Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "𝑳𝑬𝑻 𝑴𝑬 𝑺𝑬𝑬 𝑾𝑯𝑨𝑻 𝑹𝑬𝑴𝑨𝑰𝑵𝑺 💙🐇🩸 (6)"
สร้างงานศิลปะใหม่สร้างฟรีสร้างฟรี

𝑳𝑬𝑻 𝑴𝑬 𝑺𝑬𝑬 𝑾𝑯𝑨𝑻 𝑹𝑬𝑴𝑨𝑰𝑵𝑺 💙🐇🩸 (6)

#ออริจินัล#เน้นผู้ชาย#น้ำตา#ปลอกคอ#ครึ่งตัวบน#ผมสั้น#ข้อความภาษาอังกฤษ#ผมบลอนด์#ริบบิ้น#ดอกไม้#ไร้อารมณ์#แมลง#ขนตาสี#ตาสีฟ้า#หลับตา#เสื้อแขนยาวคลุมมือ#กุหลาบ#เสื้อเชิ้ต#แขนยาว#เครื่องประดับ#ปิดปาก
Avatar image of Lyney’s magic cards 🃏 / ✦ 𝙿𝙰𝙿𝙴𝚁𝚆𝙾𝚁𝙺 𝙷𝙰𝚃𝙴𝚁 🫡💼
avatar-frame

Lyney’s magic cards 🃏 / ✦ 𝙿𝙰𝙿𝙴𝚁𝚆𝙾𝚁𝙺 𝙷𝙰𝚃𝙴𝚁 🫡💼

ดูเพิ่มเติม

คอมเมนต์8

masterpiece, best quality, high quality, Psychological horror, Bloodstained winter fairytale, Surreal cinematic poster, Gothic fantasy, close up, 1boy, original character, fair skin, short hair, layered hair, hair between eyes, multicolored hair, blonde hair, light blue inner hair, colored eyelashes, blonde eyelashes, light yellow eyes, ahoge, hair intakes, white clothes, long sleeves, mandarin collar, light blue flower (clothing ornament), layered sleeves, butterfly ornament (sleeves), fingerless gloves, lunar print, star print, light pink accents (clothing), star (symbol), star ornament, moon (ornament), star clip, two-toned sleeves, light yellow sleeves, light blue sleeve, star print (sleeves), light pink ribbons, light blue ribbons, shoulder pads, ornate clothes, golden embroidery, ((composition: An intensely intimate, cinematic close-up shot through a distorted 85mm portrait lens with subtle barrel distortion captures the young prince leaning toward a lifeless white rabbit, their faces occupying almost the entirety of the frame, his beautiful side profile dominating the upper-right portion while the rabbit’s small, motionless face rests in his upturned palm at the lower-left, its soft ears spilling over his fingers like discarded silk ribbons, one ear hanging limply across his embroidered cuff and the other partially obscuring the tiny golden star stitched into his glove, as he tilts its chin upward with the tip of his thumb and studies its unseeing eye from an impossibly close distance, his pale-yellow gaze unwavering and utterly devoid of emotion, his blonde eyelashes catching a razor-thin line of icy blue light while layered blonde bangs fall between his eyes, exposing streaks of luminous light-blue inner hair that frame his cheek like fractured moonlight, and his slightly parted lips remaining perfectly still, neither smiling nor frowning, giving him the unnerving appearance of someone examining a beautiful antique rather than a creature that has ceased to breathe; the lighting is an extravagant study in blue-red chiaroscuro, with saturated crimson light washing across the rabbit’s cheek and the underside of the boy’s jaw, deep cobalt shadows swallowing the far side of his face, and an almost supernatural electric-blue rim light tracing every strand of his hair, the curve of his nose, his eyelashes, the rabbit’s delicate whiskers, and the silhouette of its drooping ears, while a narrow blade of cold white moonlight catches the surface of the rabbit’s glazed eye, creating a tiny reflection of the boy’s own face inside it, as though he is looking into a miniature, distorted portrait of himself; his ornate white mandarin-collar clothing fills the remaining space in a dense tapestry of gold-threaded lunar embroidery, tiny star motifs, pale-pink ribbon knots, blue floral ornaments, and intricate butterfly-shaped sleeve decorations, with the shallow depth of field reducing the distant background to a dreamlike blur of broken stained glass, crimson roses, floating dust, and scattered points of golden candlelight, while a crescent-moon pendant hangs between their faces and reflects a thin streak of red across the rabbit’s fur; the composition is deliberately asymmetrical, with the boy’s visible eye positioned near the upper-left intersection of the frame despite his face occupying the right side, the rabbit’s eye forming a second focal point directly beneath it, and the narrow space between their gazes becoming the emotional center of the image, while his gloved fingers curve around the rabbit’s head in a gesture that appears almost tender until the viewer notices how completely limp the creature is; tiny details intensify the eerie intimacy, including a loose blonde strand resting against the rabbit’s forehead, a single crimson droplet caught in the gold embroidery of his cuff, the faint reflection of a shattered chandelier in his pupil, and a tiny blue butterfly ornament reflected upside down in the rabbit’s lifeless eye, while the background dissolves into near-black shadow so that the illuminated faces seem suspended in an endless, airless void; the typography should be as mesmerizing and elaborate as the portrait itself, with the enormous title “LET ME SEE WHAT REMAINS” arranged in slender, high-contrast serif capitals that stretch vertically along the left edge of the composition, some letters partially disappearing behind the rabbit’s ears and the boy’s embroidered sleeve, their surfaces resembling antique gold leaf fractured by hairline cracks, while a second layer of delicate italic calligraphy curls between the letterforms like ornamental vines, spelling out the smaller phrase “a study of silence, innocence, and other beautiful things” in pale icy blue, with the letters of REMAINS subtly distorted into elongated shapes that resemble hanging rabbit ears when viewed from a distance; tiny crescent moons replace the decorative terminals of selected letters, miniature gold stars punctuate the spaces between words, and fine red filigree threads weave through the typography like veins beneath porcelain, while the title’s shadows are printed in deep crimson and its highlights shimmer in cold silver-blue, creating the illusion that the lettering itself is being illuminated by two opposing light sources; a small, almost illegible line of text sits beneath the title in widely spaced capitals reading “HE WAS ONLY CURIOUS”, its placement deliberately quiet and understated, while the main lettering overlaps the image just enough to create the feeling of a lavish psychological-horror film poster, balancing luxurious editorial design with the disturbing intimacy of the scene, and at the very bottom, nearly hidden against the black border, a tiny gold star appears upside down beside a hairline-thin crescent moon, leaving the viewer with the unsettling impression that even the typography has been arranged by someone who knows considerably more about the rabbit’s death than the beautiful, expressionless boy holding it)), artist: baozaohuang on x, digital art, medium lineart,rough painterly anime illustration, expressive textured brushwork, chunky brushstrokes, chalky dry-brush texture, scraped pigment, blocky paint application, soft blended shading, visible paint texture, sketchy painted details, glossy highlights, atmospheric depth,[artist: pyanyasha], pyanyasha art style, dark semi-realism, edgy anime, post-apocalyptic, moody, melancholic, grunge, raw, sketch-like, military core, dystopian, gothic art undertones, emo aesthetic, industrial, dark fantasy, soft watercolor rendering, smooth skin transitions, painterly textures, patchy brushstrokes, hard ambient occlusion shadows, blocky shading, desaturated color palette, moody undertones, dull grayish tones, muted tones, vibrant color highlights, brush stroke, messy lineart,amazing quality, absurdres, ultra detailed, intricate details, cinematic lighting, volumetric lighting, sharp focus, perfect composition, breathtaking illustration,
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
masterpiece, best quality, high quality, Psychological horror, Bloodstained winter fairytale, Surreal cinematic poster, Gothic fantasy, close up, 1boy, original character, fair skin, short hair, layered hair, hair between eyes, multicolored hair, blonde hair, light blue inner hair, colored eyelashes, blonde eyelashes, light yellow eyes, ahoge, hair intakes, white clothes, long sleeves, mandarin collar, light blue flower (clothing ornament), layered sleeves, butterfly ornament (sleeves), fingerless gloves, lunar print, star print, light pink accents (clothing), star (symbol), star ornament, moon (ornament), star clip, two-toned sleeves, light yellow sleeves, light blue sleeve, star print (sleeves), light pink ribbons, light blue ribbons, shoulder pads, ornate clothes, golden embroidery, ((composition: An intensely intimate, cinematic close-up shot through a distorted 85mm portrait lens with subtle barrel distortion captures the young prince leaning toward a lifeless white rabbit, their faces occupying almost the entirety of the frame, his beautiful side profile dominating the upper-right portion while the rabbit’s small, motionless face rests in his upturned palm at the lower-left, its soft ears spilling over his fingers like discarded silk ribbons, one ear hanging limply across his embroidered cuff and the other partially obscuring the tiny golden star stitched into his glove, as he tilts its chin upward with the tip of his thumb and studies its unseeing eye from an impossibly close distance, his pale-yellow gaze unwavering and utterly devoid of emotion, his blonde eyelashes catching a razor-thin line of icy blue light while layered blonde bangs fall between his eyes, exposing streaks of luminous light-blue inner hair that frame his cheek like fractured moonlight, and his slightly parted lips remaining perfectly still, neither smiling nor frowning, giving him the unnerving appearance of someone examining a beautiful antique rather than a creature that has ceased to breathe; the lighting is an extravagant study in blue-red chiaroscuro, with saturated crimson light washing across the rabbit’s cheek and the underside of the boy’s jaw, deep cobalt shadows swallowing the far side of his face, and an almost supernatural electric-blue rim light tracing every strand of his hair, the curve of his nose, his eyelashes, the rabbit’s delicate whiskers, and the silhouette of its drooping ears, while a narrow blade of cold white moonlight catches the surface of the rabbit’s glazed eye, creating a tiny reflection of the boy’s own face inside it, as though he is looking into a miniature, distorted portrait of himself; his ornate white mandarin-collar clothing fills the remaining space in a dense tapestry of gold-threaded lunar embroidery, tiny star motifs, pale-pink ribbon knots, blue floral ornaments, and intricate butterfly-shaped sleeve decorations, with the shallow depth of field reducing the distant background to a dreamlike blur of broken stained glass, crimson roses, floating dust, and scattered points of golden candlelight, while a crescent-moon pendant hangs between their faces and reflects a thin streak of red across the rabbit’s fur; the composition is deliberately asymmetrical, with the boy’s visible eye positioned near the upper-left intersection of the frame despite his face occupying the right side, the rabbit’s eye forming a second focal point directly beneath it, and the narrow space between their gazes becoming the emotional center of the image, while his gloved fingers curve around the rabbit’s head in a gesture that appears almost tender until the viewer notices how completely limp the creature is; tiny details intensify the eerie intimacy, including a loose blonde strand resting against the rabbit’s forehead, a single crimson droplet caught in the gold embroidery of his cuff, the faint reflection of a shattered chandelier in his pupil, and a tiny blue butterfly ornament reflected upside down in the rabbit’s lifeless eye, while the background dissolves into near-black shadow so that the illuminated faces seem suspended in an endless, airless void; the typography should be as mesmerizing and elaborate as the portrait itself, with the enormous title “LET ME SEE WHAT REMAINS” arranged in slender, high-contrast serif capitals that stretch vertically along the left edge of the composition, some letters partially disappearing behind the rabbit’s ears and the boy’s embroidered sleeve, their surfaces resembling antique gold leaf fractured by hairline cracks, while a second layer of delicate italic calligraphy curls between the letterforms like ornamental vines, spelling out the smaller phrase “a study of silence, innocence, and other beautiful things” in pale icy blue, with the letters of REMAINS subtly distorted into elongated shapes that resemble hanging rabbit ears when viewed from a distance; tiny crescent moons replace the decorative terminals of selected letters, miniature gold stars punctuate the spaces between words, and fine red filigree threads weave through the typography like veins beneath porcelain, while the title’s shadows are printed in deep crimson and its highlights shimmer in cold silver-blue, creating the illusion that the lettering itself is being illuminated by two opposing light sources; a small, almost illegible line of text sits beneath the title in widely spaced capitals reading “HE WAS ONLY CURIOUS”, its placement deliberately quiet and understated, while the main lettering overlaps the image just enough to create the feeling of a lavish psychological-horror film poster, balancing luxurious editorial design with the disturbing intimacy of the scene, and at the very bottom, nearly hidden against the black border, a tiny gold star appears upside down beside a hairline-thin crescent moon, leaving the viewer with the unsettling impression that even the typography has been arranged by someone who knows considerably more about the rabbit’s death than the beautiful, expressionless boy holding it)), artist: baozaohuang on x, digital art, medium lineart,rough painterly anime illustration, expressive textured brushwork, chunky brushstrokes, chalky dry-brush texture, scraped pigment, blocky paint application, soft blended shading, visible paint texture, sketchy painted details, glossy highlights, atmospheric depth,[artist: pyanyasha], pyanyasha art style, dark semi-realism, edgy anime, post-apocalyptic, moody, melancholic, grunge, raw, sketch-like, military core, dystopian, gothic art undertones, emo aesthetic, industrial, dark fantasy, soft watercolor rendering, smooth skin transitions, painterly textures, patchy brushstrokes, hard ambient occlusion shadows, blocky shading, desaturated color palette, moody undertones, dull grayish tones, muted tones, vibrant color highlights, brush stroke, messy lineart,amazing quality, absurdres, ultra detailed, intricate details, cinematic lighting, volumetric lighting, sharp focus, perfect composition, breathtaking illustration,
โหมด
ultra
ขนาด
1408 x 1408
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.03k
detail + lighting * ੈ✩‧₊ - AI Model cover image

LoRA ผู้ใช้

detail + lighting * ੈ✩‧₊
111
PYANYASHA ART STYLE — DIT2 / DIT3 - AI Model cover image

LoRA ผู้ใช้

PYANYASHA ART STYLE — DIT2 / DIT3
207
─ ⟡ 𝚜𝚑𝚊𝚍𝚘𝚠𝚌𝚑𝚛𝚘𝚖𝚎˙🌀 ̟ - AI Model cover image

LoRA ผู้ใช้

─ ⟡ 𝚜𝚑𝚊𝚍𝚘𝚠𝚌𝚑𝚛𝚘𝚖𝚎˙🌀 ̟
1.49k
@baozaohuang artstyle - AI Model cover image

LoRA ผู้ใช้

@baozaohuang artstyle
59

รูปภาพคล้ายกัน

ดูเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#ผ่าพิภพไททัน#มิคาสะ อัคเคอร์แมน
หน้าหลักโมเดลสร้างโปรไฟล์