are short. Composition and Lens: From head to thighs, exact rear position, focus on the curve of the waist, hips, and heart-shaped back pockets. Medium depth of field, desks in the foreground are sharp, desks in the distance are slightly soft. Do not change to front-facing or standing upright. Texture and Style: Commercial fashionable lifestyle photography, jeans stitching, heart-shaped back pockets, desk texture, and hair layering are clear, 8K resolution, natural classroom, do not make it look like an illustration.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
主体： ホロライブの鷹嶺ルイが教室の机の間に立ち、画面の約7割を占める、背中側から。体を前に傾け、両手を前方の机に支え、ヒップを後ろに突き出し、腰のくぼみが明確、重心はヒップに。目の前には整然と並ぶ淡い色の机。 人物と表情： 後頭部と首筋のみ見え、レンズを見ない。健康的な肌色、肩と首、腰の側面に自然な光沢。ヒップは丸くふくよか、後ろのお尻のラインが明確、下肢は細長い。 服装と小道具： 上着はベージュの半袖ショートトップ、丸首、下端は腰のくぼみより上、背中の腰全体を露出。下着はライトブルーのスキニージーンズ、中腰、裾の開口部は小さく、素材は伸縮性があり、ヒップと太ももにぴったり、後ろポケットは明確なハート型のステッチ、中央の縫い目がはっきり。ワイドレッグやストレート、ショートスカートに変更しない。両手は空。 背景と照明： 大学教室、淡い色の机が整然と並び、濃い色の机脚が後方へ延びる。左側の壁にホワイトボード、右側にプロジェクター画面、画面に大学ロゴと文字（具体的なブランドは書かない）。主光源は上方の室内灯、均一、中性色温度、影は短い。 構図とレンズ： 頭から太ももまで、正後方ポジション、焦点は腰のくぼみ、ヒップ、ハート型後ろポケット。中程度の被写界深度、手前の机は鮮明、遠くの机はわずかに柔らか。真正面や直立に変更しない。 質感とスタイル： 商業ファッショナブルライフスタイル写真、ジーンズのステッチ、ハート型後ろポケット、机の質感、髪のレイヤリングは明確、8K解像度、自然な教室、挿絵風にしない
โหมด
flash
ขนาด
1104 x 1824
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.29k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of yotsu-dev
character: a_young_adult_anime_woman QUALITY: Hyper-detailed anime illustration in 8K, vivid anime coloring, gradation eyes, official art style, sharp focus, anime screencap and game CG style, clean lineart and cel shading, cinematic depth, stylish lighting, rich textures CHARACTER: a young adult anime woman, medium-length black hair, natural black hair color, wearing a simple plain T-shirt and blue jeans, casual everyday outfit BACKGROUND: simple uncluttered background, minimal environmental details POSE: leaning forward with her upper body lowered, bending forward at the waist, hips slightly pushed backward toward the viewer, her back facing the camera, her torso and head facing away from the camera in the same direction, keeping her head aligned with her body without turning back, looking forward away from the viewer CAMERA: rear view, the camera positioned directly behind the girl, close-up perspective, low camera angle, the girl is the only person in the scene
yotsu-dev
#มองจากด้านหลัง#ผู้หญิง 1 คน#Tsubaki.3

สำรวจเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#ผ่าพิภพไททัน#มิคาสะ อัคเคอร์แมน
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