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AI art "女拳闘士加賀さん" featuring #ชุดอื่น, #คันไตคอลเลกชัน, #คางะ, #กระโปรงสีน้ำเงิน and #zetaCollab
สร้างฟรี

女拳闘士加賀さん

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#ชุดอื่น#คันไตคอลเลกชัน#คางะ#กระโปรงสีน้ำเงิน
ดูเพิ่มเติม

คอมเมนต์

character: kaga_(kancolle), copyright: kantai_collection 1girl, solo, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, fishnet tights, short light blue pettipants, hime-style gothic lolita pettipants, lots of frills, many ribbons, voluminous pettipants, pale pink tube bra, frilled bra, ribboned bra, midriff bare, white elbow-length gloves, frilled gloves, ribboned gloves, leather shoes, necklace with heart-shaped jewelry, from below, low angle, cowboy shot, standing, contrapposto, one hand raised to her side ponytail, head tilt, looking at viewer, half-closed eyes, light smile, dutch angle, frills fluttering, window light Low-angle cowboy shot from slightly below and a touch off-axis, tilted a few degrees into a dutch angle, framing the figure from mid-thigh to above the head against a tall, bare interior: a plain cream wall with a leaded window high at the left, her full length cut off at the calves and the floor reduced to a narrow strip where the toes of both leather shoes sit turned slightly toward each other on dark wood. Her brown hair is gathered into a long side ponytail falling past the shoulder, loose strands curving across the collarbone, and her brown eyes look down at the viewer with half-lowered lids and a small closed-lip smile crooking higher on one side. She stands in contrapposto with her weight sunk into the right hip and the left knee loose, torso angled a little away from the lens while her head tilts back toward it; her right hand is lifted to the base of the ponytail, the pure white glove's cuff wrinkling at the elbow as ribbon and frill ride the bend of her arm, while her left arm hangs with the glove's frilled edge brushing the volume of her pettipants. The pale pink tube bra sits straight and seamless across her chest, its frill border scalloping over bare midriff skin and its small ribbons catching a highlight along their folds; below it the short light blue hime-style gothic lolita pettipants balloon outward in deep pleated tiers, each hem loaded with layered frills and knotted ribbons that flare out over the fishnet tights, and the squares of the fishnets stretch widest across the thighs, their mesh shadowing the skin beneath. The necklace with its heart-shaped jewelry hangs in the notch of the tube bra's top edge, the polished heart a small dense gleam against her skin. One high window at the left is the only light source: it rakes in cool daylight that clips the left side of her face and the tops of the glove cuffs while falling away into warm shadow on her right cheek and under the flared tiers of the pettipants, and her cast shadow lands low and long across the wood floor with the shoes' soles dark inside it. Palette held to pale pink, light blue, pure white and the dark lattice of the nets on bare skin and wood, with her brown hair and eyes as the only warm notes. Crisp cel rendering with fine cloth detail on frill edges and fishnet mesh. Effortlessly stylish.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
艦隊これくしょんの加賀さんのイラスト。下半身には、網タイツの上に、丈の短い水色の、フリルやリボンがたくさんついているボリューミーな地雷系ゴスロリペチパンツをはいている。皮の靴を履いている。上半身には薄桃色の、フリルやリボンで飾られたチューブブラジャーをつけている。 両手には純白の、二の腕まである手袋をつけており、これもリボンやフリルで飾られている。ハートのジュエリーのついたネックレスをしている。
โหมด
flash
ขนาด
1104 x 1824
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
ak
character: kaga_(kancolle), copyright: kantai_collection sole subject, 1girl, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, tall mature build, pale pink tube bra, bare shoulders, bare arms, bare midriff, light blue bloomers, jirai-kei, gothic lolita, frilled bloomers, layered frills, voluminous pettipants, ruffled hem, fishnet tights, black fishnet, leather shoes, black leather shoes, from below, low angle, standing on one leg, leaning forward, looking down at viewer, head tilt, raised eyebrow, lopsided smirk, arms behind back, contrapposto, empty studio backdrop, seamless pale grey sweep, design piece, full body The camera sits low and close to the floor, looking up at a single figure in a seamless pale grey studio sweep that fills the frame edge to edge with no horizon line, no furniture, no props. She is caught mid-moment, balancing her whole weight on her straight right leg while the left knee is bent and lifted, the toe of the left leather shoe trailing just off the ground; both hands are clasped behind her back, so her shoulders draw back and her chest lifts slightly, and she pitches her upper body forward toward the low lens, chin tipped down, one eyebrow arched above a lopsided closed-lip smirk. Her long brown hair falls forward over the shoulder toward the camera and the side ponytail swings down beside her cheek, its tail hanging heavy against the tilt, the ends separated into loose strands. Her brown eyes look straight down into the lens; the expression is amused and a little challenging, the smirk pulling up only on one side while the other lid lowers a fraction, and her lips are parted by a breath. Bare shoulders and bare arms frame the top of the figure, unadorned — no jewellery, no gloves, no arm coverings, both ears bare, the throat bare with nothing at the neck. The pale pink tube bra is a simple straight band across the chest with a clean flat top edge and no straps, its pink clearly separate from the skin. Below it, the midriff is bare down to the hips, and from there the light blue bloomers sit as the bulky centre of the image: high-waisted, cut voluminously so the fabric puffs out and away from the hips and thighs, gathered into thick tiered rows of frills — several stacked rows of ruffled flounces running down the outside of each leg and a dense band of frills at the hem — the ruffles bunching and overlapping where the lifted knee pushes the fabric up, the light blue fabric folding into soft deep creases at the hip and inner thigh. Under the bloomers and running continuous from mid-thigh to the ankle, black fishnet tights lie tight against the skin; where the bloomer hem rides up on the raised leg the diamond mesh is crisp and shing tightly, and the small dark shadow of the mesh shows through the gaps above the shoes. Black leather shoes enclose both feet with a slight low heel, the leather catching a soft tight highlight on the toe and creasing at the ankle; the lifted shoe is supported by nothing, the bent leg's weight hanging. Light comes from one large soft source high and to the left of frame: it lights the crown of her head, the top plane of the side ponytail, her left shoulder, the upper curve of the bloomers and the toe of the lowered shoe, and drops her right side and the underside of the lifted bloomer leg into a gentle soft-edged shadow; a faint contact shadow pools under the standing leather shoe alone, since the other foot is off the ground. The palette is locked to pale pink, light blue, black and the grey ground — pink only in the bra, blue only in the bloomers and their frills, black only in the fishnet, the shoes and the hair reading a warm brown — with nothing else admitted. Every freckle of detail budget goes to the faces of the frills, the tension of the fishnet over the lifted knee and the grip of the leather around the ankles; the swept ground stays smooth and plain. Mischievous, effortlessly stylish.
Alcohol K
AI artwork
ak
character: kaga_(kancolle), copyright: kantai_collection sole subject, 1girl, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, tall mature build, pale pink tube bra, bare shoulders, bare arms, bare midriff, light blue bloomers, jirai-kei, gothic lolita, frilled bloomers, layered frills, voluminous pettipants, ruffled hem, fishnet tights, black fishnet, leather shoes, black leather shoes, from below, low angle, standing on one leg, leaning forward, looking down at viewer, head tilt, raised eyebrow, lopsided smirk, arms behind back, contrapposto, empty studio backdrop, seamless pale grey sweep, design piece, full body The camera sits low and close to the floor, looking up at a single figure in a seamless pale grey studio sweep that fills the frame edge to edge with no horizon line, no furniture, no props. She is caught mid-moment, balancing her whole weight on her straight right leg while the left knee is bent and lifted, the toe of the left leather shoe trailing just off the ground; both hands are clasped behind her back, so her shoulders draw back and her chest lifts slightly, and she pitches her upper body forward toward the low lens, chin tipped down, one eyebrow arched above a lopsided closed-lip smirk. Her long brown hair falls forward over the shoulder toward the camera and the side ponytail swings down beside her cheek, its tail hanging heavy against the tilt, the ends separated into loose strands. Her brown eyes look straight down into the lens; the expression is amused and a little challenging, the smirk pulling up only on one side while the other lid lowers a fraction, and her lips are parted by a breath. Bare shoulders and bare arms frame the top of the figure, unadorned — no jewellery, no gloves, no arm coverings, both ears bare, the throat bare with nothing at the neck. The pale pink tube bra is a simple straight band across the chest with a clean flat top edge and no straps, its pink clearly separate from the skin. Below it, the midriff is bare down to the hips, and from there the light blue bloomers sit as the bulky centre of the image: high-waisted, cut voluminously so the fabric puffs out and away from the hips and thighs, gathered into thick tiered rows of frills — several stacked rows of ruffled flounces running down the outside of each leg and a dense band of frills at the hem — the ruffles bunching and overlapping where the lifted knee pushes the fabric up, the light blue fabric folding into soft deep creases at the hip and inner thigh. Under the bloomers and running continuous from mid-thigh to the ankle, black fishnet tights lie tight against the skin; where the bloomer hem rides up on the raised leg the diamond mesh is crisp and shing tightly, and the small dark shadow of the mesh shows through the gaps above the shoes. Black leather shoes enclose both feet with a slight low heel, the leather catching a soft tight highlight on the toe and creasing at the ankle; the lifted shoe is supported by nothing, the bent leg's weight hanging. Light comes from one large soft source high and to the left of frame: it lights the crown of her head, the top plane of the side ponytail, her left shoulder, the upper curve of the bloomers and the toe of the lowered shoe, and drops her right side and the underside of the lifted bloomer leg into a gentle soft-edged shadow; a faint contact shadow pools under the standing leather shoe alone, since the other foot is off the ground. The palette is locked to pale pink, light blue, black and the grey ground — pink only in the bra, blue only in the bloomers and their frills, black only in the fishnet, the shoes and the hair reading a warm brown — with nothing else admitted. Every freckle of detail budget goes to the faces of the frills, the tension of the fishnet over the lifted knee and the grip of the leather around the ankles; the swept ground stays smooth and plain. Mischievous, effortlessly stylish.
Alcohol K
AI artwork
ak
character: kaga_(kancolle), copyright: kantai_collection sole subject, 1girl, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, tall mature build, pale pink tube bra, bare shoulders, bare arms, bare midriff, light blue bloomers, jirai-kei, gothic lolita, frilled bloomers, layered frills, voluminous pettipants, ruffled hem, fishnet tights, black fishnet, leather shoes, black leather shoes, from below, low angle, standing on one leg, leaning forward, looking down at viewer, head tilt, raised eyebrow, lopsided smirk, arms behind back, contrapposto, empty studio backdrop, seamless pale grey sweep, design piece, full body The camera sits low and close to the floor, looking up at a single figure in a seamless pale grey studio sweep that fills the frame edge to edge with no horizon line, no furniture, no props. She is caught mid-moment, balancing her whole weight on her straight right leg while the left knee is bent and lifted, the toe of the left leather shoe trailing just off the ground; both hands are clasped behind her back, so her shoulders draw back and her chest lifts slightly, and she pitches her upper body forward toward the low lens, chin tipped down, one eyebrow arched above a lopsided closed-lip smirk. Her long brown hair falls forward over the shoulder toward the camera and the side ponytail swings down beside her cheek, its tail hanging heavy against the tilt, the ends separated into loose strands. Her brown eyes look straight down into the lens; the expression is amused and a little challenging, the smirk pulling up only on one side while the other lid lowers a fraction, and her lips are parted by a breath. Bare shoulders and bare arms frame the top of the figure, unadorned — no jewellery, no gloves, no arm coverings, both ears bare, the throat bare with nothing at the neck. The pale pink tube bra is a simple straight band across the chest with a clean flat top edge and no straps, its pink clearly separate from the skin. Below it, the midriff is bare down to the hips, and from there the light blue bloomers sit as the bulky centre of the image: high-waisted, cut voluminously so the fabric puffs out and away from the hips and thighs, gathered into thick tiered rows of frills — several stacked rows of ruffled flounces running down the outside of each leg and a dense band of frills at the hem — the ruffles bunching and overlapping where the lifted knee pushes the fabric up, the light blue fabric folding into soft deep creases at the hip and inner thigh. Under the bloomers and running continuous from mid-thigh to the ankle, black fishnet tights lie tight against the skin; where the bloomer hem rides up on the raised leg the diamond mesh is crisp and shing tightly, and the small dark shadow of the mesh shows through the gaps above the shoes. Black leather shoes enclose both feet with a slight low heel, the leather catching a soft tight highlight on the toe and creasing at the ankle; the lifted shoe is supported by nothing, the bent leg's weight hanging. Light comes from one large soft source high and to the left of frame: it lights the crown of her head, the top plane of the side ponytail, her left shoulder, the upper curve of the bloomers and the toe of the lowered shoe, and drops her right side and the underside of the lifted bloomer leg into a gentle soft-edged shadow; a faint contact shadow pools under the standing leather shoe alone, since the other foot is off the ground. The palette is locked to pale pink, light blue, black and the grey ground — pink only in the bra, blue only in the bloomers and their frills, black only in the fishnet, the shoes and the hair reading a warm brown — with nothing else admitted. Every freckle of detail budget goes to the faces of the frills, the tension of the fishnet over the lifted knee and the grip of the leather around the ankles; the swept ground stays smooth and plain. Mischievous, effortlessly stylish.
Alcohol K

สำรวจเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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