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ยูกิโอ, ยูกิโอ ดูเอลมอนสเตอร์ส

ภาพ AI โดย เอกฤทธิ์ มะสีหา บน PixAI แท็ก: กลางแจ้ง, ผมสีแดง, มองลง, ผมชี้, ผมบลอนด์, ผมสีฟ้า สร้างด้วย Tsubaki.3 Flash

เผยแพร่เมื่อ Oct 25, 2026

เอกฤทธิ์ มะสีหา

ดูเพิ่มเติม

character: optimus_prime, atem, yami_yugi 2boys, optimus prime, atem, yami yugi, sitting, sitting on wooden bench, side by side, both on the same bench, from side, profile, wide shot, full body, seated, leaning forward, elbows on knees, hands clasped, head turned, looking at another, red jacket, blue gloves, fingerless gloves, crop top, goggles on head, blue hair, hair bun, double bun, blue eyes, black hair, multicolored hair, blonde hair, red hair, spiked hair, long hair, hair intakes, red eyes, purple eyes, earrings, jewelry, bracelet, ring, shirt, cape, no standing, both figures seated, calm, quiet The camera sits low and to one side, a wide side-on profile shot: a weathered wooden bench runs horizontally across the frame, its planks pale and sun-bleached at the top edges, darkened where old grain holds damp, and both figures are seated on it at once, facing to the right of frame. On the left slab of the bench a tall broad-shouldered figure in a red jacket sits with his weight on his near hip, torso tipped forward, both forearms planted on his knees and his blue-gloved hands loosely clasped between them; the fingerless gloves leave the heels of his hands and the first knuckles bare, the crop top riding up one finger-width over his waist at the bend, and his blue eyes are turned down and to his right toward his companion while a single blue hair strand drifts free of the twin buns set high on his head. On the right slab of the same bench, a narrower figure sits toward the front edge with knees together and feet just touching the ground, his long multicolored black-and-blonde-and-red spiked hair sweeping back and a few tips catching a warmer rim; his earring hangs still, and his dark cape is dragged back over the bench and hangs off the far end in a slack fold, its hem grazing the wood. His head is turned only slightly, purple eyes lifted and angled up at the larger figure's face, chin tipped, one hand flat on the bench beside his thigh — the flat hand and the clenched hands are the only two contacts on the wood — and a bracelet sits on that wrist, a ring on one finger. The side-on view keeps their faces in profile: the taller figure's mouth is caught mid-word, barely parted, and the smaller figure's brow has just begun to draw together in concentration, so the conversation reads as a held breath between them. The bench sits on bare packed earth scattered with wood shavings and sawdust in a loose drift under the seat, a couple of shavings snagged on the bench's rough grain, and behind them the environment is shallow and empty — a soft, hazy workshop wall out of focus, no other people, nothing else on the bench. Low late-afternoon light comes from the right of frame, roughly in line with the lens axis, so it catches the taller figure's jaw, the right side of his goggles, and the tops of the smaller figure's hair spikes; the bench casts a shadow strip straight back to the left and the unseen wall, and the shadow side of both figures stays a cool midnight blue rather than black. Warm amber light on the bleached wood against the cool blue shadow makes a narrow, restrained palette of amber, midnight blue, and the muted red of the jacket and of the hair tips. Low, unhurried, companionable.

ยูกิโอ, ยูกิโอ ดูเอลมอนสเตอร์ส

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