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AI artwork
สร้างงานศิลปะใหม่สร้างฟรีสร้างฟรี

ut yatu

uy

ut yatu

ดูเพิ่มเติม

คอมเมนต์

dumb phone, object focus, no humans, design piece, product study, single object centered, from above, high angle, close-up, flip phone, matte black plastic body, thick antenna stub, small monochrome LCD screen, physical numeric keypad with raised rubber keys, tiny rounded rectangular buttons, faint wear on the keypad from thumbs, seam line across the hinge, scuffed corners, worn hinge, open at a wide angle, screen lit dim green, empty seamless off-white field, soft studio sweep, no hands, no people, no text on screen, blank screen display, simple product shot, clean composition, shallow depth of field Shot from directly above at a close, slightly oblique high angle, a single open flip phone lies alone on a completely empty off-white seamless studio sweep, angled diagonally across the frame with the top half tipped a few degrees away from the lens so the hinge seam and keypad both stay legible. The lower half dominates the foreground: a matte black plastic body with a thick rectangular antenna stub rising at the hinge's outer corner, a physical numeric keypad of small rounded rubber keys in a tight three-by-four grid, the surface of each key softly polished and slightly dished in the middle where years of thumbs have pressed, the paint on the 5 key rubbed thin. Above the hinge the upper shell carries a small monochrome LCD, its glass reflecting a pale sheen, its green backlight glowing very faintly from within so the darkest value in the image sits in the keypad's recessed gaps. Both shell edges show fine scuffs and pale abrasion at the corners; a hairline crack traces the hinge's plastic shoulder. The phone rests with its full weight on the paper-white surface, a short soft contact shadow pooling only beneath its underside and fading quickly at the edges, cast from a broad diffused overhead source slightly to the upper left, with a very gentle gradient darkening towards the lower right of the sweep. Palette is restricted to matte black, cool grey plastic and the warm off-white ground, with the single green glow of the screen as the one chromatic note. Fine matte texture on the plastic, crisp seam lines, precise edge definition; the shallow depth of field softens only the far corners of the field. Quiet, nostalgic.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
Dumb phone
โหมด
flash
ขนาด
1104 x 1824
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.41k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
uy
dumb phone, object focus, no humans, design piece, product study, single object centered, from above, high angle, close-up, flip phone, matte black plastic body, thick antenna stub, small monochrome LCD screen, physical numeric keypad with raised rubber keys, tiny rounded rectangular buttons, faint wear on the keypad from thumbs, seam line across the hinge, scuffed corners, worn hinge, open at a wide angle, screen lit dim green, empty seamless off-white field, soft studio sweep, no hands, no people, no text on screen, blank screen display, simple product shot, clean composition, shallow depth of field Shot from directly above at a close, slightly oblique high angle, a single open flip phone lies alone on a completely empty off-white seamless studio sweep, angled diagonally across the frame with the top half tipped a few degrees away from the lens so the hinge seam and keypad both stay legible. The lower half dominates the foreground: a matte black plastic body with a thick rectangular antenna stub rising at the hinge's outer corner, a physical numeric keypad of small rounded rubber keys in a tight three-by-four grid, the surface of each key softly polished and slightly dished in the middle where years of thumbs have pressed, the paint on the 5 key rubbed thin. Above the hinge the upper shell carries a small monochrome LCD, its glass reflecting a pale sheen, its green backlight glowing very faintly from within so the darkest value in the image sits in the keypad's recessed gaps. Both shell edges show fine scuffs and pale abrasion at the corners; a hairline crack traces the hinge's plastic shoulder. The phone rests with its full weight on the paper-white surface, a short soft contact shadow pooling only beneath its underside and fading quickly at the edges, cast from a broad diffused overhead source slightly to the upper left, with a very gentle gradient darkening towards the lower right of the sweep. Palette is restricted to matte black, cool grey plastic and the warm off-white ground, with the single green glow of the screen as the one chromatic note. Fine matte texture on the plastic, crisp seam lines, precise edge definition; the shallow depth of field softens only the far corners of the field. Quiet, nostalgic.
ut yatu
AI artwork
uy
dumb phone, object focus, no humans, design piece, product study, single object centered, from above, high angle, close-up, flip phone, matte black plastic body, thick antenna stub, small monochrome LCD screen, physical numeric keypad with raised rubber keys, tiny rounded rectangular buttons, faint wear on the keypad from thumbs, seam line across the hinge, scuffed corners, worn hinge, open at a wide angle, screen lit dim green, empty seamless off-white field, soft studio sweep, no hands, no people, no text on screen, blank screen display, simple product shot, clean composition, shallow depth of field Shot from directly above at a close, slightly oblique high angle, a single open flip phone lies alone on a completely empty off-white seamless studio sweep, angled diagonally across the frame with the top half tipped a few degrees away from the lens so the hinge seam and keypad both stay legible. The lower half dominates the foreground: a matte black plastic body with a thick rectangular antenna stub rising at the hinge's outer corner, a physical numeric keypad of small rounded rubber keys in a tight three-by-four grid, the surface of each key softly polished and slightly dished in the middle where years of thumbs have pressed, the paint on the 5 key rubbed thin. Above the hinge the upper shell carries a small monochrome LCD, its glass reflecting a pale sheen, its green backlight glowing very faintly from within so the darkest value in the image sits in the keypad's recessed gaps. Both shell edges show fine scuffs and pale abrasion at the corners; a hairline crack traces the hinge's plastic shoulder. The phone rests with its full weight on the paper-white surface, a short soft contact shadow pooling only beneath its underside and fading quickly at the edges, cast from a broad diffused overhead source slightly to the upper left, with a very gentle gradient darkening towards the lower right of the sweep. Palette is restricted to matte black, cool grey plastic and the warm off-white ground, with the single green glow of the screen as the one chromatic note. Fine matte texture on the plastic, crisp seam lines, precise edge definition; the shallow depth of field softens only the far corners of the field. Quiet, nostalgic.
ut yatu
AI artwork
uy
dumb phone, object focus, no humans, design piece, product study, single object centered, from above, high angle, close-up, flip phone, matte black plastic body, thick antenna stub, small monochrome LCD screen, physical numeric keypad with raised rubber keys, tiny rounded rectangular buttons, faint wear on the keypad from thumbs, seam line across the hinge, scuffed corners, worn hinge, open at a wide angle, screen lit dim green, empty seamless off-white field, soft studio sweep, no hands, no people, no text on screen, blank screen display, simple product shot, clean composition, shallow depth of field Shot from directly above at a close, slightly oblique high angle, a single open flip phone lies alone on a completely empty off-white seamless studio sweep, angled diagonally across the frame with the top half tipped a few degrees away from the lens so the hinge seam and keypad both stay legible. The lower half dominates the foreground: a matte black plastic body with a thick rectangular antenna stub rising at the hinge's outer corner, a physical numeric keypad of small rounded rubber keys in a tight three-by-four grid, the surface of each key softly polished and slightly dished in the middle where years of thumbs have pressed, the paint on the 5 key rubbed thin. Above the hinge the upper shell carries a small monochrome LCD, its glass reflecting a pale sheen, its green backlight glowing very faintly from within so the darkest value in the image sits in the keypad's recessed gaps. Both shell edges show fine scuffs and pale abrasion at the corners; a hairline crack traces the hinge's plastic shoulder. The phone rests with its full weight on the paper-white surface, a short soft contact shadow pooling only beneath its underside and fading quickly at the edges, cast from a broad diffused overhead source slightly to the upper left, with a very gentle gradient darkening towards the lower right of the sweep. Palette is restricted to matte black, cool grey plastic and the warm off-white ground, with the single green glow of the screen as the one chromatic note. Fine matte texture on the plastic, crisp seam lines, precise edge definition; the shallow depth of field softens only the far corners of the field. Quiet, nostalgic.
ut yatu

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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