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ดูพารามิเตอร์
- โหมด
- flash
- สไตล์
- 90s Retro-Cell
- ขนาด
- 1632 x 1232
สไตล์: 90s Retro-Cell
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติม
3girls, 1boy, trio, man in the center, two brides flanking him, bride on each side, kissing his cheek, cheek kiss, one bride on his left, one bride on his right, heart-shaped eyes, heart-shaped pupils, cleavage, deep neckline, heart-shaped light frame, heart-shaped border of light, wedding dress, white lace gown, strapless dress, bare shoulders, veil, bridal veil, long hair, looking at viewer, half-closed eyes, blush, closed mouth smile, from above, upper body, close-up, symmetrical composition, warm rim light, cel shading, flat colors, clean outlines, high contrast, hand-drawn animation feel,
The camera looks down from slightly above the three of them, tight on their upper bodies inside a large heart of pale glowing light that arcs around them like a frame of pure luminance, its two lobes rising above their heads and its point dipping below their collarbones. In the middle stands the man, his face tipped a little back and up toward the light, a flushed warmth across his cheeks and a soft close-lipped smile caught halfway between laughing and melting; both eyes are wide open and each pupil is a crisp heart, one soft pink, one deeper rose, and their glow throws a faint pink sheen onto the bridge of his nose. His shoulders are squared but relaxed, his arms hang low and out of frame, and his chin lifts slightly toward the bride on his left.
She presses in from the left, leaning her whole upper body against him, her lips flattened against his left cheek so the skin dimples under the kiss; her left hand rests flat on his far shoulder to brace herself and her right hand is lifted, fingers loosely curled near her own collarbone. Her veil slides forward over her shoulder and the lace of her bodice presses against his sleeve. Across from her the second bride leans in from the right, her kiss landing higher on his right cheekbone, one hand at his jaw and her thumb along the edge of it, her veil falling in a pale curtain between her face and the frame edge. Both women wear strapless white lace gowns with sweetheart necklines cut low enough to show a deep spill of cleavage, the lace scalloped along the edge and stretched over the curve of each chest.
The light source is the heart frame itself, cool and pale where it is thinnest and warming to pink where it thickest, so that it lights the three faces from above and the outside; underneath their chins the shadows fall soft and lilac, and the women's shoulders, closer to the frame's lower arcs, catch a rim of pink along the bare skin. The inner edges of the frame are visible through the veils as a paler glow, so that the gauze shows a brighter band where it crosses the light and a dimmer one where it does not. The background behind them is a deep blue-violet, almost black at the corners, clean and empty, with a thin mist of scattered sparkles in the same pale pink.
Palette: the deep blue-violet background holds the darkness; the brides' gowns, veils and the light frame are a warm off-white and rose, the lace edges touched with dusty mauve shadow; the bride's hair is a soft grey-lavender and the other's a muted blue, both cooled toward the background; the man's hair and jacket sit in desaturated blue-grey; a single rose pink dominates the frame, the heart pupils and the blush, and nothing else brighter is admitted. Flat cel-shaded color, clean crisp outlines, simple two-tone shadows, the sparkles drawn as simple hard-edged dots rather than airbrushed gradients. Joyful, giddy, a little ridiculous.
息耐者カール
3girls, 1boy, trio, man in the center, two brides flanking him, bride on each side, kissing his cheek, cheek kiss, one bride on his left, one bride on his right, heart-shaped eyes, heart-shaped pupils, cleavage, deep neckline, heart-shaped light frame, heart-shaped border of light, wedding dress, white lace gown, strapless dress, bare shoulders, veil, bridal veil, long hair, looking at viewer, half-closed eyes, blush, closed mouth smile, from above, upper body, close-up, symmetrical composition, warm rim light, cel shading, flat colors, clean outlines, high contrast, hand-drawn animation feel,
The camera looks down from slightly above the three of them, tight on their upper bodies inside a large heart of pale glowing light that arcs around them like a frame of pure luminance, its two lobes rising above their heads and its point dipping below their collarbones. In the middle stands the man, his face tipped a little back and up toward the light, a flushed warmth across his cheeks and a soft close-lipped smile caught halfway between laughing and melting; both eyes are wide open and each pupil is a crisp heart, one soft pink, one deeper rose, and their glow throws a faint pink sheen onto the bridge of his nose. His shoulders are squared but relaxed, his arms hang low and out of frame, and his chin lifts slightly toward the bride on his left.
She presses in from the left, leaning her whole upper body against him, her lips flattened against his left cheek so the skin dimples under the kiss; her left hand rests flat on his far shoulder to brace herself and her right hand is lifted, fingers loosely curled near her own collarbone. Her veil slides forward over her shoulder and the lace of her bodice presses against his sleeve. Across from her the second bride leans in from the right, her kiss landing higher on his right cheekbone, one hand at his jaw and her thumb along the edge of it, her veil falling in a pale curtain between her face and the frame edge. Both women wear strapless white lace gowns with sweetheart necklines cut low enough to show a deep spill of cleavage, the lace scalloped along the edge and stretched over the curve of each chest.
The light source is the heart frame itself, cool and pale where it is thinnest and warming to pink where it thickest, so that it lights the three faces from above and the outside; underneath their chins the shadows fall soft and lilac, and the women's shoulders, closer to the frame's lower arcs, catch a rim of pink along the bare skin. The inner edges of the frame are visible through the veils as a paler glow, so that the gauze shows a brighter band where it crosses the light and a dimmer one where it does not. The background behind them is a deep blue-violet, almost black at the corners, clean and empty, with a thin mist of scattered sparkles in the same pale pink.
Palette: the deep blue-violet background holds the darkness; the brides' gowns, veils and the light frame are a warm off-white and rose, the lace edges touched with dusty mauve shadow; the bride's hair is a soft grey-lavender and the other's a muted blue, both cooled toward the background; the man's hair and jacket sit in desaturated blue-grey; a single rose pink dominates the frame, the heart pupils and the blush, and nothing else brighter is admitted. Flat cel-shaded color, clean crisp outlines, simple two-tone shadows, the sparkles drawn as simple hard-edged dots rather than airbrushed gradients. Joyful, giddy, a little ridiculous.
息耐者カール
3girls, 1boy, trio, man in the center, two brides flanking him, bride on each side, kissing his cheek, cheek kiss, one bride on his left, one bride on his right, heart-shaped eyes, heart-shaped pupils, cleavage, deep neckline, heart-shaped light frame, heart-shaped border of light, wedding dress, white lace gown, strapless dress, bare shoulders, veil, bridal veil, long hair, looking at viewer, half-closed eyes, blush, closed mouth smile, from above, upper body, close-up, symmetrical composition, warm rim light, cel shading, flat colors, clean outlines, high contrast, hand-drawn animation feel,
The camera looks down from slightly above the three of them, tight on their upper bodies inside a large heart of pale glowing light that arcs around them like a frame of pure luminance, its two lobes rising above their heads and its point dipping below their collarbones. In the middle stands the man, his face tipped a little back and up toward the light, a flushed warmth across his cheeks and a soft close-lipped smile caught halfway between laughing and melting; both eyes are wide open and each pupil is a crisp heart, one soft pink, one deeper rose, and their glow throws a faint pink sheen onto the bridge of his nose. His shoulders are squared but relaxed, his arms hang low and out of frame, and his chin lifts slightly toward the bride on his left.
She presses in from the left, leaning her whole upper body against him, her lips flattened against his left cheek so the skin dimples under the kiss; her left hand rests flat on his far shoulder to brace herself and her right hand is lifted, fingers loosely curled near her own collarbone. Her veil slides forward over her shoulder and the lace of her bodice presses against his sleeve. Across from her the second bride leans in from the right, her kiss landing higher on his right cheekbone, one hand at his jaw and her thumb along the edge of it, her veil falling in a pale curtain between her face and the frame edge. Both women wear strapless white lace gowns with sweetheart necklines cut low enough to show a deep spill of cleavage, the lace scalloped along the edge and stretched over the curve of each chest.
The light source is the heart frame itself, cool and pale where it is thinnest and warming to pink where it thickest, so that it lights the three faces from above and the outside; underneath their chins the shadows fall soft and lilac, and the women's shoulders, closer to the frame's lower arcs, catch a rim of pink along the bare skin. The inner edges of the frame are visible through the veils as a paler glow, so that the gauze shows a brighter band where it crosses the light and a dimmer one where it does not. The background behind them is a deep blue-violet, almost black at the corners, clean and empty, with a thin mist of scattered sparkles in the same pale pink.
Palette: the deep blue-violet background holds the darkness; the brides' gowns, veils and the light frame are a warm off-white and rose, the lace edges touched with dusty mauve shadow; the bride's hair is a soft grey-lavender and the other's a muted blue, both cooled toward the background; the man's hair and jacket sit in desaturated blue-grey; a single rose pink dominates the frame, the heart pupils and the blush, and nothing else brighter is admitted. Flat cel-shaded color, clean crisp outlines, simple two-tone shadows, the sparkles drawn as simple hard-edged dots rather than airbrushed gradients. Joyful, giddy, a little ridiculous.
息耐者カール
3girls, 1boy, trio, man in the center, two brides flanking him, bride on each side, kissing his cheek, cheek kiss, one bride on his left, one bride on his right, heart-shaped eyes, heart-shaped pupils, cleavage, deep neckline, heart-shaped light frame, heart-shaped border of light, wedding dress, white lace gown, strapless dress, bare shoulders, veil, bridal veil, long hair, looking at viewer, half-closed eyes, blush, closed mouth smile, from above, upper body, close-up, symmetrical composition, warm rim light, cel shading, flat colors, clean outlines, high contrast, hand-drawn animation feel,
The camera looks down from slightly above the three of them, tight on their upper bodies inside a large heart of pale glowing light that arcs around them like a frame of pure luminance, its two lobes rising above their heads and its point dipping below their collarbones. In the middle stands the man, his face tipped a little back and up toward the light, a flushed warmth across his cheeks and a soft close-lipped smile caught halfway between laughing and melting; both eyes are wide open and each pupil is a crisp heart, one soft pink, one deeper rose, and their glow throws a faint pink sheen onto the bridge of his nose. His shoulders are squared but relaxed, his arms hang low and out of frame, and his chin lifts slightly toward the bride on his left.
She presses in from the left, leaning her whole upper body against him, her lips flattened against his left cheek so the skin dimples under the kiss; her left hand rests flat on his far shoulder to brace herself and her right hand is lifted, fingers loosely curled near her own collarbone. Her veil slides forward over her shoulder and the lace of her bodice presses against his sleeve. Across from her the second bride leans in from the right, her kiss landing higher on his right cheekbone, one hand at his jaw and her thumb along the edge of it, her veil falling in a pale curtain between her face and the frame edge. Both women wear strapless white lace gowns with sweetheart necklines cut low enough to show a deep spill of cleavage, the lace scalloped along the edge and stretched over the curve of each chest.
The light source is the heart frame itself, cool and pale where it is thinnest and warming to pink where it thickest, so that it lights the three faces from above and the outside; underneath their chins the shadows fall soft and lilac, and the women's shoulders, closer to the frame's lower arcs, catch a rim of pink along the bare skin. The inner edges of the frame are visible through the veils as a paler glow, so that the gauze shows a brighter band where it crosses the light and a dimmer one where it does not. The background behind them is a deep blue-violet, almost black at the corners, clean and empty, with a thin mist of scattered sparkles in the same pale pink.
Palette: the deep blue-violet background holds the darkness; the brides' gowns, veils and the light frame are a warm off-white and rose, the lace edges touched with dusty mauve shadow; the bride's hair is a soft grey-lavender and the other's a muted blue, both cooled toward the background; the man's hair and jacket sit in desaturated blue-grey; a single rose pink dominates the frame, the heart pupils and the blush, and nothing else brighter is admitted. Flat cel-shaded color, clean crisp outlines, simple two-tone shadows, the sparkles drawn as simple hard-edged dots rather than airbrushed gradients. Joyful, giddy, a little ridiculous.
息耐者カール
สำรวจเพิ่มเติม
ผู้ใช้แนะนำ
ที่คุณอาจชอบ
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
1
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).｡*♡ 🍁 ☕
(mai)
คอมเมนต์