Oct 23, 2026

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AI art "京都の夜の番人" featuring #กิโมโน, #กระโปรงฮากามะ, #ดาบคาตานะ, #ท่าต่อสู้, #ผู้หญิง 1 คน, #แสงจันทร์ and #Cool Pose You Think

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京都の夜の番人

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Poses You Think are Cool

#กิโมโน #กระโปรงฮากามะ #ดาบคาตานะ #ท่าต่อสู้#ผู้หญิง 1 คน #แสงจันทร์

เผยแพร่เมื่อ Oct 24, 2026

ジ

ジムスナイパー

ดูเพิ่มเติม

1girl, solo, black hair, long black twin tails, hair tied with plain white ribbons, black eyes, sharp gaze, shinsengumi, light blue haori with white mountain-stripe pattern on the sleeves and hem, dark indigo kimono, grey hakama trousers, white tasuki cord tied back over the shoulders, katana, holding katana, gripping katana with both hands, katana held diagonally before the chest, drawn blade, steel blade catching the light, from below, looking down at viewer, dutch angle, standing, weight on rear foot, leaning slightly forward, half-closed eyes, faint lopsided smirk, wind, haori sleeve billowing, twin tails lifted by wind, rooftop, tiled roof, night, full moon, dark blue palette, cold white moonlight, deep shadows, anime cel shading. The camera sits low on a broad tiled rooftop and tilts a few degrees off level, looking up: a young woman in Shinsengumi dress fills the frame from boots to shoulders, so her pale jaw and the undersides of her sleeves are seen from below and the night sky opens above her head. Her black hair is parted and bound into two long twin tails, each tied at its base with a plain white ribbon, and both tails stream out sideways and upward, tugged by the wind that also snaps the hem of her garment. She wears a light blue haori with the white mountain-stripe pattern running down its sleeves, over a dark indigo kimono, with grey hakama trousers; a white cord is tied back over her shoulders, cinching the sleeves away from her forearms. Both hands wrap the hilt of a katana held diagonally across her chest, right hand above left on the wrapped grip, thumbs locked along the sides, the naked steel blade angled up past her left shoulder so the long edge turns a thin, hard line of moonlight. Her weight rests on her rear foot, front knee loose and slightly bent, hips turned a quarter away from the lens while her chin lifts and her eyes drop — she looks down at the viewer along the blade, lids half lowered, mouth pulled into a small lopsided smirk, one brow faintly raised. The full moon hangs high behind her left shoulder as the only light source, cold and white: it rims the outer edge of both sleeves and the top of her hair, lays a bright broken stripe along the flat of the drawn blade, and drops the inside of the haori, the folds of the hakama and the lower half of her face into deep shadow, with her cast shadow running long and thin across the tiles toward the lower frame. The palette admits only three notes — the pale moonlit blue of the garment, the black of hair and shadow, and the cold silver of steel; the tiles hold a dull blue-grey sheen. The roof surface recedes in dark blue layers toward a black horizon, and each tile's ridge glints only on the side facing the moon. Still, stoic.

京都の夜の番人

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