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AI art "Office lady sweaty feet from tights" featuring #เท้า, #ถุงน่องเต็มตัว, #รองเท้าส้นสูง, #โฟกัสที่เท้า, #หยดเหงื่อ and #สาวออฟฟิศ
สร้างฟรี

Office lady sweaty feet from tights

Office lady in skirt suit and tights removes her shoe and her foot is dripping with sweat.

#เท้า#ถุงน่องเต็มตัว#รองเท้าส้นสูง#โฟกัสที่เท้า#หยดเหงื่อ#สาวออฟฟิศ
t

theunknownturnabout

ดูเพิ่มเติม

คอมเมนต์

solo, 1girl, office lady, sitting, skirt suit, charcoal grey skirt suit, white button-down shirt, tan tights, tan opaque pantyhose, shoe removal, removing shoe, one shoe off, one shoe on, bare foot in tights, foot toward viewer, sole of foot facing viewer, foot pointing at camera, sweat on foot, sweat droplets, sweat dripping, wet tights, toes, foreshortening, from below, from side, low angle, close-up on foot, deep perspective, indoor, office, shoulder-length brown hair, low ponytail, looking down at foot, concentrated expression, parted lips, blush, leaning forward, arm support, hand on ankle, tile floor, vending machine glow, fluorescent light, cool grey palette, tan accent, A low camera set almost on the floor tiles, tilted up along the length of her outstretched leg: she sits on the edge of a low office bench with her weight pitched forward onto her left hip, the right knee drawn up and the right foot thrust straight at the lens so that the tan-nylon sole fills the near foreground, hugely foreshortened, the heel of her bare foot crossed over her other shin while the removed black pump lies tipped on its side by her left ankle, one shoe still on. Her right hand grips the lifted foot at the arch, fingers hooked under the instep and thumb pressed into the taut nylon beneath the ball of the foot; her left hand braces flat on the bench edge, wrist bent, knuckles pale with the load. Her chin is tucked, brow drawn faintly in effort, lower lip caught between her teeth and a light flush high on her cheeks, and her eyes are angled down along her own leg to the foot she is working free. She wears a charcoal grey skirt suit, the jacket open over a crisp white button-down, the skirt hem riding up her thigh where she sits, and tan opaque tights sheathing both legs from waist to toe, the nylon stretched glassy-tight over the sole and shining where it is damp. Sweat beads stand out all over the near foot and run in slow droplets down the curve of the arch to gather at the heel, each drop catching a hard pinpoint highlight; a sheen of moisture darkens the nylon across the toes, and one droplet hangs, stretched and about to fall, from the edge of her heel. The light is cold overhead fluorescent, the only source, striking the raised sole from above so that it glows pale tan while the shadowed underside of her thigh and the floor beneath the bench sink into dim grey; the illumination flattens across the tiles and leaves a soft wet-dark print where her stockinged toes have pressed. Behind her, an office corridor recedes out of focus in cool greys, a vending machine glowing faintly at the far end, blinds cutting thin bars across the wall, and the palette stays charcoal, white, cold tile grey with the tan of the tights as the single warm note. Intimate, tense with small effort.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
Office lady skirt suit tan tights sitting removing shoe foot facing camera foot dripping with sweat droplets
โหมด
flash
ขนาด
1104 x 1824
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.44k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
a2
blonde hair, wavy hair, amber eyes, hair ribbon, two hair ribbons, shoulder-length hair, sketchy linework, 8k, masterpiece, delicate illustration, flat color, beautiful eyes, depth of field, solo, 1girl, office lady, sitting, skirt suit, charcoal grey skirt suit, white button-down shirt, tan tights, tan opaque pantyhose, shoe removal, removing shoe, one shoe off, one shoe on, bare foot in tights, foot toward viewer, sole of foot facing viewer, foot pointing at camera, sweat on foot, sweat droplets, sweat dripping, wet tights, toes, foreshortening, from below, from side, low angle, close-up on foot, deep perspective, indoor, office, shoulder-length brown hair, low ponytail, looking down at foot, concentrated expression, parted lips, blush, leaning forward, arm support, hand on ankle, tile floor, vending machine glow, fluorescent light, cool grey palette, tan accent, A low camera set almost on the floor tiles, tilted up along the length of her outstretched leg: she sits on the edge of a low office bench with her weight pitched forward onto her left hip, the right knee drawn up and the right foot thrust straight at the lens so that the tan-nylon sole fills the near foreground, hugely foreshortened, the heel of her bare foot crossed over her other shin while the removed black pump lies tipped on its side by her left ankle, one shoe still on. Her right hand grips the lifted foot at the arch, fingers hooked under the instep and thumb pressed into the taut nylon beneath the ball of the foot; her left hand braces flat on the bench edge, wrist bent, knuckles pale with the load. Her chin is tucked, brow drawn faintly in effort, lower lip caught between her teeth and a light flush high on her cheeks, and her eyes are angled down along her own leg to the foot she is working free. She wears a charcoal grey skirt suit, the jacket open over a crisp white button-down, the skirt hem riding up her thigh where she sits, and tan opaque tights sheathing both legs from waist to toe, the nylon stretched glassy-tight over the sole and shining where it is damp. Sweat beads stand out all over the near foot and run in slow droplets down the curve of the arch to gather at the heel, each drop catching a hard pinpoint highlight; a sheen of moisture darkens the nylon across the toes, and one droplet hangs, stretched and about to fall, from the edge of her heel. The light is cold overhead fluorescent, the only source, striking the raised sole from above so that it glows pale tan while the shadowed underside of her thigh and the floor beneath the bench sink into dim grey; the illumination flattens across the tiles and leaves a soft wet-dark print where her stockinged toes have pressed. Behind her, an office corridor recedes out of focus in cool greys, a vending machine glowing faintly at the far end, blinds cutting thin bars across the wall, and the palette stays charcoal, white, cold tile grey with the tan of the tights as the single warm note. Intimate, tense with small effort.
anton2236
#zetaCollab
AI artwork
a2
blonde hair, wavy hair, amber eyes, hair ribbon，two hair ribbons，shoulder-length hair, solo, 1girl, office lady, sitting, skirt suit, charcoal grey skirt suit, white button-down shirt, tan tights, tan opaque pantyhose, shoe removal, removing shoe, one shoe off, one shoe on, bare foot in tights, foot toward viewer, sole of foot facing viewer, foot pointing at camera, sweat on foot, sweat droplets, sweat dripping, wet tights, toes, foreshortening, from below, from side, low angle, close-up on foot, deep perspective, indoor, office, shoulder-length brown hair, low ponytail, looking down at foot, concentrated expression, parted lips, blush, leaning forward, arm support, hand on ankle, tile floor, vending machine glow, fluorescent light, cool grey palette, tan accent, A low camera set almost on the floor tiles, tilted up along the length of her outstretched leg: she sits on the edge of a low office bench with her weight pitched forward onto her left hip, the right knee drawn up and the right foot thrust straight at the lens so that the tan-nylon sole fills the near foreground, hugely foreshortened, the heel of her bare foot crossed over her other shin while the removed black pump lies tipped on its side by her left ankle, one shoe still on. Her right hand grips the lifted foot at the arch, fingers hooked under the instep and thumb pressed into the taut nylon beneath the ball of the foot; her left hand braces flat on the bench edge, wrist bent, knuckles pale with the load. Her chin is tucked, brow drawn faintly in effort, lower lip caught between her teeth and a light flush high on her cheeks, and her eyes are angled down along her own leg to the foot she is working free. She wears a charcoal grey skirt suit, the jacket open over a crisp white button-down, the skirt hem riding up her thigh where she sits, and tan opaque tights sheathing both legs from waist to toe, the nylon stretched glassy-tight over the sole and shining where it is damp. Sweat beads stand out all over the near foot and run in slow droplets down the curve of the arch to gather at the heel, each drop catching a hard pinpoint highlight; a sheen of moisture darkens the nylon across the toes, and one droplet hangs, stretched and about to fall, from the edge of her heel. The light is cold overhead fluorescent, the only source, striking the raised sole from above so that it glows pale tan while the shadowed underside of her thigh and the floor beneath the bench sink into dim grey; the illumination flattens across the tiles and leaves a soft wet-dark print where her stockinged toes have pressed. Behind her, an office corridor recedes out of focus in cool greys, a vending machine glowing faintly at the far end, blinds cutting thin bars across the wall, and the palette stays charcoal, white, cold tile grey with the tan of the tights as the single warm note. Intimate, tense with small effort.
anton2236
#zetaCollab
AI artwork
a2
blonde hair, wavy hair, amber eyes, hair ribbon，two hair ribbons，shoulder-length hair, solo, 1girl, office lady, sitting, skirt suit, charcoal grey skirt suit, white button-down shirt, tan tights, tan opaque pantyhose, shoe removal, removing shoe, one shoe off, one shoe on, bare foot in tights, foot toward viewer, sole of foot facing viewer, foot pointing at camera, sweat on foot, sweat droplets, sweat dripping, wet tights, toes, foreshortening, from below, from side, low angle, close-up on foot, deep perspective, indoor, office, shoulder-length brown hair, low ponytail, looking down at foot, concentrated expression, parted lips, blush, leaning forward, arm support, hand on ankle, tile floor, vending machine glow, fluorescent light, cool grey palette, tan accent, A low camera set almost on the floor tiles, tilted up along the length of her outstretched leg: she sits on the edge of a low office bench with her weight pitched forward onto her left hip, the right knee drawn up and the right foot thrust straight at the lens so that the tan-nylon sole fills the near foreground, hugely foreshortened, the heel of her bare foot crossed over her other shin while the removed black pump lies tipped on its side by her left ankle, one shoe still on. Her right hand grips the lifted foot at the arch, fingers hooked under the instep and thumb pressed into the taut nylon beneath the ball of the foot; her left hand braces flat on the bench edge, wrist bent, knuckles pale with the load. Her chin is tucked, brow drawn faintly in effort, lower lip caught between her teeth and a light flush high on her cheeks, and her eyes are angled down along her own leg to the foot she is working free. She wears a charcoal grey skirt suit, the jacket open over a crisp white button-down, the skirt hem riding up her thigh where she sits, and tan opaque tights sheathing both legs from waist to toe, the nylon stretched glassy-tight over the sole and shining where it is damp. Sweat beads stand out all over the near foot and run in slow droplets down the curve of the arch to gather at the heel, each drop catching a hard pinpoint highlight; a sheen of moisture darkens the nylon across the toes, and one droplet hangs, stretched and about to fall, from the edge of her heel. The light is cold overhead fluorescent, the only source, striking the raised sole from above so that it glows pale tan while the shadowed underside of her thigh and the floor beneath the bench sink into dim grey; the illumination flattens across the tiles and leaves a soft wet-dark print where her stockinged toes have pressed. Behind her, an office corridor recedes out of focus in cool greys, a vending machine glowing faintly at the far end, blinds cutting thin bars across the wall, and the palette stays charcoal, white, cold tile grey with the tan of the tights as the single warm note. Intimate, tense with small effort.
anton2236
#zetaCollab
AI artwork
a2
blonde hair, wavy hair, amber eyes, hair ribbon, two hair ribbons, shoulder-length hair, sketchy linework, 8k, masterpiece, delicate illustration, flat color, beautiful eyes, depth of field, solo, 1girl, office lady, sitting, skirt suit, charcoal grey skirt suit, white button-down shirt, tan tights, tan opaque pantyhose, shoe removal, removing shoe, one shoe off, one shoe on, bare foot in tights, foot toward viewer, sole of foot facing viewer, foot pointing at camera, sweat on foot, sweat droplets, sweat dripping, wet tights, toes, foreshortening, from below, from side, low angle, close-up on foot, deep perspective, indoor, office, shoulder-length brown hair, low ponytail, looking down at foot, concentrated expression, parted lips, blush, leaning forward, arm support, hand on ankle, tile floor, vending machine glow, fluorescent light, cool grey palette, tan accent, A low camera set almost on the floor tiles, tilted up along the length of her outstretched leg: she sits on the edge of a low office bench with her weight pitched forward onto her left hip, the right knee drawn up and the right foot thrust straight at the lens so that the tan-nylon sole fills the near foreground, hugely foreshortened, the heel of her bare foot crossed over her other shin while the removed black pump lies tipped on its side by her left ankle, one shoe still on. Her right hand grips the lifted foot at the arch, fingers hooked under the instep and thumb pressed into the taut nylon beneath the ball of the foot; her left hand braces flat on the bench edge, wrist bent, knuckles pale with the load. Her chin is tucked, brow drawn faintly in effort, lower lip caught between her teeth and a light flush high on her cheeks, and her eyes are angled down along her own leg to the foot she is working free. She wears a charcoal grey skirt suit, the jacket open over a crisp white button-down, the skirt hem riding up her thigh where she sits, and tan opaque tights sheathing both legs from waist to toe, the nylon stretched glassy-tight over the sole and shining where it is damp. Sweat beads stand out all over the near foot and run in slow droplets down the curve of the arch to gather at the heel, each drop catching a hard pinpoint highlight; a sheen of moisture darkens the nylon across the toes, and one droplet hangs, stretched and about to fall, from the edge of her heel. The light is cold overhead fluorescent, the only source, striking the raised sole from above so that it glows pale tan while the shadowed underside of her thigh and the floor beneath the bench sink into dim grey; the illumination flattens across the tiles and leaves a soft wet-dark print where her stockinged toes have pressed. Behind her, an office corridor recedes out of focus in cool greys, a vending machine glowing faintly at the far end, blinds cutting thin bars across the wall, and the palette stays charcoal, white, cold tile grey with the tan of the tights as the single warm note. Intimate, tense with small effort.
anton2236
#zetaCollab

สำรวจเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
9#คางามิเนะ ริน#โวคาลอยด์#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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4#ผ่าพิภพไททัน#มิคาสะ อัคเคอร์แมน
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