Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

AI art "没その5"
สร้างงานศิลปะใหม่สร้างฟรีสร้างฟรี

没その5

ดูเพิ่มเติม

คอมเมนต์

character: shiroko_(blue_archive), copyright: blue_archive 1girl, solo, facing viewer, looking at viewer, medium shot, waving, one hand raised, open palm, light smile, slightly parted lips, speech bubble, light grey hair, medium hair, straight hair, blue eyes, normal human ears, human ears only, completely unadorned hair, bare head, no halo, empty air above head, retro sailor uniform, short sleeves, white sailor shirt, navy sailor collar, no school crest, no insignia, plain clothes, navy miniskirt, pleated skirt, empty hands, no weapons, rural train station, train platform, railway tracks, countryside, summer hills, utility poles, sign with hangul text, subdued lighting, 15 percent underexposed, slightly dark image, 1990s anime style, cel shaded In a direct medium shot facing the camera at eye level, a single teenage girl with ordinary, realistic proportions stands on the weathered concrete edge of an outdoor rural train station platform. She looks directly into the camera lens with calm, pale blue eyes and a faint, subtle half-smile, her lips parted mid-utterance as if speaking to an unseen companion. A clean white speech bubble with a neat black outline and a small tail pointing toward her mouth floats beside her head, displaying the exact Japanese text "じゃあね。私、次の電車に乗るから". She has straight, medium-length light grey hair that falls neatly around her shoulders, with smooth hair across the crown of her head and clear, empty space above her scalp, featuring no floating halos or hovering elements. Only ordinary human ears are present at the sides of her head, completely free of any animal ears or wolf ears. She wears a plain, retro short-sleeved sailor uniform consisting of a white cotton blouse with a dark navy sailor collar, entirely unadorned with no school crests, badges, or embroidery, paired with a matching dark navy pleated miniskirt. Her arms are bare; her left arm hangs loosely at her side with an empty hand, while her right arm is bent upward, palm open toward the viewer in a modest, casual goodbye wave. The background depicts a timeless, non-futuristic countryside on an overcast late August afternoon: rusted platform railings, aged wooden utility poles with sagging cables, an overgrown single-track railway bed, and soft green rolling hills in the distance. Mounted on a weathered platform pole, an enameled metal sign bears clean Hangul script reading "평화". The overall exposure of the entire image is deliberately reduced by approximately 15 percent, subduing the highlight values and wrapping the scene in quiet, muted midtones. A gentle summer draft softly sways the tips of her grey bangs and lifts the pleats of her skirt hem, while the cast shadow of her raised waving forearm lies softly across her collarbone. Quiet melancholy.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
ブルーアーカイブのミニアニメ。第29話(8月24日)「シロコのバイバイ」:シロコが普通の私服姿で、カメラに向かって「じゃあね。私、次の電車に乗るから」と手を振る。映像が15%ほど暗い。衣装はレトロな半袖セーラー服とミニスカート。因みに生徒の頭上のヘイローも銃も学章も無く文字がハングル。互いの名前を呼ばない。作画は原作で全員等身大。近未来的では無く田舎の普遍的な風景。キャラクターの個性が無に近く、現実世界のどこにでもいる普通の少女たちのような行動。獣の耳が無い。
โหมด
pro
ขนาด
1888 x 1056
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

ดูเพิ่มเติม

สำรวจเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬