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AI art "Untitled"
สร้างฟรี

Untitled

#เน้นผู้ชาย#ยืน#รองเท้าบูต#ผมสั้น#ปืน#เดี่ยว#ผมสีน้ำตาล#อาวุธ#เครื่องแบบทหาร#เสื้อแจ็กเก็ต#ไร้อารมณ์#ตาสีน้ำตาล#ปืนไรเฟิล#แขนยาว#มองมาที่ผู้ชม#กางเกง#ผู้ชาย 1 คน#ทหาร#ถือ#เต็มตัว#กำแพงหิน
ดูเพิ่มเติม

คอมเมนต์

1boy, solo, masculine, young soldier, short brown messy hair, nervous expression, standing, holding rifle, blue military uniform, steel blue jacket, cargo pants, combat boots, leather harness, ammo pouches, trench background, valkyria chronicles style, anime, cel shading, masterpiece, best quality
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
1male, solo, masculine, young soldier, short brown messy hair, nervous expression, standing, holding rifle, blue military uniform, steel blue jacket, cargo pants, combat boots, leather harness, ammo pouches, trench background, valkyria chronicles style, anime, cel shading, masterpiece, best quality
แท็กคุณภาพ
﹝พรอมต์﹞, beautiful anime aesthetic, very aesthetic, high definition, amazing quality, masterpiece, best quality, very aesthetic, highres, absurdres, sensitive
ขนาด
768 x 1280
ขั้นตอนการสุ่ม
28
วิธีการสุ่มตัวอย่าง
Euler a
ค่า CFG
3
ไม่ต้องการ
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, girl, female, woman, shota, child, cute, blush, feminine, lipstick, police cap, bright blue

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
mt
PixAI T3, high-quality 2D anime visual novel illustration, 9:16 vertical composition, use the reference image for Ian's exact appearance and clothing. A bleak aftermath of a brutal urban battle in 1920 Rittori, a devastated open field outside the industrial district after the fighting has ended. Ian walks aimlessly through the empty battlefield in the pouring rain, completely exhausted and emotionally disconnected. He is not looking toward any destination, his head slightly lowered, eyes filled with tears while rainwater runs down his face. His expression is hollow and grief-stricken, as if he no longer knows where he is going. Tears clearly mix with the rain on his cheeks. He loosely drags his heavy assault weapon along the muddy ground with one hand, the weapon trailing behind him rather than being carried in a combat-ready position. His other arm hangs naturally at his side. His shoulders are heavily lowered, posture exhausted and almost mechanical, each step slow and purposeless. The field around him is devastated and covered with numerous fallen bodies from the aftermath of the battle, partially obscured by rain, mud, smoke and distance. Do not show graphic wounds, exposed organs or gore. Torn fabric, abandoned equipment, discarded ammunition boxes and broken wooden structures are scattered throughout the muddy landscape. Several motionless figures lie far behind him beneath the rain, emphasizing the scale and tragedy of the battlefield without graphic detail. Heavy rain falls continuously, soaking his hair and clothing. Dark storm clouds cover the sky, distant smoke drifting through the rain, puddles reflecting the dim gray light. No other active combatants, no heroic pose, no triumphant atmosphere. The entire scene should feel silent after violence, emphasizing the psychological devastation of a young soldier who has survived when he no longer wants to fight. Somber cinematic composition, strong vertical depth, muted wartime palette, realistic rain and wet fabric, atmospheric fog, subtle reflections in muddy puddles, emotionally heavy storytelling, refined modern 2D anime visual novel illustration, clean precise linework, sophisticated character rendering, detailed expressive eyes, soft dramatic lighting, professional game illustration quality.
Marco Tong
AI artwork
mt
PixAI T3, high-quality 2D anime visual novel illustration, 9:16 vertical composition, use the reference image for Ian's exact appearance and clothing. A bleak aftermath of a brutal urban battle in 1920 Rittori, a devastated open field outside the industrial district after the fighting has ended. Ian walks aimlessly through the empty battlefield in the pouring rain, completely exhausted and emotionally disconnected. He is not looking toward any destination, his head slightly lowered, eyes filled with tears while rainwater runs down his face. His expression is hollow and grief-stricken, as if he no longer knows where he is going. Tears clearly mix with the rain on his cheeks. He loosely drags his heavy assault weapon along the muddy ground with one hand, the weapon trailing behind him rather than being carried in a combat-ready position. His other arm hangs naturally at his side. His shoulders are heavily lowered, posture exhausted and almost mechanical, each step slow and purposeless. The field around him is devastated and covered with numerous fallen bodies from the aftermath of the battle, partially obscured by rain, mud, smoke and distance. Do not show graphic wounds, exposed organs or gore. Torn fabric, abandoned equipment, discarded ammunition boxes and broken wooden structures are scattered throughout the muddy landscape. Several motionless figures lie far behind him beneath the rain, emphasizing the scale and tragedy of the battlefield without graphic detail. Heavy rain falls continuously, soaking his hair and clothing. Dark storm clouds cover the sky, distant smoke drifting through the rain, puddles reflecting the dim gray light. No other active combatants, no heroic pose, no triumphant atmosphere. The entire scene should feel silent after violence, emphasizing the psychological devastation of a young soldier who has survived when he no longer wants to fight. Somber cinematic composition, strong vertical depth, muted wartime palette, realistic rain and wet fabric, atmospheric fog, subtle reflections in muddy puddles, emotionally heavy storytelling, refined modern 2D anime visual novel illustration, clean precise linework, sophisticated character rendering, detailed expressive eyes, soft dramatic lighting, professional game illustration quality.
Marco Tong

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ที่คุณอาจชอบ

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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