Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "The end of articulation?/連結の終わり?" featuring #หน้าต่าง, #ข้อความภาษาอังกฤษ, #เงา, #เดี่ยว, #สมจริง, #ปู, #ไม่มีมนุษย์ and #มีตาหลายตา
สร้างงานศิลปะใหม่สร้างฟรีสร้างฟรี

The end of articulation?/連結の終わり?

It seems at long last, PixAI has closed the loophole i have been exploiting for ages as the usual 1024 character limit now applies upon the initial publishing as well. It's a dark day for those few who wants to share their thoughts on PixAI. どうやらついに、PixAIは私が長年にわたって悪用していた抜け穴を塞いだようです。これまで通り1024文字の制限が、最初の投稿時にも適用されるようになったからです。PixAIについて自分の考えを共有したいと思っている少数の人々にとっては、暗い一日となりました。

#หน้าต่าง#ข้อความภาษาอังกฤษ#เงา#เดี่ยว#สมจริง#ปู#ไม่มีมนุษย์#มีตาหลายตา
Avatar image of Danklaw

Danklaw

ดูเพิ่มเติม

คอมเมนต์8

1 crab, solo, red crab, hard exoskeleton, two large pincers, stalked eyes, ten legs, from behind, over-shoulder composition, close-up, dutch angle, looking at screen, single glowing computer monitor, monitor light on shell, dark room, notification, speech bubble, "1024 words limit being enforced", "1024 words limit", warm red against cold blue, rim light, shallow depth of field, tense stillness. Seen from behind and slightly above, a single small red crab sits dead center-foreground on a bare dark desk, its carapace filling the lower third of the frame: hard segmented shell with a faint sheen, two eyestalks raised and angled forward, both eyestalks' pupils locked on the single glowing monitor that stands just beyond its pincers. The crab's body is wider than it is tall, weight settled on its rear walking legs, front legs braced against the desk edge, its right pincer lifted halfway open and frozen mid-reach toward the screen, its left pincer clamped shut against the desk surface; the shell's front edge tips up a few degrees as it leans in. The monitor is turned three-quarters toward the crab, its face washed in cold blue-white, and across that face a rectangular notification panel sits centered, a rounded grey-dark card with a thin accent bar on its left edge and a bold line of sans-serif white text reading exactly "1024 words limit being enforced", the lines of the panel curving very slightly with the screen's flat glass; beneath it a smaller dimmer line in the same typeface reads "1024 words limit". The screen is the only light source: it throws a hard blue-white key up the crab's face and the inside of its raised pincer, catches the wet highlights of both eyestalks, and leaves the back of the carapace and the desk behind it in near-black; a short soft shadow of the crab pools toward the camera, and the glass throws one faint rectangular reflection of the shell's red where the crab's body sits closest. No other light exists in the room; beyond the monitor's glow the darkness is absolute. Palette holds to three notes only -- the crab's saturated brick red, the monitor's cold cyan-white, and the near-black ground -- with no fourth color admitted. The desk surface is matte and plain, its few dust motes visible only where the screen light grazes them at a low angle. Background entirely out of focus and empty. Tense, absurd, deadpan.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
A crab watching a screen notifying of the 1024 words limit being enforced.
โหมด
pro
ขนาด
1408 x 1408
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit, human ,yuman, human eyes,
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.97k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of 笙
2crabs, crab, no humans, underwater, riverbed, sand, pebbles, low angle, from below, looking up, pale blue water, dark blue water, steel blue water, smooth water surface, water surface ceiling, dark bubbles, floating bubbles, speech bubble, dialogue, japanese text, conversation, atmospheric. From below, in a low-angle underwater perspective looking up from the riverbed floor, two small young freshwater river crabs rest on the pale, fine sand and scattered smooth white pebbles. The young crab on the left angles slightly toward the right, its small, translucent amber carapace catching the faint ambient glow of the riverbed, propping its delicate jointed walking legs against the silt while elevating its tiny pincers mid-gesture, its dark eyestalks tilted slightly upward. The second young crab rests on a flat river stone a short distance to the right, angled toward the first, its claws resting lightly against the pale sediment as it speaks in turn. The riverbed water glows with a pale, faint bluish luminosity that reveals each fine grain of sand beneath their legs. Ascending toward the upper water column and spreading to both sides, the water deepens into a heavy, dim steel-blue expanse, dense and dark like polished metal. At the top of the frame, the underside of the water's surface forms a taut, unbroken, mirror-like ceiling, across which a steady procession of tiny, dark, bead-like bubbles glides horizontally along the surface film. Floating in the clear water near the left crab child, a rounded speech bubble reads "クラムボンはわらったよ。", while an adjacent speech bubble from the same speaker reads "クラムボンは跳はねてわらったよ。"; floating near the right crab child, an answering rounded speech bubble reads "クラムボンはかぷかぷわらったよ。", accompanied by another speech bubble repeating "クラムボンはかぷかぷわらったよ。". The dim steel-blue shadows swallow the periphery, leaving the small dark bubbles sharply delineated against the pale sheen of the water ceiling. Eerie quiet, childlike wonder.
笙
#ใต้น้ำ#บอลลูนคำพูด#ฟองอากาศ
AI artwork
ヘ
A huge, oval-shaped black metal battleship floating in space, viewed from a cinematic angle at the rear third, metal battleship, battleship, the dark, polished armor of the hull faintly reflecting distant starlight, emphasizing its immense size, crab-like legs, spider-like legs, spaceship dock, spaceship hangar, large mouth, multiple fishing-like tentacles, scales, tail fin, horns, fishing rod-like horns, five long antennae, sticky lure sacs hanging from fishing lines, organic lures, crab-like legs, massive armored head, rough black scales, head antennae, threads extending from antenna tips, fishing rod-like antennae, lake bottom, underwater, dark freshwater lake, ambush-type aquatic predator, lurking predator, realistic texture
ヘリオシュト
#My Space Ride

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#ผ่าพิภพไททัน#มิคาสะ อัคเคอร์แมน
หน้าหลักโมเดลสร้างโปรไฟล์