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AI art "kyonko," featuring #เสียงเพลง ผูกใจไว้ที่เธอ
สร้างฟรี

kyonko,

#เสียงเพลง ผูกใจไว้ที่เธอ
ny

N.Y.

ดูเพิ่มเติม

คอมเมนต์

character: tachibana_kyouko_(suzumiya_haruhi), kyonko, copyright: suzumiya_haruhi_no_yuuutsu 1girl, solo, long brown hair, high ponytail, brown eyes, sleepy eyes, half-closed eyes, yawning, half closed mouth, drooling, drool on cheek, lying on bed, on back, arms splayed, looking away, looking to the side, from above, funny sleeping posture, short sleeves, oversized white shirt, plain white shirt, gray sweatpants, bare feet, dark room, bed, pillow, blanket, blanket over one leg, night, dim light, clean lineart, flat coloring, character focus, close crop From directly overhead the camera looks down on a single girl sprawled asleep across a bed in a dark room: the bed fills the frame edge to edge and she is the only subject in it. She lies on her back, tilted a little diagonally across the mattress, in a funny sleeping posture -- one leg bent up and flopped sideways over the other, that knee fallen outward, one arm thrown wide off the edge of the pillow with the palm up and fingers loosely curled, the other arm folded across her own stomach. Her long brown hair is pulled up into a high ponytail at the crown of her head; the tail fans out sideways on the pillow in a loose scatter and a few stray strands stick to her cheek and forehead. The oversized short-sleeved white shirt is far too big, its shoulder seams slipping toward her upper arms, the fabric bunched and wrinkled under one shoulder, its hem riding up and folding back so a sliver of her waist shows on the mattress; below it the gray sweatpants are loose and baggy, one cuff pulled up to mid-calf, her bare feet hanging over a corner of the mattress. Her face is slack and sleepy: eyes half closed, lids heavy and low, the outer corners soft, gaze turned away to the side toward the dark wall and not at the camera; her mouth hangs half open in the middle of a long yawn, jaw loose, tongue barely visible, and a thin thread of drool slides from the corner of her lips down onto the pillow, its wet gleam catching the light. A crumpled blanket lies half kicked off, covering one shin only, the pillow compressed into a deep dent under her head. The only light source is a small dim night lamp at one edge of the room just outside the frame; it falls from one side in a low warm amber pool across her cheek, the white shirt's folds and the pillow, leaving the far half of the bed and the room beyond in near-total darkness, with only a faint edge glint along the rim of her ponytail. Palette is restricted to the white shirt, the cool gray sweatpants, warm brown of hair and skin, and the deep blue-black of the room, nothing else admitted. Clean crisp lineart with flat cel coloring and no gradient shading, shadow shapes at hard edges. A single drool strand drops in a short gravity-driven thread and darkens the pillow fabric exactly where it lands. Quiet, drowsy, gently funny.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
( 1girl, solo, Kyonko from The Melancholy of Haruhi Suzumiya, official anime style, Kyoto Animation style, girl with long brown hair in high ponytail, , sleepy eyes, yawning, half closed mouth,), dark room, lying on bed, looking away, from above, funny sleeping posture, (short sleeves white oversized shirts, gray sweat pants, drooling slightly, ) clean lineart, flat coloring, official art style, , character focused,
โหมด
pro
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1104 x 1824
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.65k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of uru
character: kuwayama_chiyuki, kuwayama_chiyuki(idol_master) overhead shot, top-down, from above, looking directly down, bird's-eye view, 1girl, solo, lying on back, on bed, hotel bed, full body visible, arms splayed out, arms limp, hands palms-up, resting on sheets, exhausted, total exhaustion, flushed face, blushing, embarrassed expression, purple eyes, sweat on skin, moist skin, brown hair, long hair, ahoge, braid, wearing bra, underwear only, bare shoulders, bare arms, bare midriff, navel, bare legs, messy bedding, rumpled sheets, disheveled pillows, dimly lit bedroom, warm humid atmosphere, soft ambient lighting, intimate fatigue, warm color palette, cinematic lighting, high detail The camera hangs from the ceiling directly above the bed, looking straight down, so the mattress fills the frame edge to edge and the girl is seen in full length from above, her whole body laid out across the sheets. She lies on her back, spine along the bed's long axis but tilted a little off-center toward the lower right, head heavy on a crumpled pillow at the upper left of the frame, one hip lifted slightly off the mattress so her body reads as a slack, uncoiled line rather than a posed one. Her arms lie limp and splayed out to both sides, flung clear of her torso, elbows slightly bent and turned outward, and both hands rest palms-up on the sheets, fingers loosely curled and open to the ceiling. Her legs trail down-frame, one knee fallen outward, the other leg straight, heels sunk into the rumpled duvet. Her face is turned a few degrees toward her shoulder, chin tucked, cheeks and the bridge of her nose deeply flushed with a hot pink blush that spreads to her ears, brows drawn up in the middle, eyes wide and glassy with a wet shine, lips parted on a small breath — a thoroughly embarrassed expression held under the camera's impartial stare. Purple irises catch a thin ring of light; her long brown hair fans out across the pillow and sheets around her head in loose tangles, the small braid trailing off to one side, the ahoge sprung up and bent. She wears only a plain bra, the straps slipping a little off her bare shoulders, her collarbones, midriff and navel exposed to the air; no jewelry, both ears bare and unobstructed, nothing at her throat. A fine sheen of sweat covers her skin — forehead, collarbones, sternum, the hollow of her throat — beading into small droplets that catch the light and darkening the fabric of the bra where it touches; a few strands of hair stick damply to her cheek and neck. The bedding is a wreck: sheets pulled loose and twisted into long diagonal creases, the duvet half-kicked off the mattress edge, pillows crushed and one flung near the corner, the fabric folds casting soft micro-shadows under the raking overhead light. The room is a dim hotel bedroom seen only in what the ceiling light permits: a warm, low ambient glow from a shaded lamp off-frame, falling across her body from above and slightly to one side, so the highlights sit on her flushed cheeks, her shoulders and the sweat on her chest while the deep shadow pools in the creases of the sheets and in the hollows beside her neck and under her arms. Beyond the lit mattress the floor and far walls sink into brown darkness; the only other brightness is the faint warm sheen of the headboard edge. The palette is held to warm amber lamplight, the pale cream of the sheets, the deep brown of her hair and the pink heat of her blush, with the humid air reading as a slight softness in the light. The atmosphere is a single held breath of intimate fatigue.
uru
AI artwork
Avatar image of uru
character: kuwayama_chiyuki, kuwayama_chiyuki(idol_master) overhead shot, top-down, from above, looking directly down, bird's-eye view, 1girl, solo, lying on back, on bed, hotel bed, full body visible, arms splayed out, arms limp, hands palms-up, resting on sheets, exhausted, total exhaustion, flushed face, blushing, embarrassed expression, purple eyes, sweat on skin, moist skin, brown hair, long hair, ahoge, braid, wearing bra, underwear only, bare shoulders, bare arms, bare midriff, navel, bare legs, messy bedding, rumpled sheets, disheveled pillows, dimly lit bedroom, warm humid atmosphere, soft ambient lighting, intimate fatigue, warm color palette, cinematic lighting, high detail The camera hangs from the ceiling directly above the bed, looking straight down, so the mattress fills the frame edge to edge and the girl is seen in full length from above, her whole body laid out across the sheets. She lies on her back, spine along the bed's long axis but tilted a little off-center toward the lower right, head heavy on a crumpled pillow at the upper left of the frame, one hip lifted slightly off the mattress so her body reads as a slack, uncoiled line rather than a posed one. Her arms lie limp and splayed out to both sides, flung clear of her torso, elbows slightly bent and turned outward, and both hands rest palms-up on the sheets, fingers loosely curled and open to the ceiling. Her legs trail down-frame, one knee fallen outward, the other leg straight, heels sunk into the rumpled duvet. Her face is turned a few degrees toward her shoulder, chin tucked, cheeks and the bridge of her nose deeply flushed with a hot pink blush that spreads to her ears, brows drawn up in the middle, eyes wide and glassy with a wet shine, lips parted on a small breath — a thoroughly embarrassed expression held under the camera's impartial stare. Purple irises catch a thin ring of light; her long brown hair fans out across the pillow and sheets around her head in loose tangles, the small braid trailing off to one side, the ahoge sprung up and bent. She wears only a plain bra, the straps slipping a little off her bare shoulders, her collarbones, midriff and navel exposed to the air; no jewelry, both ears bare and unobstructed, nothing at her throat. A fine sheen of sweat covers her skin — forehead, collarbones, sternum, the hollow of her throat — beading into small droplets that catch the light and darkening the fabric of the bra where it touches; a few strands of hair stick damply to her cheek and neck. The bedding is a wreck: sheets pulled loose and twisted into long diagonal creases, the duvet half-kicked off the mattress edge, pillows crushed and one flung near the corner, the fabric folds casting soft micro-shadows under the raking overhead light. The room is a dim hotel bedroom seen only in what the ceiling light permits: a warm, low ambient glow from a shaded lamp off-frame, falling across her body from above and slightly to one side, so the highlights sit on her flushed cheeks, her shoulders and the sweat on her chest while the deep shadow pools in the creases of the sheets and in the hollows beside her neck and under her arms. Beyond the lit mattress the floor and far walls sink into brown darkness; the only other brightness is the faint warm sheen of the headboard edge. The palette is held to warm amber lamplight, the pale cream of the sheets, the deep brown of her hair and the pink heat of her blush, with the humid air reading as a slight softness in the light. The atmosphere is a single held breath of intimate fatigue.
uru
1

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